Art Conservation Solutions (ACS) is a professional firm based in NOIDA. Established in 2003, ACS undertakes projects on conservation of art works at various sites in India.

Managing conservation projects carried out by the foundation.

Work in collaboration with conservators of INTACH to improvise the analytical laboratory and to develop analytical capability of the staff of ICI.

Conducts workshops and gives lectures to various conservation training programmes in India.A few workshops and courses conducted are:18 - 22 December 2023 - Workshop on multispectral imaging (MSI) at the Museum of Art and Photography, Bangalore.13 - 17 March 2023 - Session on conservation of wall paintings, Training Course inConservation of Wall Paintings, The Tata Trusts Art Conservation Initiative and Mehrangarh Museum Trust, Jodhpur.19 - 23 December 2022 - Multi-spectral imaging, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai17 - 22 November 2022 - Condition assessment of art objects, Leon Levy Foundation Conservation Programme, Jodhpur.31 October - 4 November 2022 - Technical analysis in art conservation, The Museum of Art & Photography, Bangalore18-21 October 2021 - Documentation and scientific analysis of paintings, Kolkata Institute of Art Conservation (KIAC), Kolkata.

Managing Leon Levy Foundation Conservation Programme at Mehrangarh.

Member of technical committee for guidance and supervision of conservation work of paintings in the Sree Chitra Art Gallery, Thiruvananthapuram

Emergency stabilization, documentation and assessment of wall paintings at Gönpa Gang, and Lo Gekar in Mustang, Nepal.Work also involved conservation of a few painted stone steles and sculptures.

Management of conservation studies programme conducted by the conservation of wall painting department of the Courtauld Institute of Art in collaboration with Mehrangarh Museum Trust.

Conservation intervention of late 17th century wall paintings of Tango Monastery, Bhutan. Project of Conservation of Wall Painting Department, Courtauld Institute of Art, London in collaboration with the Department of Culture, Bhutan.

Worked on the project of conservation of 18th century wall paintings at Ahichhatragarh Fort Nagaur with the team of wall painting conservators of the Courtauld Institute of Art.

National Museum project of conserving oil paintings decorating the walls of Ashoka Hall, Rashtrapati Bhawan, New Delhi. Responsible for organizing the dismantling, deciding the conservation treatment, supervision of and co-ordination of art conservators at site.

Involved in a National Museum project of conservation of Qajar oil paintings decorating the ceiling of Ashoka Hall, Rashtrapati Bhavan. The responsibilities were to design the scaffolding in order to dismantle and lower the paintings from the ceiling, give a protective facing to prevent the flaking of paint layer, remove the paintings from the ceiling and to do the scientific study of paintings.

Member of NGO Cultural Heritage Conservation Centre based in Delhi

A member of a team of conservators from Stichting Restauratie Atelier, Limburg (SRAL) who worked on a traveling exhibition titled “Dutch Masters from Indian Collections” in India, a collection of twenty eight 15th - 17th century Dutch paintings exhibited at three venues in India. Was involved in preparing condition reports, treatment of paintings, preparing/monitoring paintings during transit and assisting in displaying the paintings. Also prepared a special visual cum textual display showing the various stages involved in preparation of oil paintings on canvas, wood and copper supports.

In addition to conserving paintings, was responsible for improvising and maintaining a laboratory for micro-chemical analysis of pigments and cross-section analysis of paint samples, U.V and I.R. Photography and digitization of conservation work.

Involved in a UNDP funded project in conserving 18th/19th century wall paintings in Kishankot temple, Gurdaaspur, Punjab. Designed and completed digitization of documentation of the paintings