Matias Picasso Email & Phone Number

Paraguay

Argentina

Acting as the principal contact for broadcast operations and liaising with the Operations Division to ensure smooth HB and unilateral broadcast partner planning and operations.•Ensuring that all facilities and services booked by unilateral broadcast partners are in place and delivered, as advised by the Senior Broadcast Liaison Officer.• Coordinating all HB venue operations activities & the installation of all equipment and facilities for HB service providers. • Reporting regularly to the command operations headquarters on broadcast activities at venues, including any irregularities or incidents that may occur.

Región Metropolitana De Santiago, Chile

Juegos Panamericanos Santiago 2023Responsable del montaje de estructuras temporales en las sedes de Basquetball, Natación y Common DomainArmado de cronograma y supervisión de los diferentes equipos de trabajo

Buenos Aires

Design and development of Conmebol eLibertadores 23 product: localized content for the 3 simultaneous streams (Spanish, English and Portuguese), selection and leading technical teams, international talents and content creators. General coordination with EA, Conmebol and Fc Diez teams in the development of content for broadcast and experiences.

Asunción, Paraguay

During these 5 months of work, we had to reschedule the whole programme of ASU2022, in order to maximize and take advantage of the available resources offered by the consortium who won the Host Broadcaster tender.We gathered a team of 250 people and were able to use a hybrid system, between remote technology and moviles units.With an excellent team work, we manage to broadcast/reproduce/transmit 43 sports, distributed in 8 simultaneous signals in more than 850h live (our objective was to accomplish 500h in 4 signals!).Television rights were purchased by several countries and distributed throughout the continent. Audiences, in traditional media and streaming platforms, have reached absolute record numbers for South American Games.

Ciudad De Buenos Aires, Provincia De Buenos Aires, Argentina

My work as Executive Producer was focused on the comprehensive realization of a multitarget gameshow quiz for Warner Media, soon to be released. The challenge of responding to the client's need to obtain five episodes for the Latam market and five for Brazil, both recorded under a hybrid modality (recording through a remote platform and face-to-face production), required the following activities in my charge:Preparation and monitoring of schedules , budgets and staff, leading work teams in different countries, managing VMIX, ensuring content from pre-production to post-production and being the link with the client in all stages of the project.The strengths that I highlight are: clear achievement orientation, flexibility to different content approaches and analysis of the most appropriate options, generating and facilitating a good work environment for a team that had to respond quickly and in the short term.

Ciudad De Buenos Aires, Provincia De Buenos Aires, Argentina

With the accelerated and massive growth of sports, my interest in this content and the treatment possibilities it offers has increased. That concern motivated me to accept the challenge of being part of the first face-to-face final of the Conmebol e-Libertadores Cup.The event took place in Paraguay and 3 independent and simultaneous transmissions were made for the EA Brasil, EA Latam and EA Global channels.The objectives of my position were: to coordinate with the different providers the production and realization of all the multimedia content that would be used in the show.During the event I worked as a producer of the transmission for the channel in Portuguese.The skills required for these tasks involved: quick adaptability, ability to work under stress, quick detection of difficulties/solutions and ability to work with the same energy in the new remote channels as in person.

Ciudad De Buenos Aires, Provincia De Buenos Aires, Argentina

SS3- Knowing the Planet Earth.Animated series of 15 educational micro-documentaries on nature and the environment for the “Encuentro” channel.I coordinated the work of the script, animation, voice and post-production teams.I was in charge of executing the budget and setting up the work schedule.

San Isidro, Provincia De Buenos Aires, Argentina

ESPN Playroom with Migue Granados. I was in charge of the creative team, preparing, and making the adjustments, cuts and improvements needed on the budget to keep the high standards of the show. In the second season, together with the production team, we had to adapt the show to these new challenging times, due to COVID 19 Pandemic, without damaging the essence of it; so we decided to create an interviewing program that would adapt to the return to face-to-face show but considering the current circumstances. An environment where the guests felt comfortable and the staging was a great differential. We took advantage of Migue's versatility to surround him with actions where we knew he could shine the best way. Creatively we built a budget for an ambitious bid.IIn 2020 we launched a completely virtual Playroom (first season). A show recorded completely at Migue's house with the aim of offering a program in a pandemic that could be relaxed, convening but at the same time, visually the closest to a recording “on set” show. We used the concept of remote communications, but in a different way, that would detach itself from the offers of formats that use platforms like “Zoom or Meet” for interviews with guests. We took advantage of the connections to get interviews with sports Stars such as Di María, Scola and also make musicals from a distance with Music Stars like René, Ciro, David Lebon and Kevin Johansen among others. The result was a show with exclusive content according to the platform and the social network. Playroom managed to be the biggest “Non exclusively soccer account” and with the highest engagement of the channel.

