Molly Chang Email and Phone Number

- Utilized PLM Software (Centric)- Created Tech packs and communicated with factories- Updated size charts, tolerances, grading, and fitting photos- Spec'd Woven and Knitwear Garments- Created Clo3d garment samples- Assisted in live fittings as a notetaker- Attended Sketch Pass and Costing meetings

- Captured and cleaned photos of samples for line sheet- Archived past collections with photographs, descriptions of garments, style #, shoes, and accessories. Archived Fall 2003, Spring 2004, and Spring 2007.- Delivered samples and packages to vendors in the garment district.- Sourced trim, applique, and notions online and locally, communicating with vendors online. - Created copies of fabric cut tickets and trim sheets, organizing trim binder, generating PRS to send to vendors.- Updated Spring ’24 digital line chart with sketches, style #, colors, and fabric swatches in correspondence with the physical line chart.

I had the fantastic opportunity to intern at NAADAM, a NYC-based cashmere knitwear brand. I assisted the design, tech, and production team with the development of the brand's e-commerce and wholesale lines.- Utilized Centric (PLM) to generate style numbers, create tech packs, match tags to garments, and communication on working decks. - Assembled proto-decks and color decks. Conducted garment and color research. Used fashion forecasting services (Fashion Snoops & WGSN) and retailers to analyze trends.- Generated knit down, color lab dip sheets for communication with factories. Organized color samples. Archived yarn and knit down books.- Listened attentively during fittings and transcribed accurate measurements and notes into Centric. Cropped photos of fitted prototypes and uploaded them into tech packs.-Tracked garments by style, color ways, inventory in Microsoft Excel and neatly packed for archive storage.- Documented number of units sold in a visual line sheet through Adobe Illustrator. Recorded dropped items from past season collection.- Created sketches on Procreate, following the design team’s notes. Created stripe layouts on Illustrator for CLO3D models and factory reference.

• Executed daily tasks in several departments (Womenswear, Menswear, Health and Beauty, & Stationary) in accordance with MUJI’s vision.• Generated sales through attentive customer service on the sales floor, demonstration of in-depth product knowledge, and marketing of current sales promotions.• Maintained an attractive sales floor by re-stocking, folding, and displaying of products. Streamlined product placement and enhanced visual merchandising to drive sales revenue.• Fostered a welcoming environment by engaging the customers with greetings and offers of assistance.• Assisted with opening and closing tasks such as returning go-backs, cleaning, and disposing of trash.

• Designed and styled 50 outfits for lead, supporting, and ensemble cast, based off character descriptions, research, mood boards, and prototypes. Rendered front and back views of designs. • Created character & scene plot through Excel. Tracked individual costume pieces and tasks. Assigned roles to costume team. • Sourced materials online, NYC garment district, and secondhand. Organized and recorded receipts. • Constructed costumes from patternmaking to finishings. • Collaborated with director and lead creator on concepts and production.

Production: Beauty and the Beast• Wig: Tracked and maintained 10 wigs. Designed and styled 2 wigs from original concepts. Prepped and set lead wig after each rehearsal. Independently performed 12 wig changes. Reviewed notes from director and made changes accordingly. • Wardrobe: Designed costume pieces for intensive musical numbers and wear. Illustrated concepts for garments. Sourced materials in NYC garment district and online. Performed alterations on costumes. Assisted in quick changes.

Production: Next to Normal• Wardrobe: Facilitated over 12 costume changes. Efficiently executed three quick changes. Steamed and ironed costumes. Hand sewed snaps. Coordinated notes with the head and assistant costume designer. • Audio: Assumed the role of A2. Assisted with wiring the theatre. Prepared 10 microphones with hair clips. Miked and de-miked nine actors. Monitored battery levels and changed them accordingly.

• Directed a camp on fashion design under the guidance of Itsje Rowson. Quicklyadapted to learning and teaching 2-3 new projects each day.• Supervised campers. Recorded attendance and after-camp routines daily. Handled 5 emergencies according to procedure.• Helped campers turn their project ideas into reality through one-on-one mentorship.