Ken Mcbroom Email and Phone Number
Seasoned film & television executive with 10+ years of development & production experience on industry-defining projects for HBO, including "Big Little Lies" and "Sharp Objects." Brings a deep expertise in original programming, film & tv development, and production management to the table. Worked on numerous Emmy Award-winning and Golden Globe award-winning projects, including:Television Series:• Game of Thrones (Seasons 3-7, 2013-2017)• Veep (Seasons 2-6, 2013-2017)• Silicon Valley (Seasons 1-4, 2014-2017)• True Detective (Seasons 1-2, 2014, 2015)• Girls (Seasons 3-5, 2014-2016)• The Leftovers (Seasons 1-3, 2014-2017)• Ballers (Seasons 1-4, 2015-2018)• Westworld (Season 1, 2016)• Insecure (Season 1, 2016)• Vinyl (Season 1, 2016)• Vice Principals (Season 1, 2016)• Divorce (Season 1, 2016)• Big Little Lies (Season 1-2, 2017-2019)• Crashing (Season 1, 2017)• The Deuce (Season 1, 2017)• Barry (Season 1, 2018)• Succession (Season 1, 2018)Miniseries:• Olive Kitteridge (2014)• Show Me a Hero (2015)• The Night Of (2016)• The Young Pope (2016)• Sharp Objects (2018)• In the Hours of the NightFilms:• Behind the Candelabra (2013)• The Normal Heart (2014)• Confirmation (2016)• All the Way (2016)• The Wizard of Lies (2017)• The Immortal Life of Henrietta Lacks (2017)• Fahrenheit 451 (2018)• Deadwood (2019)• The Postcard Killings (2020)• Anna (2024)• The Duchess of Malfi• The Man Who Stole the Sky• People of the Book• The ExecutionAdditional career highlights include:• Secured a $2.5 million tax credit through strategic negotiations with the California Film Commission.• Worked with Nicole Kidman, Reese Witherspoon, Laura Dern, Meryl Streep, and the late acclaimed director Jean-Marc Vallée on Big Little Lies Season 2.• Supported HBO's Head of Physical Production, Bruce Richmond, during the studio's most prestigious era, on projects including Game of Thrones, Veep, and Silicon Valley.• Developed persuasive sales sheets for Relativity Media, successfully attracting investors at Cannes and American Film Market (AFM), contributing to a total worldwide box office gross of $620 million.Ken lives in Los Angeles with his wife. He is a lifelong fan of the New York Giants and the New York Mets with extensive NFL knowledge & a shockingly good memory for football statistics. Both fandoms bring him equal amounts of pain and pleasure.
True Case Films
View- Website:
- truecasefilms.com
- Employees:
- 4
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President Of DevelopmentTrue Case FilmsLos Angeles, Ca, Us
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Svp Of Development & ProductionGood Films Collective 2019 - 2023Los Angeles, California, United States• Served as Head of Development for Good Films Collective, leading the company’s creative vision from early script development into production on multiple high-profile projects including The Postcard Killings, Anna, The Duchess of Malfi, and The Execution.• Initiated and managed relationships with talent, agents/managers, production companies, studio executives, and partners. Identified and engaged with new talent, particularly writers, while handling pitch meetings and bringing in successful projects.• Played a central role in the financing & script development of Anna, leading brainstorming sessions, script revisions, and casting outreach. Developed a comprehensive sales deck for potential investors, backed by meticulous research on biographical subjects to ensure factual accuracy and investment appeal.• Oversaw the adaptation of In the Hours of Night from a feature film script to a five-episode miniseries, crafting a detailed episode outline that guided the writer's screenplay for the pilot.• Spearheaded the development of The Execution, facilitating connections between the writer & Jamal Khashoggi’s fiancée, to ensure historical & emotional accuracy on this politically sensitive narrative.• Provided critical feedback during post-production of The Postcard Killings and managed communication between the producer, director, and editor.• Liaised closely with the company’s Head of Production to align budgeting, scheduling, and hiring priorities. Oversaw the hiring of various department heads including cinematographers, production designers, costume designers, casting directors, and editors, balancing artistic vision with logistical & budgetary considerations.• Secured a pivotal $2.5 million tax credit for Can I Be Honest through strategic negotiations with the California Film Commission.
