As Performance Coach, I guide our team of high-performing bid consultants in delivering exceptional service to our clients. Through one-on-one coaching and regular team huddles, I ensure our team is cohesive, supported and performing at its best.

As a Bid Whip, I draw on my producing background to create time and space for teams to weave their creative magic within the chaos of bidding. Key activities include: - Coaching teams on bid mindset, bid strategy and what it takes to win- Planning bid preparation programs to maximise time for collaboration and strategic thinking- Keeping a finger on the pulse of the bid team, ensuring everyone is contributing their best- Using Aurora Marketing's proven methodologies to… Show more As a Bid Whip, I draw on my producing background to create time and space for teams to weave their creative magic within the chaos of bidding. Key activities include: - Coaching teams on bid mindset, bid strategy and what it takes to win- Planning bid preparation programs to maximise time for collaboration and strategic thinking- Keeping a finger on the pulse of the bid team, ensuring everyone is contributing their best- Using Aurora Marketing's proven methodologies to produce best practice results every time. Show less

As a Bid Consultant for Aurora Marketing, I worked on several major and mega bids in the transport sector. Using Aurora Marketing's proven methodologies, I helped clients produce best practice submissions for their must-win projects.

Selected to join the Social Impact Fellowship, a transformative program for changemakers seeing to explore their purpose and understand how they can drive greater social and environmental impact through their work and beyond.

FRINGE WORLD 2017 achieved a ticketed attendance of 360,000 and a box office income of over $10 million. As Program Manager for the 2017 season, I was responsible for the festival's communications with participating artists and external venues, ensuring each event received a high level of support and the best possible chance of a successful season with the festival. I managed a team of four producers who were each responsible for delivering sections of the program, which included cabaret… Show more FRINGE WORLD 2017 achieved a ticketed attendance of 360,000 and a box office income of over $10 million. As Program Manager for the 2017 season, I was responsible for the festival's communications with participating artists and external venues, ensuring each event received a high level of support and the best possible chance of a successful season with the festival. I managed a team of four producers who were each responsible for delivering sections of the program, which included cabaret, comedy, circus, music, theatre, film, visual arts and children's events. Show less

Part of the producing team for the 2016 festival - responsible for all artists and venues participating outside of the festival-managed hubs (~300 artists and ~100 venues).

Live event and creative agency working across Australia, Asia and the Middle East. "Event Management Company of the Year" at the Australian Event Awards 2016.

We Day was a broadcast and live-streamed stadium event which toured to nine cities in Canada and the U.S. in 2013-14. It united speakers, A-list performers and tens of thousands of youth in celebrating individual actions that lead to large-scale positive change in the world. Responsibilities included communications with participating artists, ensuring travel logistics and itineraries for tour parties were produced with accuracy and that artists felt appreciated and inspired while donating their… Show more We Day was a broadcast and live-streamed stadium event which toured to nine cities in Canada and the U.S. in 2013-14. It united speakers, A-list performers and tens of thousands of youth in celebrating individual actions that lead to large-scale positive change in the world. Responsibilities included communications with participating artists, ensuring travel logistics and itineraries for tour parties were produced with accuracy and that artists felt appreciated and inspired while donating their time to attend the event. Show less

The Matt and Jo Show was one of Australia's most listened-to breakfast radio programs with an average audience of 650,000 per week. The show enjoyed 10 years of success on Melbourne's Hit network station, Fox FM, before wrapping in 2013. Producing involved pitching daily content ideas, sourcing guests and assisting the Executive Producer in coordinating off-air logistics.

Contract role training volunteers and coordinating event logistics for the 2008 Red Cross Calling Appeal.

Full-service video production company producing corporate and promotional content for clients in the real-estate, infrastructure and technology industries.