Chief Technical Engineer managing studios in Hollywood and Culver Post in Culver City. Technology includes Samsung IWA 8K HDR LED wall with Meyers Ultra Reflex speaker system, Isilon storage, Davinici Resolve, Baselight, Avid Pro Tools, Avid S6, Sound Editorial and ADR.

Senior audio engineer for boutique post house with locations in Chicago and Los Angeles. Managed all technical aspects of 3 audio mixing stages, 1 ADR stage and assist with video post department. Managed NAS storage, data network, Dante Audio Network, Avid S6, IHSE KVM, BSS room tunning, projector calibration, Pro Tools and Avid Media Composer, Apple MacPro’s, Clearview and Streambox remote playbacks.

Technical audio director for animation studio with 3 locations in Burbank. Worked on expanding the scope of the audio business.

Technical leader envisioning system designs, development, budget and management of a 65,000 ft2 world-class post production sound facility. This was a ground up build in co-operation with Paramount Studios located on the Paramount Studios lot with a project cost of approximately $80M.Managed all aspects of the project from initial technical specifications and physical design to budgets, RFP’s, construction, equipment specifications, integration, staffing and successful launch.Managed $2M-$3M of annual capital expenditures and technical budget for the business unit.Manage both physical and digital security for facility to ensure compliance with MPAA, Marvel, Disney, Apple and HBO.Recruited and managed engineering and IT staff for US Sound Services.Worked directly with manufacturers on specifications and needs of the facility as well as future developments. This includes Dolby ATMOS, Avid Pro Tools, Quantum, DTS X, StorNext, NVision, IHSE KVM, BSS, JBL and Crown.Managed physical needs of facility including HVAC, electrical, plumbing, fire life and safety, security system and interfacing with Paramount’s lot personnel for building support and procedures.Handled tours for VIP’s including politicians from the US and abroad.

Senior sound engineer for award winning audio post production facility. The facility hosted five film audio dubbing stages, ADR stage, foley stage, transfer room and editorial suites. Responsible for all technical aspects and support of the rooms as well as custom electronic design, room design, equipment procurement, rentals and room tuning.

Supervised and managed all technical aspects of Warner Hollywood Studio’s post production sound facility.Manage $1M of annual capital expenditures and technical budget for the business unit.Responsibilities include the direct management and administration of engineering staff, wiring shop personnel and general management of the lot facility. Interfaced with all clients of the sound department to establish job requirements, specifications and standards necessary to ensure that all client technical needs are met. Product research, evaluation, vendor selection and procurement of all budgeted items.Coordinated the sound department’s needs with other departments on the Warner Hollywood and Warner Burbank lots.Served as studio’s representative for industry committees and trade conferences.

Technical engineer of the first all-digital post production facility in Los Angeles. Responsibilities included support of digital mixing room, commercial digital editing/mix rooms, digital conforming suite, ADR/Foley stage and video/audio transfer. Responsible for the design of a three-room expansion of the facility. Handled CAD drawings for signal flow, patchbay layouts, rack elevations, router programming as well as mechanical drawing and circuit design. Worked with Mac OS, DOS and Linux platform machines.

Sound engineer responsible for the technical support of the Sony Studio lot audio post production department.This included support for three film dubbing stages, three television stages, two ADR stages, two foley stages, one scoring stage, editorial rooms, sound and video transfer department as well as other miscellaneous facilities located on the Sony Studio Lot.

Design engineer and project manager of digital and analog hi–end professional audio products.Oversaw all product development phases including concept, design, prototyping, schematic capture, circuit board layout, artwork, mechanical drawing, manufacturing, production and customer support. Installed GML automation systems all over the world including Air Studios in London and Tokyo.Wrote assembly code programs for Motorola DSP 5600 digital mixer.Handled field support and surface mount multilayer circuit board layout for all GML products.Assisted George on many recording sessions including Linda Ronstadt, Phil Collins, Little Feat, Flim and the BB's.

Responsible for all technical aspects and support of rental and sales of professional audio equipment. Maintained many of the first Sony and Mitsubishi digital multitrack machines in Los Angeles.Responsible for prototyping and support of Sony computer SMPTE interface for Music Design Group of an F1 external clock/60hz sync modification for film use.

Assistant engineer/technician for world class recording studio.Supervised digital remote recordings for Heart, Ozzy Osbourne, Neil Diamond and Bruce Springsteen.Recordist on scoring stage for digital film projects including Out of Africa, Goonies and Star Trek IV.Worked with artists such as Kiss, Twisted Sister, Judas Priest, Rick Springfield, BB King and Tony Bennett.