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Vp Of Development & ProductionGood Films Collective 2018 - 2019Los Angeles, California, United States
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Hbo Series "Big Little Lies," Season 2 - Assistant To Executive Producer Gregg FienbergHbo 2017 - 2018Los Angeles, California, United States• Assisted Executive Producer Gregg Fienberg with creation of budget and shooting schedule throughout the life of both projects, beginning with initial scripts and including all script revisions.• Managed scheduling changes across multiple locations in Los Angeles and Northern California, balancing the demanding schedules of A-list actors and coordinating with their agents.• Ensured accuracy of cost reports and cast contracts; maintained records of daily production figures, including minutes shot, script pages shot and hours worked for both cast and crew.• Facilitated seamless communication and relationship management between producers, directors, department heads, and crew to ensure efficient operations on set.• Organized significant events for 100+ cast and crew, including wrap parties & premieres, enhancing team morale & celebrating milestones.• Coordinated the awards submission process with HBO awards executives and talent agents, securing successful nominations for key talent in prestigious categories at the Emmy’s & Golden Globes. -
Hbo Limited Series "Sharp Objects," Assistant To Executive Producer Gregg FienbergHbo 2016 - 2017Los Angeles, California, United States• Assisted Executive Producer Gregg Fienberg with creation of budget and shooting schedule throughout the life of both projects, beginning with initial scripts and including all script revisions.• Worked closely with the Unit Production Manager to adapt shooting schedules dynamically, ensuring the project's timely progression in Los Angeles, Atlanta, and Northern California, despite frequent changes.• Ensured accuracy of cost reports and cast contracts; maintained records of daily production figures, including minutes shot, script pages shot and hours worked for both cast and crew.• Facilitated seamless communication and relationship management between producers, directors, department heads, and crew to ensure efficient operations on set.• Organized significant events for 100+ cast and crew, including wrap parties & premieres, enhancing team morale & celebrating milestones.• Coordinated the awards submission process with HBO awards executives and talent agents, securing successful nominations for key talent in prestigious categories at the Emmy’s & Golden Globes.
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Assistant To Head Of Production Bruce RichmondHbo 2013 - 2016Los Angeles, California, United States• Provided executive support to Bruce Richmond, Head of Physical Production at HBO, facilitating production and post-production operations across a global portfolio of television series, miniseries, and films.• Maintained oversight of executive workloads and project statuses, ensuring the Head of Production had accurate, up-to-date information to effectively manage HBO's programming pipeline.• Updated and maintained budgets for all active projects within the company as well as those in development.• Served as a critical liaison between the Head of Production and senior executives to assign shows, troubleshoot A-list scheduling problems, and anticipate budgetary challenges on high-profile series including Veep and Westworld.• Offered vital emotional support and strategic counsel to senior HBO executives, while ensuring a high level of confidentiality on extremely sensitive materials, including early drafts & cuts of Game of Thrones.
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CopywriterRelativity Media 2009 - 2013Los Angeles, California, United States• Created marketing materials for Relativity Media’s international sales and distribution division as the division’s sole copywriter, successfully attracting investors at major film festivals and markets including Cannes Film Festival and American Film Market (AFM).• Synthesized complex narratives into engaging single-page summaries for 100+ film projects in development, effectively conveying genre, plot, market appeal, and unique selling points of each film to a target investor audience. • Contributed to the diversification of Relativity's film portfolio through targeted copywriting that addressed varied genres and audience demographics.• Total worldwide box office gross of these projects surpassed $620M:• Safe House (2012) - $208 million• Free Birds (2013) - $110.4 million• Romeo & Juliet (2013) - $2.9 million• 3 Days to Kill (2014) - $53.3 million• Earth to Echo (2014) - $45.7 million• The November Man (2014) - $39.7 million• The Best of Me (2014) - $38.6 million• Jane Got a Gun (2015) - $3.1 million• Disappointments Room (2016) - $5.7 million• Den of Thieves (2018) - $80.5 million• Hunter Killer (2018) - $31.7 million -
Foreign Exchange Middle OfficeDeutsche Bank 2004 - 2008New York, New York, United States• Supported derivatives traders in all capacities, handling time-sensitive trade discrepancies while acting as the point person for all issues pertaining to the currency derivatives desk• Created detailed documentation to ensure accurate P&L recognition working with traders and controllers
Ken Mcbroom Education Details
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Finance
Frequently Asked Questions about Ken Mcbroom
What company does Ken Mcbroom work for?
Ken Mcbroom works for True Case Films
What is Ken Mcbroom's role at the current company?
Ken Mcbroom's current role is President of Development.
What schools did Ken Mcbroom attend?
Ken Mcbroom attended The George Washington University.
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Ken McBROOM
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Ken McBroom
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Ken McBroom
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