Visual Effects Supervisor | Innovator in Art & TechnologyWith over 15 years of experience in the VFX industry, I've had the privilege of contributing to groundbreaking projects like The Lion King (2019), The Jungle Book, Pinocchio (Disney), and more recently Kraven the Hunter (Sony). My journey from artist to VFX Supervisor has been fueled by a relentless curiosity about new technologies and a drive to redefine how visual storytelling is brought to life.I specialize in exploring and integrating cutting-edge tools. whether it's AI, real-time engines like Unreal Engine, or searching effective workflows within traditional 3d and 2d pipeline, aiming to make the creative process more efficient in terms of time and cost maintaining the focus on achieving unparalleled visual excellence while streamlining the path to it.What Drives Me?Researching emerging technologies to revolutionize storytelling.Designing efficient workflows that adapt to evolving schedules and client needs.Fostering collaboration between creativity and innovation to deliver world-class visuals.Resilience, adaptability, and a passion for problem-solving are at the core of my approach. I thrive on turning challenges into opportunities to elevate both artistry and production efficiency.Let’s connect and discuss how we can shape the future of visual effects together!