-Oversee the Metadata Operations Editorial Copywriting and Quality Assurance processes for all on-platform metadata on Peacock.-Lead a team of Metadata and QA Specialists & Associates.

•Write and create, proofread, and optimize long-form film and episodic series copy metadata for 148+ Peacock TV Originals (Love Island, Vampire Academy, Bel-Air) and the Peacock acquired catalog.•Collaborate with internal and external partners and producers to acquire metadata, working on the copy from studio delivery to launch on platform.•Craft, condense and edit copy metadata, titles, and descriptions for 123,000+ short-form videos. •Support the creation of tags, selection of genre classifications, and short-form content categorization.•Provide variations of copy for different audience segments, single live events, and trending activations with a strong eye for detail and quality assurance to live on the platform.• Managed and executed the editorial copy QA launch of the WWE Network, the 2020 Tokyo and 2022 Beijing Olympics, 2022 FIFA World Cup, and multiple Universal Pictures Day-and-Date (Boss Baby 2, Marry Me, Halloween Kills) and Pay 1 Movies (Jurassic World: Dominion, The Black Phone, Minions: Rise of Gru) on the platform.• Manage and oversee the work of the Associate, Editorial Copy and the Copy Editorial Intern

Highly selective 12-month rotational development program for high potential early career talent.-Managed the NBCUniversal Page Program Social Media Instagram, Facebook, & Twitter Accounts.Assignment 4: Focus Features Production & Development (March 2020-July 2020) •Administrative support to 4 executives, acting as a 2nd assistant to the President of Focus Features.•Managed the script submission process from arrival to executive discussion, up-kept submissions logs, and updated Concept2Camera database.•Provided notes on new writers, script coverage, & curated talent lists.•Collaborated alongside the Acquisitions team to input Cannes 2020 deals and reviews for film festivals.Assignment 3: NBC Ent. Alternative Programming & Reality Development (Dec. 2019- March 2020) •Managed executive calendars and call sheets, rolled calls, and scheduled meetings & pitches for 6 high-level executives.•Compiled Weekly Reports highlighting audience impact shared with executive producers.•Curated pitch lists and provided insight on creative meetings & incoming pitches for new shows.•Contributed on-set production support to NBC’s The Voice, Songland, and Little Big Shots.Assignment 2: E! Marketing & Advertising (Sept 2019- Dec. 2019) •Tracked campaign briefs and coordinated the delivery of social and marketing assets to push on E! Online & the E! YouTube Channel.•Prepared bi-weekly competitive marketing report sent department-wide.•Scheduled the daily bugs, tickers, and promos displayed on the E! Channel for the Content Strategy team.Assignment 1: Universal Content Prod. Entertainment & Lifestyle Operations (May 2019-Sept. 2019) •Managed the daily operations of 9 UCP floors, updating master contact sheets and floor plans.•Covered receptionist desk responsible for coordinating and greeting guests across USA, SyFy, UPC and Business Affairs.•Assisted in the on-boarding of weekly new hires, interns, & office moves across all departments.

• Researched compatible brands for major feature film partnerships and promotionsfor Warner Brothers Theatrical, Warner Brothers Home Entertainment, & 2K Games• Researched competitive releases, industry trends, & target demographics,• Corresponded with brands to develop strategic marketing campaigns for upcomingreleases, developing pitch decks for brand partners and studios• Worked the Oscars Fan Experience at the 91st Academy Awards

•Worked with prospective students throughout the USC admission process•Provided campus tours, admissions presentations, & helped with any one-on-one application and admission questions•Coordinated prospective and admitted student program logistics•Managed the Official USC Admission Center Instagram account

•Planned and facilitated 10 monthly events for 200 inter-city youth students within the greater South Los Angeles area•Managed a budget of $50,000, 1/5 of Troy Camp's annual budget•Directed and coordinated with 150 college student counselors

•Assisted Former New Line Cinema CEO Robert Shaye Creative & Executive Vincent Gatewood; met administrative needs.•Contributed extensive coverage and development notes on current and incoming projects; provided feedback in various pitch meetings and discussions.•Initiated a database aimed at fostering minority talent.