Hogfish is a regenerative arts and artist training company at historic Beckett Castle, surrounded by a world-class rose garden on the coast of Maine. We are building an artistic sanctuary and body of work dedicated to restoring physical and creative health to individuals, our communities, and our earth. www.hogfish.org

AT Singing is short for Alexander Technique Singing. The Alexander Technique (AT) was created to bring ease and freedom to the human voice. At the turn of the 20th century, AT was created by an Australian actor, F.M. Alexander, to alleviate vocal problems he experienced while performing. Doctors declared there was nothing medically wrong, so Alexander surmised there must be something functionally wrong with what he did while performing. After several years of self-study, Alexander discovered patterns of habitual excess tension that were exaggerated during performance and led to his chronic laryngitis. Upon further exploration he found that by inhibiting those habitual patterns and directing himself to new and better use, he was able to find life-long vocal freedom and ease.His recovery was so impressive that several of the doctors he had consulted earlier persuaded him to teach others what he had learned. After decades of teaching, he began to teach others how to be teachers of his method themselves. They named his method the Alexander Technique.Over a hundred years since its founding, the success of AT in finding freedom and ease in vocal production has inspired teachers and students alike to use its central tenants to bring freedom and ease to the greater range of human activity: from every day activities like walking, sitting at your desk, and standing to sports, the performing arts, and recovery from physical ailments.AT Singing returns to the original intent of the technique to find ease and freedom in the human voice.

Developing and teaching in a new Juilliard/Nord Anglia High School Voice Program (July 8-22) at the Windermere Preparatory School in Orlando Florida.

Teaching private voice, acting to singers, opera workshop, and practicum.

Co-teaching the Professional Development Workshop for the Bard Graduate Vocal Arts Program with Melissa Wegner.

Teaching singing-acting skills, creating a show around the talents of our singers, directing, and teaching voice.

Devise and implement a curriculum for the complete singing-actor. Teaching performance practice, acting, and voice in group classes, private coachings, and masterclasses.

Website development, running social media and internet advertising/constant contact campaigns, summer festival concert and institute program/curriculum development and implementation, teaching a performance practicum course, private coachings, teachings voice lessons, being a liaison between the students and administration as well as the faculty and administration, writing copy for official letters and other company materials

Masetto

Ensemble member in world premiere opera by Matt Aucoin, directed by Diane Paulus.

Marius

Betto

Masetto

Schauspieler

Schaunard

Debut recitals at the Philips Collection and the Kennedy Center with pianist Timothy McReynolds.

Schaunard

Soloist

Production of Kurt Weill's first opera "Der Protagonist" followed by selections from Weill's songbook.

Lead baritone role of Claude in the new world premiere of Gluck's "L'arbre enchanté."

Covered the role of Don Pedro.

Gladiator chorus in Cavalli's "Eliogabalo."

Baritone in Jazz Trio in Bernstein's "Trouble in Tahiti" and The Clock and the Cat in Ravel's "L'enfant et les Sortileges".

Sang the lead role of "Le Mari" in a recreation for Britten's centennial of the two piano English translation version created by Britten and Pears in 1958. Malcolm Martineau and Roger Vignoles replace Britten and Poulenc at the pianos.

Studied art song and concert music with Phyllis Curtin, Kayo Iwama, Stephanie Blythe, Ken Griffiths, Alan Smith, Dawn Upshaw, Howard Watkins, and more as well as performed opera under the direction of Mark Morris.

Papageno in this winner of the 2011 Molière Award for Best Musical.

Soloist

Produced and performed in four benefit concerts for The Trevor Project, the national suicide prevention hotline for LGBTQ youth. Raised over $17,000, performed for audiences of over a thousand in St. Paul's Cathedral church and in grade schools across the Hudson Valley. Sang along side Broadway legends Aaron Lazar, Lea DeLaria, Jeanine Tesori, and Tony-award winner Betty Buckley.

Sang the role of Dionysus in "L'Abandon d'Ariane" and Théramène in "La Déliverance de Thésée" by D. Milhaud. Directed by Mark Morris.

Sang the role of King Charles in concert with the London Symphony Orchestra at the Barbican.

Sang the role of Apollo in "Alceste" by Gluck.

Danced as a Nazi Storm Trooper in "Springtime for Hitler."