NFT platform for music, sports, and entertainment. Techstars Music class of 2020.Partners have included: American ExpressCoachellaDeath Row RecordsNew Jersey DevilsThe Pac-12Rolling LoudRevolver MusicAnd many more

Strategic marketing for the music industry with a focus on campaign management, data analysis, and business development.

Taught "The Visual Music Experience" in a program that is a collaboration between the Integrated Digital Media program at Tandon and the Recorded Music program at the Clive Davis Institute, examining the past, present, and future of music videos from a historical, cultural, and economic perspective.

I was responsible for marketing strategy and brand partnerships for a roster of 20+ musical acts including Animal Collective, Leon Bridges, Passion Pit, Ray LaMontagne, and Yusuf/Cat Stevens. I led the marketing department in executing social media campaigns and media partnerships for album releases, tours, and other creative projects undertaken by our roster. I was also responsible for developing relationships with brands and agencies and for closing partnership and sponsorship deals for the roster. I worked closely with our artists and managers to develop their creative ideas into fully realized campaign plans and in finding partners to execute and amplify these projects. Mick's 2016 Artist Roster:Alex Bleeker and the FreaksAnimal CollectiveAsgeirAuroraAvey TareBrett DennenChildish GambinoDeer TickHamilton LeithauserKari FauxLeon BridgesLord HuronMaggie RogersMartin CourtneyMUNAOf Monsters and MenOlivia O'BrienPanda BearPassion PitPhillip PhillipsRay LaMontagneReal EstateSawyer FredericksSharon Van EttenSt. LuciaThe WalkmenTokyo Police ClubWALK THE MOONWhite DenimYusuf / Cat Stevens

For five years I handled digital strategy and brand partnerships for the band OK Go. I ran all of their social media accounts, wrote their fan newsletter, and engaged and executed marketing partnerships with external entities to promote the band's endeavors. I planned the rollout strategy for a dozen of their award-winning music videos, ensuring maximum viral reach by coordinating the efforts of the various marketing teams (label, PR, brand and agency partners, etc) involved. Additionally, I managed brand partnerships for the band's music videos and other creative projects. During my tenure these projects received hundreds of millions of online views and numerous awards for excellence including eight Cannes Lions, a Clio, two Webbys, two MTV Video Music Awards, and five Grammy nominations.

Founded and ran OK Go's record label. Oversaw all product management, marketing, and distribution for the catalog. Put out releases from PYYRAMIDS, Lavender Diamond, Infinity Shred, and OK Go.

I helped run this independent, chiptune-focused record label alongside my work running Blip Festival with the same partners. I was focused primarily on online merchandise sales and marketing strategy.

I co-founded this international music festival with partners and ran it with them from 2006-2012, together overseeing the logistical, technical, curatorial, and budgetary operations for events in New York, Tokyo, and Melbourne. I also handled all grant writing and brand sponsorship endeavors for the festival.

I founded this non-profit performance space with a group of seven partners in the spring of 2003. Together we built the organization from scratch into a $250,000/year non-profit that presented over 600 shows a year with a small paid staff and a roster of 50 evening volunteers.I oversaw the technical facilities and build-out of the five venues The Tank inhabited from 2003 - 2009, and was responsible for the oversight of dozens of volunteers, interns, and paid staff members in those endeavors. I also curated, promoted, and ran several hundred concerts during this time and served as the managing director of the organization for several years. I currently serve on the board of directors.

I founded and ran for six years this NYC based annual 4-day festival that explored circuit-bending and DIY electronics in contemporary art and music. I also ran the festival for two years in Los Angeles and Minneapolis.