Blotto studio produces high end 3d graphics, VFX and animation for post production, film and advertising.

Supervising technical director working on various film and tv visual FX projects.

My role at the Mill was initially to introduce a CGI production pipeline and workflow for the TV and film department based on the experience I had gained from leading previous TV shows such as Primeval series 2 and 3 at Framestore.I went on to supervise the CG for Primeval series 4 and 5 and for Sky's recent Sinbad TV series. This involved liaising with clients at the script stage, briefing on-set supervisors, budgeting resources and leading a team of 10 3d artists. Both shows employed a… Show more My role at the Mill was initially to introduce a CGI production pipeline and workflow for the TV and film department based on the experience I had gained from leading previous TV shows such as Primeval series 2 and 3 at Framestore.I went on to supervise the CG for Primeval series 4 and 5 and for Sky's recent Sinbad TV series. This involved liaising with clients at the script stage, briefing on-set supervisors, budgeting resources and leading a team of 10 3d artists. Both shows employed a number of CGI techniques; creature workincluding fury and feathered also environment and effects work, in particular water.Most of my work has been rendered using Mental Ray renderer with Maya being the main platform forcreating and supplying assets. More recently I have implemented the switch to Arnold which has nowbecome the render of choice for the department.Not all of my work is delegated to others, I enjoy a broad range of skills in CG as a seasoned Mayauser and operate in a generalist capacity where necessary whilst maintaining an eye on qualitycontrol of the final output.; Since leaving college I have always worked in the London post production industry, I began my careerin sound effects followed by advertising music production and later I expanded into visual effects. Itook up CGI full time in 2000 having made my first short film "Hover-bike". The success of this projectpropelled me straight into the world of VFX working on the feature film Troy at Framestore. I havebeen working in the VFX sector ever since. Show less

Media production company specialising in both computer generated imagery and sound.

•Lead Technical Director on Primeval Series 2 and Series 3. Pipeline and look development VFX for TV series. Approx 400 shots. Supervising and Leading TD team of 8.•Lighting TD on The Golden Compass. Initial lighting set-up for Polar Bears, scripting for shadow pass.•Lighting and Effects TD on Underdog. Fur lighting TD and dynamics FX.•Lead lighting TD on Prehistoric Park.•Lighting TD and technical animation on Troy. Mo-Cap clean-up and blending… Show more •Lead Technical Director on Primeval Series 2 and Series 3. Pipeline and look development VFX for TV series. Approx 400 shots. Supervising and Leading TD team of 8.•Lighting TD on The Golden Compass. Initial lighting set-up for Polar Bears, scripting for shadow pass.•Lighting and Effects TD on Underdog. Fur lighting TD and dynamics FX.•Lead lighting TD on Prehistoric Park.•Lighting TD and technical animation on Troy. Mo-Cap clean-up and blending, lighting. Show less

Dubbing studio operator and Music Librarian responisble for sourcing , syncing of music and effects for broadcast TV and commercials.