Creating content from end to end including research, outreach, interview, transcription and the final copy including two interviews a month for The Directory, spotlighting movers and shakers and members.Proofreading all other copy for website, newsletters and social media posts

- Working with the Auction House to create their online collecting guides. These focus on specific categories/makers that regularly feature in Bonhams sales and take the form of a listicle. - Work with a brief that aims to help readers familiarise themselves with a specific collecting category, providing interesting facts, historical background and specific examples related to the secondary art market. - Maintain the TOV of the Auction House, working directly with the Editorial and Marketing departments

Building relationships with different cultural figures and artists in London and internationally.Pitching within guidelines to produce online and print content with reference to both the London and international contemporary art and broader cultural scenes. Proofing and copy-editing written material on a regular basis for different publications with great commercial awareness and consideration of tone of voice, SEO, social media, audience targeting and engagement metrics.

http://whitecube.com/

Tasked to write reviews on current Contemporary Art exhibitions at Galleries in London Beetles + Huxley - Joel Meyerowitz:https://www.artsy.net/article/artsy-joel-meyerowitz-s-iconic-ode-to-cape-cod-surfaces-in-london

http://artmag.saatchigallery.com/

http://www.arteviste.com/

I am currently working as the Business Developer for the start up company Lunch BXD. My position revolves around bringing in new customers, be them individual, group or corporate. This position involves meeting with potential clients on a regular basis and requires initiative and creativity in order to secure new sales.

This role involved overseeing the curation and production of a cultural programme, which considered how opera is appropriated by international artists working today.The position included forging new working relationships by securing media partnerships with TimeOut and Elephant Magazine as well as managing all budgets and expenses for live performances, screenings and panel discussions.

- Overseeing the curation and production of a season, which considers how opera is appropriated by international artists working today.- Forging new working relationships by securing media partnerships with TimeOut and Elephant Magazine- Manage and oversee all budgets and expenses for live performances, screenings and panel discussions. - Scheduling and organising castings for x3 live operatic performances; this includes trained musicians, conductors, dancers and choreographers and x4 events- Working both independently and within a team- Managing Front of House team and all casual staff - In charge of sourcing all external contractors; film crew, lighting technicians, photographers; working with local council to adhere to all health and safety standards and regulations

Working both independently and within a team to oversee the curation, production, budget and operations of a season. Creating PR and launch plan; securing media partnerships with TimeOut and Elephant MagazineScheduling and organising castings for 3 live operatic performances; including trained musicians, conductors, dancers and choreographers across 4 events including live performances, screenings and panel discussions. Managing Front of House team and all casual staff, sourcing all external contractors; film crew, lighting technicians, photographers; working with the local council to adhere to all health and safety standards and regulations

- Key communicator between internal company departments and external stakeholders, developing and implementing plans to achieve department goals.- Utilised industry contacts, from cultural groups to public figures, to ensure creative and exciting events for members and the general public.- Produce innovative event campaigns, track results and drive improvements to ensure the company message reaches our target audience. - Create and manage project financial plans; all 50+ events executed within budget.- Analyse and report event performance metrics, track competitor events and become an expert on the target audiences and the Second Home brand voice.

Key communicator between internal company departments and external stakeholders, developing and implementing plans to achieve department goals.Utilised industry contacts, from cultural groups to public figures, to ensure creative and exciting events for members and the general public.Line Manager for Operations Team, Front of House and Events Assistant Produce innovative event campaigns, track results and drive improvements to ensure the company message reaches our target audience. Create and manage project financial plans; all 50+ events executed within budget.Analyse and report event performance metrics, track competitor events and become an expert on the target audiences and the Second Home brand voice.Founded Language Labs - an initiative to support, develop and improve the literacy skills of a local

Working remotely to support the Director to strengthen existing client relationships as well as building new ones – promoting overall business growth and gallery outreach.Attending regular studio visits in the UK and LA to forge new relationships with researched and sourced emerging artists whilst also maintaining strong affiliations with those we have previously worked with. Working with guest curators to produce specific shows as a way of bringing together new groups, artists and ideas. Organising press and events around the shows; writing press releases and relevant text for all exhibitions.

As Assistant to the Editor I was responsible for juggling and organising meetings and appointments within a busy and constantly changing work schedule, which included ensuring that issue proofs and flat plans were signed off and co-ordinated correctly. As the editorial office works to tight deadlines I am accustomed to working under pressure and using my own initiative. I was regularly given new tasks and responsibilities, one of which was sourcing work experience candidates for the editorial office and delegating tasks to them. As Events Manager had a number of events to organise during my time with the publication. My key assignment was to organise a ‘Best of British’ party at The Ritz hotel for Tatler clientele in April. This required liaising closely with hotel staff and colleagues to ensure that every detail of the evening was planned carefully and executed, contacting and negotiating with existing and potential Condé Nast suppliers to secure promotional products for the event and being a ‘front of house’ host at the event itself.

I worked temporarily as the Editors Assistant and the Managing Editors Assistant. These roles involved a number of tasks, such as, searching for Work Experience candidates, organising meetings and taking notes in the weekly Features meetings.

Since graduating in 2014 I worked in both the advertising and editorial offices of Condé Nast, taking on different roles and responsibilities. I worked with publications such as GQ, House & Garden, and I also work as the general assistant to the Chairman and Chief Executive in the Condé Nast International office. Generally I would be assisting the Publishing Director or Editor, helping organise meetings, lunches and events that they were attending. Phone etiquette was integral to each role as well as people skills.