Matt Cahill Email & Phone Number
@kemper.com
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Who is Matt Cahill? Overview
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Matt Cahill is listed as Co-Founder/Co-Director at Hogfish at Metropolitan Opera, based in New York, United States. AeroLeads shows a work email signal at kemper.com and a matched LinkedIn profile for Matt Cahill.
Matt Cahill previously worked as Alexander Technique Teacher at Circle In The Square Theatre School and Alexander Technique Teacher for the Lindemann Young Artist Development Program at Metropolitan Opera. Matt Cahill holds M.M, Vocal Arts from Bard College.
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About Matt Cahill
Matt Cahill performs internationally in musical theater, opera, film, and television and is dedicated to teaching the next generation of singer-actors in all genres.Matt has taught, administrated, directed productions, and developed curriculum for the 21st century singing-actor at pre-eminent organizations from grade school through professionals. Currently he teaches at the Lindemann Young Artist Development Program of the Metropolitan Opera, the Circle in the Square Theatre School, and privately in New York and Maine.Matt recently founded Hogfish, a regenerative arts and artist training company. Hogfish is building an artistic sanctuary and body of work dedicated to restoring creative and physical health to individuals, communities, and the earth.
Matt Cahill's current company
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Matt Cahill work experience
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Alexander Technique Teacher For The Lindemann Young Artist Development Program
CurrentCo-Founder/Co-Director
CurrentHogfish is a regenerative arts and artist training company at historic Beckett Castle, surrounded by a world-class rose garden on the coast of Maine. We are building an artistic sanctuary and body of work dedicated to restoring physical and creative health to individuals, our communities, and our earth. www.hogfish.org
Co-Founder
AT Singing is short for Alexander Technique Singing. The Alexander Technique (AT) was created to bring ease and freedom to the human voice. At the turn of the 20th century, AT was created by an Australian actor, F.M. Alexander, to alleviate vocal problems he experienced while performing. Doctors declared there was nothing medically wrong, so Alexander surmised there must be something functionally wrong with what he did while performing. After several years of self-study, Alexander discovered patterns of habitual excess tension that were exaggerated during performance and led to his chronic laryngitis. Upon further exploration he found that by inhibiting those habitual patterns and directing himself to new and better use, he was able to find life-long vocal freedom and ease.His recovery was so impressive that several of the doctors he had consulted earlier persuaded him to teach others what he had learned. After decades of teaching, he began to teach others how to be teachers of his method themselves. They named his method the Alexander Technique.Over a hundred years since its founding, the success of AT in finding freedom and ease in vocal production has inspired teachers and students alike to use its central tenants to bring freedom and ease to the greater range of human activity: from every day activities like walking, sitting at your desk, and standing to sports, the performing arts, and recovery from physical ailments.AT Singing returns to the original intent of the technique to find ease and freedom in the human voice.
Lead Artist Faculty For Juilliard/Nord Anglia Summer High School Voice Program
Developing and teaching in a new Juilliard/Nord Anglia High School Voice Program (July 8-22) at the Windermere Preparatory School in Orlando Florida.
Interim Professor Of Voice
Teaching private voice, acting to singers, opera workshop, and practicum.
Professional Development Workshop Co-Teacher
Co-teaching the Professional Development Workshop for the Bard Graduate Vocal Arts Program with Melissa Wegner.
Director Of Opera Workshop
Teaching singing-acting skills, creating a show around the talents of our singers, directing, and teaching voice.
Director Of Young Artist Program
Devise and implement a curriculum for the complete singing-actor. Teaching performance practice, acting, and voice in group classes, private coachings, and masterclasses.
Associate Artistic Director
Website development, running social media and internet advertising/constant contact campaigns, summer festival concert and institute program/curriculum development and implementation, teaching a performance practicum course, private coachings, teachings voice lessons, being a liaison between the students and administration as well as the faculty and administration, writing copy for official letters and other company materials
Crossing
Ensemble member in world premiere opera by Matt Aucoin, directed by Diane Paulus.
