Nat Taylor Email & Phone Number

Melbourne, Vic, Au

Melbourne, Victoria, Australia

Melbourne, Victoria, Australia

Melbourne, Victoria, Australia

Proud to be a part of this mentoring program.

Greater Melbourne Area

As Head of Sherpa, I lead our diverse and multi-skilled team to execute successful campaigns, across all platforms, bringing collaboration to life in every project.

Melbourne, Australia

Senior Producer at BWM Dentsu

Melbourne, Australia

Penthouse, 43 Hardware Lane, Melbourne

Melbourne, Australia

Melbourne, Australia

Melbourne, Australia

Having moved from London to Melbourne in 2009 I have produced a wide range of work from $30million feature film pitches and large budget television campaigns to online and photographic projects. Working with a host of companies, both Production & Agency side for: Gods&Monsters, Hub Productions, The Pound, John Tsiavis, AJF, Whybyn TBWA, Leo Burnett, CumminsRoss, Method Studios etc..

Produced a Feature film Test Shoot with Josh Hartnett, for a potential $30m feature film to be shot in Sydney next year. My role was to produce the film shoot itself (a full scale musical number complete with stunts off a life size build of the roof of the Chrysler Building) as well as arranging chaperoning for Mr Hartnett around the pre production in Melbourne - Sound rehearsals / Costume fittings / Script meetings and the Shoot at Fox Studios.

I started up and ran a small production company, dealing with all elements of creating and marketing the new company brand including logos, website, launch party, whilst promoting two directors and producing fifteen Commercial shoots on location and in studios around London.

I began working at Mother Advertising Agency in March, in a freelance role. I left in July to join Devilfish, a creative agency where I oversaw their production department in a full time freelance capacity. Dealing with all aspects of both Print and TV campaigns.

Working on a wide range of projects, from 9 days shoots across 4 countries with budgets of up to £1.2million, including the most expensive Campari spot ever made, to high creative low-budget campaigns. Working extensively with Joy@RSA and Infinity Films.

As one of two in-house producers, responsible for managing a team of production managers, researchers, PAs, runners and freelance staff.Pitching on new projects for the entire Godman roster of directors.From first script meetings to budgeting, scheduling and producing a constant flow of commercials, music promos and short films.Shooting across the UK, Prague, Romania, Greece, Italy, Ireland & New Zealand, responsible for all crew travel, visa and accommodation requirements aboard.Overseeing all post production.

Responsible for pitching to agencies on behalf of a roster of six directors.Managed budgets for commercial advertising, on average worth £200,000 per projectDuring this time I also produced two short films for two independent directors.

Working closely with Richard I was involved in all financial meetings with HBO on this project.Responsible for all of Richard's finances, schedules, transport, meetings with Art Dept, Costume etc.This film won 2 Golden Globes, a BAFTA and was nominated for 9 Emmys, of which it won four.

I worked directly with two producers on a wide variety of production's; from small UK studio shoots to overseas location shoots in South Africa and Prague. My responsibilities included: Booking crew, equipment, studios and post production, negotiating fees and equipment rates, researching, working on pitches, preparing call sheets, petty cash etc.

I worked with various production companies in both the production office and on shoot. Responsibilities included: Office management, booking crew, props buying, covering reception, preparing callsheets, petty cash, running and 2nd AD responsibilities on shoot.

Responsibilities included: Overseeing re-edits, attending post production, making EDLs, patching the machines, assisting the editor with bookings, invoices, stock etc. and client liaison

Sole runner assisting four busy Avid suites. Responsibilities included: Devising and maintaining a tape library system, stock control, covering reception, taking food and drink orders, keeping clients happy.