I oversaw day-to-day production operations, and helped to develop and standardize production practices and workflows studio-wide.I was responsible for supporting the growth and development of the production assistants and production coordinators through training and regular check-ins, including formal performance reviews. In this management role, I served to not only mentor, but help troubleshoot and resolve issues in a collaborative and organized fashion.In my role as a Production Manager, I was tasked with managing show schedules as well as a team of artists. I ensured client deadlines are being met and, along with supervision, oversee the team's progress and development.Production Manager Projects- Queen Charlotte: A Bridgerton Story (2023, Netflix)- The Creator (2023, Feature Film)- 1923 S1 (2023, Paramount)- Bridgerton S3 (2023, Netflix)- Star Trek: Discovery S5 (2024)

Working closely with the supervision team, I would follow up that artists are fully briefed, chase any submissions pending feedback, and ensure on-time delivery in line with client deadlines. Projects- Day Shift (2022, Netflix)- School for Good and Evil (2022, Netflix)- The Out-Laws (2023, Netflix)

As outsourcing coordinator at the head of the VFX pipeline, I would organize incoming client turnover inventory to later be briefed by supervisors to department leads. After briefs have been completed, I would package turnover annotations and plates to vendors for bidding, and set up any meetings necessary to brief the work.Lastly, I oversaw scheduling of both internal and external artist tasks, ensuring on-time delivery for show production schedule.

Compositing and Outsourcing Coordinator- Witches (Feature film, Released 2020)

Compositing Department Coordinator- Ad Astra (Feature film, 2019)- For All Mankind S1 (Apple TV original, 2019)

-English project lead on Netflix Originals.- Ensuring files follow Netflix guidelines and project requirements, and meet Netflix quality standards.- Keep client services and production teams informed of all project-related issues. Work for solutions and address any concerns.- Maintain Originals project milestone calendar for Global Editorial.- Assign milestones to freelancers and see to their completion and delivery on/before deadline- Keep track of current and upcoming work and ensure adequate freelance capacity- Perform QA and Targeted Quality checks

- Responsible for coordinating and scheduling all English-language tasks for Netflix Originals, regularly interacting with account managers in Los Angeles, New York, London, and Montreal.- Develop workflow processes to ensure projects are completed on-time to meet both internal and external due dates.-Assure that strict client specifications are being implemented and disseminated to the larger editorial team as a whole. - Aid in training of freelancers new to client content specifications and workflow.- Assign work to a vast and skilled freelance pool on a daily basis.- Review and edit subtitles for hearing impaired audiences and templates used for translation into 20+ languages.- Perform final steps before delivery to client, including reviewing client-provided comments and performing updates for newly added and revised content

- Create and edit subtitles for hearing impaired audiences or as a template for translation.- Annotate cultural references and expressions to help aid translators.- Localize language and spelling for British and US English releases.- Use proprietary software to clean and prepare scripts for editing work.

- Ship and receive orders of textbooks and merchandise, cataloged shipments by means of database.- Knowledge of administrative and clerical procedures and systems such as word processing, managing files and records. This provided a solid knowledge of MS Word, Excel and Outlook.- Dispatched orders using Purolator shipping systems.- Addressed customer concerns and provided them with general information