For more than 15 years I have been working in post-production and visual effects for diverse clients, artists, and production companies, usually as a VFX supervisor, VFX producer, or Digital Compositor. I also regularly collaborate with VFX studios in Europe.SELECTED CLIENTSHBO, Canal +, Tadao Ando Architect & Associates, Wim Wenders, Zeng Fhanzi, Sebastião Salgado, Bayreuth opera Festival, Sony Pictures Imageworks, Marvel Studios, Ubisoft, Arte, ZDF, France Television, Universal, SNCF, Warner entertainment, Los Angeles Film festivalSELECTED STUDIOSRise Visual Effects Studio, Kompost Zurich, Polynoid, Automatik VFX, Fx Factory, Dubois, Mind and Image, IN VR, Kidam Productions, Shokolade, Wolf und Lamm, Black sail Pictures, Swiss kiss, Klendatu, Phenomene, Light Productions, Sparx, Snarx Fx, Auvitec

I am currently collaborating as a VFX producer on feature films, with the Paris-based production company Kidam.

I bring visual concepts into physical space with the use of a range of digital and analogue technologies. I also design technological workflows and creative solutions for art, science and media.SELECTED COLLABORATIONSTransmedia / CTM, MoMA, Bayreuth Opera Festival, Art Basel, Tadao Ando, Franhaufer Institute, Eiffel Tower, Zeng Fhanzi, Sebastiao Salgado, Wim Wenders, ZeVs, Château de Vincennes, Academia Jewish Museum Berlin, Arles Photography Festival

GhostRaum is a self-run studio, that provides space for research and art-making, in Berlin. Our focus lies on designing technological solutions and narratives in the fields of art, science, and anthropological research. Having control over the narrative is a fundamental part of our proposals, where creating spaces allow connection to our deepest selves, and to each other.

I often collaborate with Mind and Image as a VFX producer or senior compositing artist, mostly on feature films and high-end commercials.

At Catalyst I have been leading a Visual Effects and Technological Arts, High Education Bachelor, located at the Funkhaus in Berlin. I was first offered to design a course that aims to prepare a new generation of practitioners in a fast-paced changing panorama of digital arts and visual effects. My role since then has been to establish coherence while providing vision, while keeping the balance in our relationship to creativity, machines, and ecosystems.

Designing the Visual Effects and Technological Arts programme in Catalyst Berlin, Institute for Creative Arts and TechnologiesMy main challenge was to balance a course that would efficiently prepare a new generation of practitioners for major technological and narrative developments in the fields of visual effects and media art, while engaging with the variety of approaches engaged in VFX work, including practical effects, film set work, art and science fundamentals, and soft skills.

Nuke senior compositor for: Canary Black (Feature film), The bridge (TV series), Cuckoo (Feature Film), Upgraded (Feature film), Sophia, (Documentary)

As a digital compositor, I collaborated for several years with Rise Visual Effects Studio in Berlin. I had the chance to work on challenging projects such as HBO Borgia (3 seasons - TV series), XMen First Class (feature film), Adlon (feature film), Ijon Tichy (2 seasons - TV series), Nacht über Berlin (feature film), Reichstagsbrand (feature Film) amongst others.

Point Rouge was the association of several audiovisual producers (film, music, and live performance). The objective of Point Rouge was to support the activities of its members by offering a creative and versatile production space located in Paris.

Klendatu's vocation was mainly to produce creative audiovisual works, including short fiction films, documentaries and commercials. Later on, Klendatu Productions was representing a pool of directors, for the production of TV commercials.