Kim Voynar Email & Phone Number

Seattle, Wa, Us

Seattle, Wa , Us

Manage large public programming and private events. Responsible for building Run of Show, advancing production on live music, panels and programming, client management and cross-team collaboration.

Consulted with non-technical clients to help them understand emerging technologies (VR/XR content, "the metaverse," virtual fashion) and how to connect with and bridge consumers to emerging products with brand storytelling and content marketing strategies.

Created a marketing strategy and designed social media, flier and promotional templates for Ruckus Recreational, a cannabis business.

Fabulocity was an interconnected platform for designing, buying, collecting and playing with 3D virtual fashion. As CEO, I led our overall product development, marketing research and brand strategy, business model and fundraising.

Los Angeles, Us

Consultant for Nonny de la Pena (the “Godmother of VR”) on product strategy, marketing presence at events and funding for Emblematic Group’s Reach volumetric video platform.

Led our company’s strategy and biz dev and created, pitched and produced emerging tech/VR events and activations for clients. Developed, branded and implemented 360/VR programs for numerous regional film festivals. *Produced the 28-day 2018 SIFF VR Zone @ Pac Place, garnering significant positive publicity and connecting SIFF to tech company partners.*Consulted for three years for Super Geek League, exploring XR and transmedia content and content marketing strategies and developing SGL's brand Hallucination Engine, currently in production as a digital graphic novel.

San Francisco, Ca, Us

Led content curation for Firefox Reality browser and consulted with the Mixed Reality Marketing team on content creator strategy and SXSW panel submission.

Created, pitched and curated SEEN/UNSEEN, a 3-day experimental film festival for a new experimental film festival for Oklahoma Contemporary Arts Center in OKC. Developed the brand identity for the event and wrote marketing copy for websites, press releases, ads, etc.

Wrote a grant and designed the curriculum for a weeklong 360 youth filmmaking camp, providing access to 360 camera and 360 editing training for seven diverse youth through a five-day event. Collaborated with non-profits to execute the event, allowing our participants to succeed in creating seven youth-made 360 projects which were exhibited at film festivals including the Seattle International Film Festival's 2018 SIFF VR Zone.

Oxford, Ms, Us

Significantly increased the festival’s industry credibility by recruiting industry jurors, filmmakers and press to attend the festival. Successfully produced and managed the festival’s New Media/VR section from the ground up into one of the most popular sections of the festival, allowing the fest to apply for and win a $10K New Media grant.

As an on-air host for a popular film festival industry public radio program, I broke down industry buzz and sales from Sundance and SXSW and interviewed executives and talent.

Antartida, Aq

Producer for the founder of Wizards of the Coast/owner of Gen Con for his epic episodic IP project “Chaldea,” currently in ongoing development. Managed Chaldea’s event presence at Gen Con.

Catawampus! was the shingle under which I produced and directed my first short film, BUNKER, which debuted at the Seattle International Film Festival, and played the deadCENTER Film Festival and Oxford Film Festival.

As a film critic and editor for Movie City News (at that time one of the top film industry sites), I traveled the film festival circuit extensively, writing film reviews and industry columns and think-pieces and building an extensive network of industry contacts.

Co-led the editorial content and brand marketing strategy that built Cinematical, one of the first film industry blogs, into a leading and resonant media brand (Cinematical’s parent company Weblogs, Inc sold to AOL for $25 million).

Rochester, New York, Us

The Internet Marketing team at Kodak designed and built the first iterations of the Kodak.com website and was tasked with guiding consumers to digital imaging and reinventing the Kodak brand to embrace digital. Produced many major projects for the site. Lead producer for Kodak Picture Playground, a marketing R&D team that invented and marketed consumer digital imaging apps and filters.

Norwalk, Connecticut, Us

Bs, Education, Journalism

Technical Writing