Credits: Motown Christmas Special, Above the Fold w/ Jemele Hill, Game Changers 2.0, Starting 5 S2

Credits: Netflix - Untold: Sign Stealer, NIKE – Shelly Ann Frazier Pryce Documentary, Naomi Osaka Capsule Collection Photoshoot, Waywo Aja Wilson Series, Styled By: Devin Booker, Styled By: Sam Kerr, Styled By: Dina Asher-Smith, Google Pixel - NBA Play Off Commercial, NBA Tip-Off Commercial, Road to Allstar Weekend Commercial, Kelsey Plum WNBA Finals Social, World Cup Megan Rapinoe Social, 2023 + 2024 Uninterrupted Film Festival + Party, JP Morgan Chase – With The Bag To Match Series, Hana Kuma – Can’t Wait to Hear From You Series

Operating the production department and each production’s budget. Directing daily projects in conjunction with the Director of Finance and the Director of HR & Operations. Keeping an eye on the big picture across the organization. Daily activities include overseeing EICs, Line Producers, Creatives, and Clients. Consistent budget actualization, monitoring company-wide schedules,managing multiple teams, and individual personnel, and developing operational strategies.Projects: Disney Moon Girl, Puma: About a Bucket, Puma x Skylar Diggins, DevaCurl: Curl Knockout, Our Black Origins, Disney Recitals of Remixes, Invisible Hand, Xprize, Knix x Ashley Graham, Healthcare.gov, Bumble x Teyana Taylor Vodcast, Bumble: I Luv 2 See It Activation, IMG x Mailchimp, Save the Music, Healthcare Special Enrollment and Open Enrollment campaigns, P&G HBCU Documentary, Ulta Black History Month Campaign + Ulta Muse Accelerator, Under Armour Black History Month Campaign.

Managed partner-produced titles for five creative leads in the nonfiction series space. Vetted and approved budgets submitted by production companies. Oversaw all day-to-day logistics, including insurance negotiations, legal issues, and clearance issues. Trained teams on our internal applications. Led production kick-off meetings. Liaised between cross-vertical internal departments (finance, legal. post- production, diligence, tax, insurance, production HR, safety and security, production labor, FCPA compliance, product creative, and content marketing). Primary contact for production companies during pre-production, production, and post-production. All while working closely with our studio application engineers to improve and implement new functions and features for nonfiction content. I led diversity and inclusion efforts in the nonfiction space in terms of crew and production company expectations and hosted workgroups and seminars to encourage participation from all departments.Credits: Love is Blind S1-5, Love is Blind: After the Altar S1-3, Floor is Lava S1-2, Indian Matchmaking S1-2, Formula 1: Drive to Survive S2-3, Selling Sunset S1-5, Tidying up w/Marie Kondo, Pressure Cooker, Home Cooked Head Chef, The Perfect Match, Caddy Life, Baby Before the Boo, Antoni’s Easy-Bake Battle, Three Offers, The Mole S1, Selling Tampa, Selling OC, Jewish Matchmaking, Westside, Styling Hollywood, Jailbirds, I’m with the Band: Nasty Cherry, Queer Eye S3-4, Absurd Planet, Girls Incarcerated S2, American Barbecue Showdown, Singapore Social, Million Dollar Beach House, Dream Home Makeover S1-2, Renovation Impossible, How to Become a Tyrant, Are You There Privilege, It’s Me Chelsea, Marriage or Mortgage, Deaf U, DeMarcus Family Rules, School of Chocolate, Swap Shop, Catching Killers, Making Fun, Sparking Joy S1-2, Tattoo Redo, The Ultimatum S1-2, The Movies That Made Us S2, Adventure Beast, Sunderland S2.

Oversaw all west coast production for studio and news shoots (inclusive of red carpets, events, and listening parties), digital shoots (editorial docu-style projects for REVOLT.COM), Ad Sales activations and any Combs Enterprise needs (promotional shoots for Cîroc & Deleon). Included tasks: crewing, location management, gear rentals, budgeting, and personnel. Worked closely with the CFO and VPs to execute projects. Credits: Revolt Music Conference, Revolt Sessions, Revolt Now, Day & Night Music Festival, Rolling Loud Music Festival –Bay Area, Rolling Loud Music Festival – So Cal, Global Spin Awards, Revolt Unlocked, and Fashion Bomb Daily

Credits: Pristine Seas Expeditions, Okavango Expeditions, Gabon Project, Explorer’s Week 2016, Explorer’s Week 2017

Travel Channel’s “Time Traveling with Brian Unger” & “How the Countries Got Their Shapes”

Credits: The Letter, Declassified, The Final 48, The Fixer, #USA, Escaped, Pandemic, Chillicothe Project, Southern Money, Sucklord, Beat the Broker

Credits: Star Talk with Neil deGrasse Tyson, Pristine Seas programming, The Big Picture with Kal Penn, Creatures of Light, Great Human Race, Surviving America, Franz Joseph Land, Brain Games 5, Explorer

Credits: The Watch, Bigger Than T.Rex, Brain Games 3&4, Dr. Pol Season 3& 4, Snake Salvation, The Numbers Game, Kentucky Justice, NG 125 Photos that Amaze, 125th Photo Special Cannon Asia, Killer Shot, Secret Life of Predators, Hard Riders, Secrets of the Duomo. The National Mall, American Bandit

• Controlled calendars for senior producers and executive producers, including coordinating production team meetings, conference calls, screenings, etc.• Served as internship supervisor: monitored interns’ daily tasks, made hiring decisions, completed school evaluations• Set up new hires and departmental moves and relocation of staff• Coordinated executive producers’ travel and expenses• Directed all film festival & Emmy Award preparations and submissions• Administered budget support by tracking several areas of departmental spending• Supported the Director of Rights and Clearances with contract management and delivery