Marcello P. Carvalho Email & Phone Number

Vancouver, British Columbia, Canada

I work alongside the Head of CG to define the technical strategy that enables a show to utilize to the greatest effect the current best practices of each department, and works with show Department Supervisors and Heads of Department to define and implement any new processes that are required to complete work optimally, and in a sustainable way for future projects.My main responsabilites are delivering a Show on time, on budget and to the required standards, developing and maintaining great quality standards, supporting the use of consistent, global department workflows and processes, developing cross department workflows and processes with department Supervisors and Heads, design and development of standardized workflows and processes, design of effective new workflows. Also collaborates on Strategies to improve operational efficiency on an ongoing basis, Technical leadership and support of Artists. Collaborates on approving work that is ready to progress to the next department, particularly from a technical standpoint, and defining QC best practices for the show.

Vancouver, British Columbia, Canada

I worked doing look development for hero assets, scene templates, AOVs, debugging scenes and render, working with show supervisors on defining and implementing the aesthetic and a technical approach for feature film like, Spiderman No Way Home and Black Adam.

Vancouver, British Columbia, Canada

I worked at the cinematic team doing look development for hero assets and environments, scene templates, debugging scenes and render, working with show director on defining and implementing the aesthetic and a technical approach for The Manicraft Lengends game.

Vancouver, British Columbia, Canada

I worked doing lighting, sequence light rigs, lookdev, IBLs, scene templates, AOVs and LPE, debugging scenes and render, working with show supervisors on defining and implementing the aesthetic and a technical approach for feature film Thunder Force

Vancouver, Canada Area

I worked doing lighting, sequence light rigs, lookdev, IBLs, scene templates, AOVs and LPE, debugging scenes and render, managing a team of lighting artists, assign tasks, ensuring on-time deliveries, working with show supervisors on defining and implementing the aesthetic and a technical approach to shows, help Pipeline Supervisor to identify and direct the design and creation of software tools for feature films as Pokémon: Detective Pikachu, Maleficent: Mistress of Evil and Sonic

Vancouver, Canada Area

I worked doing lighting, sequence light rigs, lookdev, IBLs, scene templates, AOVs and LPE, debugging scenes and render, working with show supervisors on defining and implementing the aesthetic and a technical approach to shows for feature films like Deadpool 2, Godzilla King of The Monsters and Venom.

Vancouver, Canada Area

I was doing the lookdev, lighting and shading for set extensions and characters in TV shows: Singularity, Future man, Once Upon a Time, Death of Summer and Beyond. Also, I did mentorship for junior artists.

Rio De Janeiro Area, Brazil

Created, produced and post-produced of videos of the new visual identity of the channel.

Rio De Janeiro Area, Brazil

Created, produced and supervising special projects for the sports at the channel.

Rio De Janeiro Area, Brazil

Supervising and produced the advertisement videos for the sports at the channel.

Rio De Janeiro Area, Brazil

At this position I was involved in several character and motion graphic projects for the channel.

Rio De Janeiro

At this position I was involved in several character and motion graphic projects for commercials films. Worked in all aspects of film such as modeling, particle FX, lights, shading, animation, concept, rendering and composition.

São Paulo Area, Brazil

At this position I was involved in several character and motion graphic projects for commercials films. Worked in all aspects of film such as modeling, particle FX, lights, shading, animation, concept, rendering and composition.

São Paulo Area, Brazil

I Created a course where the focus was the integration between 3D Studio Max and Combustion for commercial films.

Rio De Janeiro Area, Brazil

At this position I was involved in several character and motion graphic projects for commercials films. Worked in all aspects of film such as modeling, particle FX, lights, shading, animation, concept, rendering and composition.

Rio De Janeiro Area, Brazil

I developed a 3D Studio Max curse for beginner with 120 hours and covering all de 3d disciplines

Bachelor'S Degree, Pharmacy

High School, General Studies