Les Misérables
Marius
Kurt Weill'S "Der Protagonist"
Schauspieler
La Bohème
Schaunard
Young Artist Competition Winner & Recitalist
Debut recitals at the Philips Collection and the Kennedy Center with pianist Timothy McReynolds.
La Bohème
Schaunard
Baritone Soloist In The Brahms Requiem
Soloist
Assistant Director
Production of Kurt Weill's first opera "Der Protagonist" followed by selections from Weill's songbook.
Gluck'S "L'Arbre Enchanté"
Lead baritone role of Claude in the new world premiere of Gluck's "L'arbre enchanté."
Offenbach'S "La Périchole"
Covered the role of Don Pedro.
Cavalli'S "Eliogabalo"
Gladiator chorus in Cavalli's "Eliogabalo."
Trouble In Tahiti & L'Enfant Et Les Sortilèges
Baritone in Jazz Trio in Bernstein's "Trouble in Tahiti" and The Clock and the Cat in Ravel's "L'enfant et les Sortileges".
Poulenc'S "Mamelles De Tirésias"
Sang the lead role of "Le Mari" in a recreation for Britten's centennial of the two piano English translation version created by Britten and Pears in 1958. Malcolm Martineau and Roger Vignoles replace Britten and Poulenc at the pianos.
Tanglewood Vocal Fellow
Studied art song and concert music with Phyllis Curtin, Kayo Iwama, Stephanie Blythe, Ken Griffiths, Alan Smith, Dawn Upshaw, Howard Watkins, and more as well as performed opera under the direction of Mark Morris.
Peter Brook'S Adaptation Of "The Magic Flute": "Une Flûte Enchantée"
Papageno in this winner of the 2011 Molière Award for Best Musical.
Executive Producer And Performer For "You Are Not Alone" Benefit Concerts
Produced and performed in four benefit concerts for The Trevor Project, the national suicide prevention hotline for LGBTQ youth. Raised over $17,000, performed for audiences of over a thousand in St. Paul's Cathedral church and in grade schools across the Hudson Valley. Sang along side Broadway legends Aaron Lazar, Lea DeLaria, Jeanine Tesori, and Tony-award winner Betty Buckley.
Tanglewood Vocal Fellow
Sang the role of Dionysus in "L'Abandon d'Ariane" and Théramène in "La Déliverance de Thésée" by D. Milhaud. Directed by Mark Morris.
Bernstein'S "Candide"
Sang the role of King Charles in concert with the London Symphony Orchestra at the Barbican.
The Producers! Major Motion Picture
Danced as a Nazi Storm Trooper in "Springtime for Hitler."
Matt Cahill education
M.M, Vocal Arts
B.M., Voice
Frequently asked questions about Matt Cahill
Quick answers generated from the profile data available on this page.
What company does Matt Cahill work for?
Matt Cahill works for Metropolitan Opera.
What is Matt Cahill's role at Metropolitan Opera?
Matt Cahill is listed as Co-Founder/Co-Director at Hogfish at Metropolitan Opera.
What is Matt Cahill's email address?
AeroLeads has found 1 work email signal at @kemper.com for Matt Cahill at Metropolitan Opera.
Where is Matt Cahill based?
Matt Cahill is based in New York, United States while working with Metropolitan Opera.
What companies has Matt Cahill worked for?
Matt Cahill has worked for Circle In The Square Theatre School, Metropolitan Opera, Hogfish, Atsinging, and The Juilliard School/Nord Anglia.
How can I contact Matt Cahill?
You can use AeroLeads to view verified contact signals for Matt Cahill at Metropolitan Opera, including work email, phone, and LinkedIn data when available.
What schools did Matt Cahill attend?
Matt Cahill holds M.M, Vocal Arts from Bard College.
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