R&D - USD PIPELINE - Prototype and built a working model as an example for a USD pipeline and workflow process - Have the model work across multiple pipeline steps for production (from Layout to Lighting) - Pipeline is integrated with USD sets/locations in mind, also capable of USD Animation caches in mind - Have the pipeline work with Maya/Houdini - Built examples and templates with clarity with user-friendly mindset for production purposesR&D - USD Asset Workflow - Created example assets and exporting as USD meshes with MaterialX for ease of use across multiple DCC, as well as supporting USD animation cache capability - Leveraging the power of USD Layers for arrangements set dressings and location set-up - testing locations/environments/assets and ensuring they can be used across Maya/Houdini/Unreal Engine 5.3.CG Supervising - Check shot by shot if the shot is good based on direction from a Director/Art Director's perspective - Flagging mistakes to be resent for fixes, and give possible solutions for fixes if necessary - Working and assessing bids assumptions with production, flagging potential technical issues, noting down possible artistic or creative methods/techniques that can be used, ensuring that continuity is met shot by shot and across sequences

Projects: - Marvel's "What If" Season 2CG MANAGEMENT - working directly with directors, supervisors, and leads across the pipeline - understand the root of technical/pipeline issues and problems - propose and develop solutions to either overcome or work around issues - deep dive into 3D files to investigate, troubleshoot, and provide fix methods - work with TDs to build tools, documentation, and demos for teams to use - Problem-solve and provide creative solutions before and when encountering issues - scouting 2D, 3D, and FX ahead of time by providing notes, lookouts, and possible hurdles to tackle - help optimize assets and other methods to better reduce time and increase efficiency in certain aspects of the production - understand production impact on the production schedule based on technical and creative decisions - ensuring project art direction and design languages are met with technical feasibilityR&D - build and test out working concepts and prototypes that can be then implemented into the pipeline - built and presented a demo of the Shotgrid workflow

Projects: - FreeFire "Alvaro: Reignition"CG MANAGEMENT - working directly with directors, supervisors, and leads across the pipeline - understand the root of technical/pipeline issues and problems - propose and develop solutions to either overcome or work around issues - deep dive into 3D files to investigate, troubleshoot, and provide fix methods - work with TDs to build tools, documentation, and demos for teams to use - Problem-solve and provide creative solutions before and when encountering issues - scouting 2D, 3D, and FX ahead of time by providing notes, lookouts, and possible hurdles to tackle - help optimize assets and other methods to better reduce time and increase efficiency in certain aspects of the production - ensuring project art direction and design languages are met with technical feasibility

Project: - Bubble's HotelASSET MANAGEMENT- work directly with overseas studios, remotely lead and managing production 3D assets- vetting design assets into 3D pipeline with proper instructions and steps- organizing and managing 3D asset elements to fit the pipeline- establishing proper workflow direction and steps for 3D asset department- QC assets from overseas team, reviews with clear and precise directions- breaking down scripts/episodic leica reels into proper tasks and notes for the team to build- R&D various methods dealing with production and asset challenges- work alongside with Executive Producer, Producers, Art Director, and other department supervisors to ensure proper, smooth, and effective asset transitions- develop an effective and efficient asset setup/hierarchy and methodology for future pipeline steps to achieve maximum impact but minimal resource intensity- set up proper locations, sets, and props for the productionsPRODUCTION- establish and maintain good proper relationships with overseas clients - ensure very strong and clear communication between all departments for project direction technical solutions and production efficiency- active in pitching creative solutions to solving technical problems- set up framework ShotGrid pipeline for Studiio and future projects

3D GENERALIST - modeled tweaked geos to fit what's needed for rigging/texturing purposes - setup rigging/bodysuit templates - rigged and setup characters from the ground up - R&D auto skirt rig, complex face rigs - R&D NPR solutions for test projectsASSET MANAGEMENT - troubleshooting various asset-specific issues in ASSET department that were affecting other departments down the pipeline (modeling/rigging/surfacing issues) - breaking down scripts/episodic leica reels into proper tasks and notes for the team build - R&D various methods dealing with production and asset challenges - work alongside with Director, Art Director, and other department supervisors to ensure proper, smooth, and effective asset transitions for tests/pilots - set up proper locations, sets, and props for the productionsPRODUCTION - created SHOTGUN pages for artists and leads for daily use - created SHOTGUN pages for different departments across the production use - created SHOTGUN page for specific asset-related issues to help greatly levitate inefficiencies and proper tracking, better communication between departments, and proper note trackingSHOT FINALING: - tweaked animation according to notes - troubleshoot issue preventing shots from rendering - fixed/tweaked assets-related issues for Comp Department needs