San Isidro, Provincia De Buenos Aires, Argentina

“Frente a Frente” with Alejandro Fantino. This format had to be adjusted to the possibilities of remote recording in pandemic.My work here based on being the chief of executive and technical production so that the host Alejandro could interview the best stars of every field our times such as Trezeguet, Dolina, Abreu, Sacheri, Bochini, Coria, Scola, Pepe Sánchez, JP Ángel, Alario, Julio César Chávez, Buffarini, Schwartzman, Córdoba, Arruabarrena, Maravilla Martínez, Saviola, Killy González, "Cachito" Vigil, "Chapa" Retegui, Batata Clerc, among other, completely from his home due to the isolation.

San Isidro, Provincia De Buenos Aires, Argentina

“ESPN REDES”. The objective of the show was to attract the young audience to the screen, migrating them from the Social Network.With that premise, gathered with the production team, I thought that the key of that was in the casting work. So, after a hard selecting process always thinking the premise we pursued was to add Nati Jota, Grego Rossello, Flor Vigna and Migue Granados with great audience results and high position on Social Networks.-Another challenge was to offer the sponsors a chance to bring them closer to another type of audience that was broader and more diverse than expected for the network, using sports issues as an excuse to merge the two universes. The main idea was to shown a “B side” of the athletes, giving them a safe space to explore and express their interests outside the sport, as a human being they are.-Our Host, Migue Granados received the Major Tv Award given in Argentina (Martín Fierro Award) as best cable comedian in 2018, on ESPN Redes, due to his work on this show.-Also, together with the other host, Grego Rossello, we were invited by “UEFA” to cover the Champions League final Match in kyiv. There, we footage a video of our coverage of the final match and posted on Instagram exceeding one million views in a short time.-

San Isidro, Provincia De Buenos Aires, Argentina

Creative Producer

Bolivia

In 2009 I took contact with the dynamics of the PAT channel, working as a content consultant and staff trainer for six months. I returned in 2011 with the aim of positioning the channel as the audience leader in the prime time in Santa Cruz de la Sierra. At the same time, I had the mission of adapting the budgets of each program, efficiently managing human resources and training the production teams. In a few months, together with the team, we were able to offer more than 50 hours of live television per week, a record for Bolivian television.

Ciudad De Buenos Aires, Provincia De Buenos Aires, Argentina

“La Biblia y el calefón” with Sebastián Wainraich. I worked together with Andrea Stivel on the new version of Jorge Guinzburg's classic. With the help of the team of writers, my mission on this show was to coordinate the groups of guests and content for each show.

Ciudad De Buenos Aires, Provincia De Buenos Aires, Argentina

“Justo a Tiempo” with Julián Weich. I developed games for all types of audiences, also serving the organic inclusion of various advertisers. The program's rating was the top of the Charts of its time slot and changed the way of thinking about what was the prime time destined for. Regarding that at that time, we were full of fiction content.

Ciudad De Buenos Aires, Provincia De Buenos Aires, Argentina

“Eco Peugeot”. A docu-reality show designed for the Car Company with the aim of accompanying participants in an adventure race, highlighting the most varied and imposing natural settings in the country to mix sports, life stories, the tourist value of the decade of the destination, and associate them with the product present on the tour. A team competition where the sponsor had to be a support presence and not be the main actor. My performance was extensive: from putting together the pre-race logistics, developing a budget without leaving details to chance, since it involved a trip without repetitions, coordinating content on the ground, supervising the script, editing and set-up for the client and delivering it to the Network (Telefe).

