Matthieu Leenhardt Email & Phone Number

Administrative and financial management of the studioProduction of the video game The Dreamwalkers :- search for financing- organization and management of the production- director of the video game

Supervised the production of test shots for a series competing within the Art Development department.

As Line Producer, my role is to ensure that the series is completed within the budget and production schedule, to the complete satisfaction of the client, while providing the teams with a positive environment in which to unleash their creativity.To achieve this, I need to plan ahead and look after the big picture, but also keep a cool head to solve the problems that are bound to arise during production.My main duties this season:- Manage the budget and report the costs to… Show more As Line Producer, my role is to ensure that the series is completed within the budget and production schedule, to the complete satisfaction of the client, while providing the teams with a positive environment in which to unleash their creativity.To achieve this, I need to plan ahead and look after the big picture, but also keep a cool head to solve the problems that are bound to arise during production.My main duties this season:- Manage the budget and report the costs to studio management on a monthly basis- Consolidate the relationship with the client, Warner Bros Animation: weekly production call and reporting, adjustement of production workflows- Recruit the Production Supervisor, the 5 Production Managers, the 2 Assistant Directors and, in coordination with the Studio Department Heads, the Department Supervisors.- Determine artist recruitment process- Monitor production quotas and schedule- Conduct weekly meetings with Department Supervisors and production team- Supervise script breakdown, storyboards and design. Show less

Series under development convention with Gulli and co-production with Dreamworks.I was in charge of:- Adjusting and monitoring the schedule - Customer relations with Gulli and DreamWorks Animation- Coordination with the writing director and the director- Managing the budget and reporting to management

I joined the series when the Animation department was starting up.My main roles were:- Improve and consolidate the relationship with the client, Warner Bros Animation- Support the 2 production managers (Pre-Prod + Shots)- Adjust production processes- Supervise the production of 6 x 2mn shorts

In direct relation with the Head of studio and the directors, management of all aspects related to the delivery of the series:- Realization of the Digital Intermediate at Technicolor / Mikros- Dispatch in the different Departments and follow-up of the retakes requested by Netflix- Liaison with Riot GamesManagement of the Final Compositing team: 1 Supervisor, 3 artists.The Department's role at Fortiche is to add the latest effects to the series: shake cam, vignetting… Show more In direct relation with the Head of studio and the directors, management of all aspects related to the delivery of the series:- Realization of the Digital Intermediate at Technicolor / Mikros- Dispatch in the different Departments and follow-up of the retakes requested by Netflix- Liaison with Riot GamesManagement of the Final Compositing team: 1 Supervisor, 3 artists.The Department's role at Fortiche is to add the latest effects to the series: shake cam, vignetting, bokeh etc.- Daily follow-up of the artists' work- Assignment of sequences and determination of priorities- Follow-up and monitoring of the production schedule Show less

Production management of the CFX department.1 supervisor, 3 leads, 20 artists.- Quota tracking- Shotgrid: creation of follow-up pages, planning in coordination with other departments, tracking of notes etc.- Organizing and structuring meetings. Note taking- Improvement of the technical workflow in collaboration with the Supervisor and the CFX's TD- Coordination with Administration and HR for recruiting and tracking timelogs of artists- Organization of individual… Show more Production management of the CFX department.1 supervisor, 3 leads, 20 artists.- Quota tracking- Shotgrid: creation of follow-up pages, planning in coordination with other departments, tracking of notes etc.- Organizing and structuring meetings. Note taking- Improvement of the technical workflow in collaboration with the Supervisor and the CFX's TD- Coordination with Administration and HR for recruiting and tracking timelogs of artists- Organization of individual interviews with each artist Show less

For independent directors and producers : - administrative and financial advice ;- lay out the budget of the documentaries;- submission of funding applications (CNC, regions etc.)

ZED is a production and distribution company of documentaries for television.My role was the financial, operational and administrative management of the films, from pitch to delivery:- Analysis of the film's needs and determination of the budget- Search for financing- Drafting of contracts for authors, directors and technicians- Coordination of the technical and art teams (directors, camera-operators, sound engineers, editors, graphic designers etc.)- Management of a… Show more ZED is a production and distribution company of documentaries for television.My role was the financial, operational and administrative management of the films, from pitch to delivery:- Analysis of the film's needs and determination of the budget- Search for financing- Drafting of contracts for authors, directors and technicians- Coordination of the technical and art teams (directors, camera-operators, sound engineers, editors, graphic designers etc.)- Management of a production team: setting priorities, ensuring that milestones are respected, organizing communication- Regular reporting to the General Manager- Production of 38 documentaries including 1 international coproduction with Canada. Show less

M6 is a French TV company.I worked two years on two different programs: 100% MAG, a daily show and 66minutes, a weekly show.My missions were as follow:- Organization of shooting and editing of in-house's subjects- Hiring of technical teams, coordination with support services (shooting equipment, HR etc.)- Post-production supervision (editing, mixing, master release)- Budget management

Twenty-Two is a communication agency.There, my missions were:- Production coordinator of 16 short films for GRDF: writing synopses, assistant director on the shootings, art direction and post-production management- Management of web and publishing projects (website creation, production of in-house magazines, advertisements for Korian, Safran etc.): analysis and proposal of a communication plan adapted to the client's brief, collaboration with the art director, management of graphic… Show more Twenty-Two is a communication agency.There, my missions were:- Production coordinator of 16 short films for GRDF: writing synopses, assistant director on the shootings, art direction and post-production management- Management of web and publishing projects (website creation, production of in-house magazines, advertisements for Korian, Safran etc.): analysis and proposal of a communication plan adapted to the client's brief, collaboration with the art director, management of graphic designers. Show less

Master'S Degree, Sciences Politiques Et Gouvernement

Maitrise, Droit