Upon joining the studio, I contributed to the development of Godfall, primarily specializing in shader development and optimization. My responsibilities included enhancing the existing shader system and optimizing performance for the PS4 release and forthcoming expansions.Following the completion of the Godfall project, I transitioned to a new initiative where I spearheaded the standardization of the shader system. This involved refining, designing, and implementing new tools and technologies for studio-wide utilization. I strategically planned their integration into our current project while also ensuring their adaptability for reuse and sharing across various projects within our studio ecosystem.Godfall - Fire & Darkness Expansion (2021)Unannounced Project (2024)

Using the world's most advanced real-time 3D software, we create hyper realistic visuals and immersive experiences to enhance the customer real estate experience. Our team of veteran artists have worked with top production studios, giving us the ability to complete projects promptly, accurately and within budget. We are confident that this is the future of the customer engagement and experience, with applications raging from land development pre-sales to architecture and real estate. Chido provides a disruptive solution that is truly revolutionary.

As the Lead Technical Artist for our flagship title, I played a pivotal role in enhancing various technical aspects including environment, shaders, lighting, optimization strategies, and tool refinement.Dead by Daylight - Behaviour Interactive (2019-present)

Collaborating with a diverse and skilled team of artists on the highly anticipated Dragon Age 4 project, my focus has been on optimizing performance, refining shaders, and mastering lighting techniques within EA's proprietary engine. This experience has been instrumental in expanding my skill set for and familiarity with advanced game development technologies.Dragon Age 4 - EA (2004)

As Lead Technical Artist for the company's flagship title, I spearheaded enhancements across multiple technical domains including environment design, material refinement, lighting solutions, optimization techniques, and tool development. Additionally, I contributed to an unannounced project by creating essential tools for artists on the tech art side, particularly in the realms of shaders, lighting, optimization and asset validation.Dead by Daylight - Behaviour Interactive (2019-present)Unannounced project - Behaviour Interactive (2019-present)

As a Senior Technical Artist, I specialize in establishing pipelines and crafting art tools within Unreal Engine 4. Additionally, I am proficient in devising and refining lighting pipelines, as well as optimizing performance for a diverse array of VR projects spanning mobile games, console titles, and varied VR experiences compatible with platforms such as HTC Vive, Oculus Rift, and VRcade. I played a key role in the development and optimization of the lighting pipeline for the acclaimed VR title Evasion, published by Sony for PS4 VR.Freediver - Triton Down – Oculus Rift (2019)Evasion – Sony PS4 VR (2018)Various Titles – VRrcade (2016)

Throughout my time with the studio, I spearheaded the transformation of our studio from a motion graphics-centric environment to a comprehensive 3D animation studio by establishing robust workflows for the entire 3D department. My responsibilities encompassed various facets of production, including lighting, modeling, shading, texturing, and rendering. Additionally, I assumed a leadership role in managing the technical aspects of these areas, ensuring adherence to pipeline protocols and providing assistance to fellow artists as needed.Star Wars Commander – The Disney Interactive/Lucasfilm (2015)Halo: The Fall of Reach Animated Series – Microsoft Studios (2015)Halo: Spartan Strike – Microsoft Studios (2015)Company of Heroes 2: Ardennes Assault – Relic (2015)Dead Rising – Sony Crackle (2015)Asteroid: Final Impact – Frostbite Films (2015)Regina Pats – Stadium Activation (2015)What Remains of Edith Finch – Santa Monica (2015)Halo Master Chief Collection – Microsoft Studios (2014)The Quest – ABC TV (2014)Strange Empire – CBC (2014)Stonehenge: Uncovered – BBC Documentary (2014)Some Assembly Required – YTV (2014)Package Deal – CityTV (2013)Remember Me – Dontnod/Capcom (2012)

As Lead 3D Artist, I specialized in modeling environments and additionally contributed as a texture and lighting artist across all CGI projects within the company. Moreover, I undertook the responsibilities of a Project Manager, overseeing a team of artists and ensuring the smooth operation of pipelines while meeting project deadlines across multiple company initiatives.

As a Senior 3D Artist, my role encompassed modeling environments and contributing as a texture and lighting artist across all CGI projects within the company.

Starting as a Junior Graphic Designer, I progressed to the role of Senior 3D Artist, where I led a team of professionals in managing specialized pipelines and meeting deadlines. My primary focus involved modeling and designing architectural and commercial stands.Among our esteemed clientele, we have had the privilege of collaborating with industry giants such as Monsanto, John Deere, Roundup, and numerous other prominent companies within the agrochemical and agricultural sectors.