Marketing, Creative Direction, Distribution, North American Theatrical Booking and Worldwide Festival Booking across the Utopia feature film slate including, but not limited to titles such as Shiva Baby, American Dharma, Rad (4K Restoration), Vortex, We’re All Going to the World’s Fair, Poly Styrene: I Am A Cliche, Mickey and the Bear, Suzi Q, Bloody Nose, Empty Pockets, El Planeta, Crestone, Moments Like This Never Last and more.

A new avenue for and, community around creative releasing - Circle Collective is an artist-forward consulting agency for film marketing, distribution and beyond.

Launched the theatrical division at Gunpowder & Sky, overseeing all theatrical/festival strategy, booking or management, print and digital media activation, creative direction and publicity for a wide range of traditional or, event-based theatrical releases such as Hearts Beat Loud, Lords of Chaos, Everybody's Everything, The Little Hours, Summer of '84, Prospect, Ramen Heads, A Life in Waves, McLaren and more.

Managed distribution within BOND/360 across a slate of theatrical, digital home video releases. Additional duties included, but not limited to: community engagement, marketing, e-commerce, educational sales and strategy for Bond's slate of independent projects and in-house productions including titles like Deep Web, Sign Painters, Shake the Dust, The American Dreamer, Advanced Style, 8-Bit Generation, Strike A Pose, Maurizio Cattelan: Be Right Back, Notes on Blindness & more.

Began as an intern in the start-up days at Tugg and worked up to a regular position while balancing college work. A wide-ranging role given the start-up nature, duties included: R+D, community outreach, grassroots marketing, sales and curated programming across a slate of titles such as Iron Sky, Fat Kid Rules the World​, Honor Flight, Crazy Wisdom​, Last Call at the Oasis and more.

Responsible for assisting with feature film pre-production and in-office development including detailed coverage for feature screenplays and miniseries, many of which have now long been released for Pressman and other reputable distributors.

Michael Mailer provided some essential skills in coverage and proper screenwriting as I worked primarily as a Reader. Independent and intimate, Mailer awarded a few opportunities to begin understanding the pre-production and early production process.

Worked out of Tribeca Cinemas in Manhattan specifically within the PR department, assisting with special events and screenings.