I wrangle the production logistics, crew and budgets of film scoring for Sony Pictures.More specifically, an accountable project and assets manager with over ten years comprehensive and diversified experience in the orchestral film music industry who delivers value by aligning artistic and budget objectives with the logistical and process management needs of the music side of production.Recent Collaborative Projects (Sony Pictures):• Ghostbusters: Frozen Empire, Spider-Man: Across the Spider-Verse, The Woman King, Where the Crawdads Sing, 65, Lyle Lyle Crocodile, Spider-Man: No Way Home, Ghostbusters: Afterlife, A Journal for Jordan, Fatherhood, Morbius, Venom: Let There Be Carnage, Hotel Transylvania: Transformania, Cinderella, Vivo, The Mitchells vs. The Machines, Happiest Season, Jumanji: Welcome to the Jungle, Bad Boys for Life, Bloodshot, Peter Rabbit 2Previous Experience:• WDAS A Decade in Concert, Up, Coco (Disney live concerts)• Beauty and the Beast – Live in Concert at the Hollywood Bowl• Star Wars IV, V, VI – Live in Concert with the New York Philharmonic/World Tour• Star Trek Beyond – World Premiere IMAX – Live Orchestra - San Diego Comic-Con• Star Trek (2009), Star Trek Into Darkness, Ratatouille, Jurassic World, Raiders of the Lost Ark, Home Alone (Film Concerts Live)Diverse Film Music Industry Experience• My work as a session oboist on shows such as Family Guy, years in professional symphony orchestra, pit musician for Wicked, party musician for Seth MacFarlane and part of the Presidential Inauguration Ceremonies in DC means I understand the needs of the orchestral players and how to work with them. • My work in the booth alongside my music editor colleagues on recent films/related live productions such as Star Trek Beyond as well four years in the Music Preparation Department at Walt Disney Studios and three years on the Academy Awards means I understand behind the scenes of the film/tv scoring team.• My work with a technical media startup including union payroll means I understand the operational, confidential, and expediency needs of a small company balanced with the creative energy of the music editors/engineers and development of streamlined technology.• My work as an analyst in the Law Department of a Fortune 200 company means I understand necessary boundaries and regulations.I complete a variety of roles necessary to continue the spirit and fun adventure of developing projects and I provide top professional support to each team I have the joy of adventuring with!