I am an Emmy Award winning Sound Engineer with decades experience in the industry and have an earnest interest in teaching and working with ITU that began with the relationship that he developed two years ago. We have gone to great lengths and considerable expense to establish a post production sound facility on campus. This goes hand in hand with three popular courses that I teach in Sound Production; Sound Design, Sound Recording, and Post Production Sound Recording. I am also involved in every Capstone Project that involves video and a soundtrack and has been extremely valuable in bringing our live event sound capabilities to a whole new level. I am also spearheading the development of our Augmented and Virtual Reality concentrations and requisite hardware and software acquisitions while teaching courses related to the fields of Augmented Reality and Virtual Reality. These are already very popular courses and have gained interdisciplinary consilience among the other department programs. Duties and responsibilities:- Teach a minimum of two courses or the Capstone Advisory equivalent per trimester.- Supervise our Sound Facilities for use in our academic courses, student projects, institutional promotional and archival projects, professional certificates, and contracted revenue generating contracts within the professional industry. This includes our post production recording and editing facilities and sound recording for live events as needed.- Supervise and manage our Augmented Reality Lab for course purposes, student projects, research, and institutional applications.- Supervise and manage our Virtual Reality Lab for course purposes, student projects, research, and institutional applications- Attend department meetings - Assist in DA student orientations.- Assist in developing and facilitating Professional Certificate Programs for DA and Production.

I am extremely happy as a part of the great team at here at International Technological University (ITU). I will be a Professor teaching Digital Media Arts and Sciences to eager young minds right in the heart of Silicon Valley. I have just finished designing and building a brand new state of the art campus, Digital media audio and video production and post production facilities and theater complex.I am also in charge of virtual and augmented reality curriculum and systems development. Furthermore, I am currently involved in scientific research on cymatics and sympathetic vibratory physics

Audio Instructor teaching Post Production Audio

I have founded DeepXP with a gifted group of content creators and innovators with oodles of experience telling stories through blockbuster audio, film, and award-winning video games. We believe in VR/AR as a next level platform for entertainment, education, training, and healing.

Are you ready for the next revolution in video streaming technology?We have that fire in the box and are poised to release it on the world in less than 90 days!Stay tuned for more information on our Multi Platform Media ConsumptionInteractive Monetization E-Commerce Solution.We are now in stealth mode working on a very special project.Stay tuned more to come!

Content and pipeline development of interactive edutainment products for use and integration into traditional and non traditional education settings. I am also responsible for outsourcing, business developemnt and fundraising,

I was warmly recruited by Gazillion Entertainment shortly after returning from Canada. I was brought on board to take charge of audio design, content creation and implementation for a new marvel comic book franchised video game. We used the Unreal 3 video game engine in conjunction with the Wwise audio middleware. This was all sewn together nicely by a few internally developed wrapper systems for versioning and random generation of environments for an on line platform title. I was extremely happy and challenged here, however the contract for this production is slated to expire in June of 2012.

I created Confederation Studios as a hybrid, media Services Corporation. Our service offerings included audio and video production / post production services as well as motion capture data acquisition and clean up to the film television, and interactive entertainment industries. As president / CEO it was my responsibility to be the driving force in all areas of operation, from business development, to engineering, customer contact, production and integration of content.

I was recruited, and moved to Montreal by Eidos Game studios specifically for the Thief 4 Project. During the duration of the project it was my task to come up with the “Audio Signature” for the project and create video and audio presentations effectively communicating the look and feel of the video game to mid and senior level management. I established the ground work for the production pipeline and middleware solution and how it should function in conjunction with video game engine. I interviewed and hired audio designers and composers and set up our development schedule that was in sync with the rest of the creative and programming departments.

As senior supervising sound designer I was responsible for the audio production and integration on many AAA titles for our clients that spanned the globe. I handled the entire process from client contact, defining of scope of work and cost, as well as production and integration of assets in to the client’s game. While doing new business development \management I was responsible for establishing new revenue streams and sales and service systems and protocols.

Provide complete audio content services for interactive games. published works have touched on all aspects of audio for games including: SFX creation, music composition, voice (VO) production, and sound-to-picture for cinematics across all major platforms. shipped titles: "Project Gotham Racing III" (xbox 360 launch title) "Big Mutha Truckers" (BAFTA nominated work) "Project Gotham Racing II" "Amped Freestyle Snowboarding" (xbox launch title) "Amped Freestyle Snowboarding II" "Axis & Allies" "Johnny Whatever" "Kohan II: The Kings or War" "Street Racing Syndicate" "Test Drive, Wide Open" "Playboy: The Mansion" prototypes / demos: WISH (MMORPG) "The Beowulf Project" Revelation Interactive "Space Mercs" Atomic Games "Cleric" Plutonium Games "Wrath & Skeller" Outlaw Studios "Legend" Timgate Studios "Section-8" Timgate Studios

 I was recruited as the Audio Director / Facility Operations Manager for Midway Games Studios in Los Angeles. My position was of studio executive board level, I was tasked with driving the development of the audio content creation and implementation for the next generation gaming consoles the X-Box360n PS3, Wii the P.C. I also completed design, renovation, and construction, of a complete video game production studio in the city of Moorpark that would eventually house 3 AAA production teams, and could cover up to 4 titles in production at any given time. I was also deeply involved with the corporate core technology group working on solutions for audio / video streaming, and audio middleware modification. I was highly respected by my studio head, and technical director and they are still my mentors. I still maintain a close relationship with most of my co-workers from Midway.

As a temporary full time employee, on the Godfather project, my duties included spotting sound effects, recording voiceover talent and Foley, editing and sound design of all assets, and final mixing of in game cinematic cut scenes. I greatly enjoyed my time at Redwood Shores. And still have a number of friends in the Media Lab where I worked. However when it came time to negotiate a permanent full time contract, Midway studios made me a better financial offer, a more senior position, with more room for advancement.

I was hired and relocated to Huntsville Alabama by Mutable Realms to design and build an audio production facility, as well as head up the development of audio content creation, and implementation for a massive multiplayer on line video game called “WISH” My duties included, studio design and construction, writing the audio design document, audio content creation of music, sound effects and Foley, as well as the implementation of the resources within the video game environment using an in house designed tool set, and low level middleware solution from MILES.I have to say that working with the “WISH” team was a turning point in my career. I learned so much from working day to day with the programmers, artists, and designers. They have become like a second family to me and we often try to work together, and are the base of my data network

While employed at West Productions as Chief Sound Designer, /Sound Effects Editor, my duties included, interacting with the clients, designing and mixing new sound effects, as well as supervising the final mix. I was also involved in the engineering, and designing of the new audio facilities, and the training of new employees.

My employment at Columbia/Sony was a great place to start my career in the Motion picture, and television industry. While there I was given the opportunity to learn about the audio/video post production process from some of the best in the business. Upon completing my internship in record time I was then made a full time sound effects, music, and dialogue editor