Candi Agency is a digital and audiovisual consultancy and production company in the cultural sector.

Delivery of 59 audiovisual and digital exhibits for the Oman Across Ages Museum:- led the production of 59 audiovisual and digital exhibits for the Oman Across Ages Museum- planned strategically the production, in light of the negotiations with the client: project plans, tasks, processes, dependencies, milestones.- managed the research team, content creation team and the design team: production of dozens of storyboard, scripts, images selection, UX/UI journeys, motion design videos, etc.- managed progress in collaboration with the technical manager- coordinated the production with the international production partners, internationally and externally- was the client direct contact and participated in negotiations- made sure that processes were respected for validation and progress

We Are Museums is a community of practices that supports new ideas through resources, original research and collaborative networks.I am the co-founder of the We Are Museums online community and of WAMLab. And, with Diane Drubay, the founder of We Are Museums, I produce programs that accompany museums towards innovation and change so as to face the challenges of today's society. - Web3 for the Arts and Culture- Museums Meet Videogames- Museums Facing Extinction- Reframe Collecting

I help cultural institutions developing engaging digital projects. From building an online presence to creating digital solutions for visitors to experience on-site, I guide and support the team every step of the way.https://maximelaprade.comServices:ConsultingStrategyResearchProject ManagementProduction ManagementCommunity ManagementClients : The Alimentarium, https://www.alimentarium.org/enWe Are Museums https://www.wearemuseums.com/Tactile Studio https://tactilestudio.coVilla Albertine https://villa-albertine.org/

- Delivery of two UGC projects, managing the development and production: The Food We Love to Hate in 2019 and My Vegan Life in 2020- created and planned content for all of the institution social networks in 2019 and 2020, including coordinating the team members in creating content, for Twitter, Instagram, Facebook and Tik Tok.- re-define the digital strategy of the institution with the museum director and the museum business developer- Delivery of the "New Digital Landscape" project: an IT transition from the Nestlé network to an independent one. This included managing the development and production, managing the team internally and externally, managing the relationship with the production agency technically in charge of the project, and managing the discussion about the infrastructure security with the team at Nestlé. At the end of the project, the institution had a new, independent, IT infrastructure that suited its needs best.

Digital Platform- Production of a detailed brief for new database and a new digital platform for the organisation's members- Production of a market research report for the partner who should produce the database and digital platform. Digital communication- Produced a new a graphic and editorial charter :- refined the organisation's communication strategy- created new processed to streamline the internal work for communication- was in charge of community management.

Design and production of digital experiences for museums and cultural institutionsProject Management:-Activity and resource planning-Scoping-Defining deliverables-Time and budget management -Monitoring progress / reporting -Client relationBusiness Development (sourcing, negotiation, proposal development, client relation)Creative Assisting (concept development, market research)Development including:- UX / UI / CMS - Multimedia : wall projection, screens, sounds environment, touch tables ...

My Medium pagehttps://medium.com/@maximelaprade+Academic writing:- 'Balenciaga, from Paris to London: From a vision to history, a narrative on exhibition-making', International Journal of Fashion Studies, Volume 4, Number 2, 1 October 2017, pp. 293-297(5)- 'Haute couture et expositions universelles, 1900 - 1925', Apparences, 7, 2017. Fashion Writer and Columnist experience:- Histoire de Mode - since September 2015- Bizart Magazine - January 2013 – September 2015- The Moderatic - September – December 2014- This Is Couture / weekly news - February - June 2014- Sorbonn@ute / University plateform - October 2013 - June 2014- Culturia Blog / “Art and Fashion” column - February 2012 – February 2014Talks- 'Callot Soeurs, Aperçu et Possibilités', speaker @ Histoire de Mode, IHTP, Paris, October 2016.- ‘The House of Callot Soeurs’, speaker @ L’Institut Français de la Mode, Paris, June 2016.- 'Rencontres Internationales Etudiantes', participant @ the Festival International de l'Histoire de l'Art, Château de Fontainebleau, May 2015. - "French Haute Couture in the Belle Époque, 1895-1914 : The example of the House of Callot Sœurs." @ Association of Dress Historians, London, February 2015.- "The Callot Sœurs fashion house in the Belle Époque, 1895-1914." @ Histoire de Mode, IHTP, Paris June 2014.

- 'Too Many Fish in the Sea', Curator, London College of Fashion, July 2017.- Community Management for The Fan MuseumLaunching the Instagram account of the museum: April - June 2017 - Diesel x LCFLondon Flagship Store Takeover. Creating a new concept including research, exterior and interior design, marketing communications plan and launch event. August 2016- Fashion and Performancecurator of the exhibition @ LCF Library, London, June 2016.- Renewalcurator of the exhibition @ Im/Material Conference, University of the Arts, London, May 2016

Curatorial intern working closely with the curator Jacob Moss and in collaboration with Google.In charge of the Google Art Project 'We Wear Culture' for The Fan Museum: creation of The Fan Museum profile for the Google platform: selecting images, curating digital exhibitions, writing images' captions, content creation. The launch was part of the We Wear Culture launch in June 2017.

Internship in Les Arts Décoratifs with the curator of Fashion 1800 - 1940, Ms Marie-Sophie Carron de la Carrière. Worked closely with the department's assistant, Hélène Renaudin.The purpose of the internship was to study the Callot Soeurs dress collection of the museum. However I also participated in the diverse activities of the department, assisting the curator in her daily job.