ASSET MANAGEMENT - managing 3 teams of talented artists (modeling, rigging, texturing) - troubleshooting various asset-specific issues in ASSET department that were affecting other departments down the pipeline (modeling/rigging/surfacing issues) - breaking down scripts/episodic leica reels into proper tasks and notes for the team build - R&D various methods dealing with production and asset challenges - helped, trained, mentored, and aided artists in accomplishing their work and tasks - work alongside with Director, Art Director, and other department supervisors to ensure proper, smooth, and effective asset transitions for episodes - helped set up XGEN grass for various locations and sets - set up proper locations, sets, and props for the productionsPRODUCTION - created SHOTGUN pages for artists and leads for daily use - created SHOTGRID pages for different departments across the production use - created SHOTGRID page for specific asset-related issues to help greatly levitate inefficiencies and proper tracking, better communication between departments, and proper note tracking

- model and rig based on concept, leica, and given feedback from supervisor/director - help create and develop assets for pre-development of the show - construct clean and efficient topology for animation in mind while modeling - rig assets that range from simple to complicated but ensured that it is done in a user-friendly way - troubleshoot and problem solve different asset issues in a quick and efficient manner - aid and teach other team members in tackling issues or problems

- stand-in asset supervisor for the last quarter of Justin Time Season 3- assist different departments in tackling technical problems and establish solutions as well as different approaches to reach its required goals for the show- supervising modeling, rigging, and surfacing for assets- aid and teach team members in which allows them to learn and grow in required areas of skills and expertise

- model and rig based on concepts provided- troubleshoot rigs and tackle different modeling and rigging methods for model and animation needs- assist and help other members to tackle different issues in modeling or rigging stage- confer with other departments supervisors and directors to ensure needs, project directions and quality standards are met

- model and rig based on concept, leica, and given feedback from supervisor/director - construct clean and efficient topology for animation in mind while modeling - rig assets that range from simple to complicated but ensured that it is done in a user-friendly manner - troubleshoot and problem solve different asset issues in a quick and efficient manner

- model based on concept/design and leica given as a base for animation and rigging in mind- rigged asset to suit animation's need and ease of use- deliver asset in a clean, organized, user friendly, and timely manner- troubleshooting different rigs and solve asset problems in a quick and efficient way

- prep pre-visual set and locations for the show- modeling and rigging based on design and leica given- made sure assets were clean and validated before pushing to the floor- problem solving in how to tackle asset’s rig for animator use

- model and texture based on concept given- rigged for the show and episode's need- deliver asset clean, user friendly, and in a timely manner

COMMERCIAL - 3D Generalist- rigging, texturing, and some small animation tweak to meet client's demands- setup VRay shaders and renders to meet and exceed client expectationsTV SHOW - 3D Generalist on "Justin Time Season 2"- modeled, textured, and rigged according to the show's need- built sets according to storyboards and camera

COMMERCIAL- rigging, texturing, and some small animation tweak to meet client's demands- setup VRay shaders and renders to meet and exceed client expectationsTV SHOW "Justin Time Season 2"- modeled, textured, and rigged according to the show's need

SET ASSEMBLY ARTIST- assist and implement modifications to existing assets by updating assets with new art direction- liaison with lighting supervisor, asset department lead, layout supervisor and production manager in regards to all issues with shots and sets for upcoming episodes- position assets in a pleasing composition in relation to existing camerasTECH CHECK ARTIST- responsible for double checking episodes for noticeable problems and noting down all other fixes that were to be made such as animation, set, texture, hair, cloth- took initiative to lead the tasks in terms note taking as well as informing new team members about the tasks- organized spreadsheet for the notes and shots from other team members into a easy to read and understandable document- keeping track of renderings in the render farm as well as to understand and troubleshoot the problem if possible- coordinated with project managers and producers about tasks and progress with the show's episodes and its progress

- Modeling props, characters, sets- Texturing- Rigging- Everything! ;D

Worked as an Asset Manager during the internship assisting the PMs. Have also created assets for the projects and involved with creating an asset publishing tool.