Mark Rohrer Email & Phone Number

New Haven, CT, US

Since leaving ESPN I have focused on providing high end visual effects and motion design for both studio and agency clients nationwide. I have specialized in technical effects work such as particles, cloth, pyrotechnics and fluid simulation, although I fill generalist roles in 3D, motion design, and compositing as well.

Bristol, CT, US

As Animation Supervisor for ESPN's Creative Services department, I was responsible for resource planning and technical oversight of all motion graphics projects for the network. My primary role was the planning, development and deployment of the CG pipeline for the graphics department of 120 artists and support staff. My role also included the supervision.

Bristol, CT, US

As Senior Designer, I was the lead animator and responsible for the motion graphics team's day-to-day oversight on the rebrand of SportsCenter in 2014, College Football in 2015, and NBA in 2016. My primary responsibility was to work with the creative team to establish the look, develop and automate workflows where necessary, and troubleshoot or solve any.

New York, New York, US

In two separate stints over this timeframe I worked as a team lead / technical director on major CG projects at Psyop in New York. These included multi-million dollar projects for their most high-profile clients (IBM, Coca-Cola, and Purina) and close collaboration with an amazing group of creatives. This was my period of most extensive growth and.

Between permalance and full-time stints at the studios mentioned above, I was a freelance generalist on a large number of broadcast post-production jobs in NYC for studios such as The Mill, Brand New School, Buck, MassMarket, Click3X, ODD / Offspring, JuniperJones, Mr. X, Transistor, and many others. During that time I was most often working as a lighting.

Santa Monica, California, US

After several freelance jobs at Stardust starting in 2007, I was offered a full-time job as CG Supervisor in 2010. My responsibilities there included oversight of all CG projects (staffing, planning and execution, R&D, and pitch work) and began developing my programming and project management skills. At one point our full-time CG team consisted of a dozen.

Hired after an internship to operate the Vicon motion capture rig at Curious Pictures studios in NYC. Worked as motion capture operator and then team lead for capture cleanup & processing.

Bfa, Computer Art

Computer Engineering