Santa Cruz De La Sierra, Santa Cruz, Bolivia

PAT Network

San Isidro, Provincia De Buenos Aires, Argentina

“The Amazing Race”. I worked on the first Season of the reality show for Latin America. Hours and hours of work together with the script team to tell a race in an agile and dynamic way, respecting the strict guidelines of a product with very specific requirements, according to the guidelines of the owners for the original signal (Discovery) for this LATAM edition. In each chapter we had the challenge of not repeating the mechanisms for telling the story and overcoming any difficulties (technical or narrative) since the recordings took place on a huge tour through different countries while new material arrived on the island, where the main TV set took place.

Ciudad De Buenos Aires, Provincia De Buenos Aires, Argentina

“Mañanas Informales” with Ernestina Pais and Ronnie Arias. My mission was to generate content with a non-journalistic production team, with the challenging requirement that has to be original and fill two daily hours of the program. This implies, the planning and proposal of guests and themes, and think sections tailored for the talented stars that were on the cast of the show.

Ciudad De Buenos Aires, Provincia De Buenos Aires, Argentina

“La Biblia y El Calefón” with Jorge Guinzburg. Working side by side with Jorge was one of the best things that happened to me in my career; he was one of the greatest hosts, comedians, interviewers, creatives and producers of Argentine TV of all time. At his side, all my work was continuous learning and having fun with someone I deeply admire.My task in the program was reduced to leaving the set at the stipulated time; then, he did the rest, that's because he was such an extraordinary professional that he could mentally remember the amount of recorded material that is shown on the screen. Once again, it was an honor to have worked on his team.

Argentina

“Susana Gimenez”. I worked with the script writers team to put together and carry out each broadcast of "El Circo de las estrellas", the first reality show in the history of this great Argentine diva. A weekly format that coexisted within the structure of the classic program at that time, broadcast daily by Telefe.In addition, I also edited other classic segments of the show called "El Inbatible", “the sketches” and reports with life stories of the guests.

Ciudad De Buenos Aires, Provincia De Buenos Aires, Argentina

“Mañanas Informales” with Jorge Guinzburg. At that time it was my responsibility to edit the recorded notes. An interesting achievement with the script writers team was to offer and put on the air the segment called "express biographies" to introduce the guests in a new way, very quickly and with the humorous tone that characterized the program.The program won multiple awards

Ciudad De Buenos Aires, Provincia De Buenos Aires, Argentina

“Malvinas” with Daniel Tognetti, was a special program with a journalistic documentary format. I coordinated the research team, the guests proposal and the archive, a material that not only would dress with colorful facts of the edition but also impact at the time of the interview. And the result was a raw and shocking invoice, with testimonies never before said about that historical episode: from obtaining unpublished materials (photo and video), crossing those materials with the soldiers who in '82 were hopeful in the reports, to showing for the first time an air force pilot had images of him when he was rescued by the British after being ejected from his plane.

Ciudad De Buenos Aires, Provincia De Buenos Aires, Argentina

“What do you know about television?” First gameshow of the production company. It was also my first experience in the format. The mission that we had as a team was to present a "summer program" to take over from TVRs recess, taking the film archive that was the strong value of the company.

Ciudad De Buenos Aires, Provincia De Buenos Aires, Argentina

“Argentinos, somos como somos” with Andy Kusnetzoff. I was in charge of the post-production of the program. I worked together with the script writing team to add humor to the editing footage of the content. The program was a mixed production between PPT and RGB. Post-production was done with the Ideas del Sur motion team.

Ciudad De Buenos Aires, Provincia De Buenos Aires, Argentina

TVR Televisión Registrada.

Ciudad De Buenos Aires, Provincia De Buenos Aires, Argentina

“Suchi con Champagne” with Verónica Lozano. That was my experience as an executive producer. I coordinated content and the outdoor crew. An interesting goal that we achieved was the fact that we can renew and improve the scenery weekly, with the exceptional work of Juan Doberti. We also used real-time animation to interact with the drivers, something unusual at that time.-.

Ciudad De Buenos Aires, Provincia De Buenos Aires, Argentina

“TVR. Televisión Registrada”. I started as a visualizer when I was 19 years old. In a few months I was already editing the themes of the week. I learned how to edit with journalistic content and I developed a system to be able to take better advantage of the file that we generated every day.I thought of a method of work where the viewers help the editors in an effective and efficient way.