Nathan Owens Email & Phone Number

Los Angeles, CA, US

Los Angeles, California, United States

• Leader of the Domestic Streaming Content Management Team (formerly Business Operations), part of the Paramount+ Content Strategy & Programming Team.
• Develops tools & systems for content tracking and analysis, providing resources to the wider Paramount organization.
• Manages team responsible for onboarding, scheduling, & tracking of all content launching on Paramount+ US.
• Supports the Paramount+ Product Team on development of future state internal tools for Content Registration, Metadata Centralization, and Scheduling.
• Overseeing the work to expand the quality of Paramount+’s library through onboarding more Ultra High Definition content as well as accessibility features such as Audio Description.
• Oversaw the late 2022 onboarding of Showtime Networks onto Paramount+, developing new workflows to account for the platform’s new Premium Tier.

Los Angeles, California, United States

• Worked on the launch of the US Paramount+ service, coordinating the onboarding of 30K episodes and movies onto the platform.
• Developed a unified content tracking system for Paramount+, bringing internal stakeholders into alignment and creating a single source of truth for launch dates and other critical content metadata.
• Built new internal processes to coordinate the work of the Design, Curation, Video Operations, and Quality Assurance teams, allowing for greater visibility, efficiency, and reporting.
• Managed the day to day needs of the Paramount+ movies library, tracking licensing, material ordering/delivery, and maintaining all movie scheduling alongside the Programming team, ensuring all programming objectives.
• Oversaw the onboarding of Paramount+’s white label deal with the premium cable brand EPIX (now MGM+), establishing a new delivery pipeline between the two companies and coordinating content reviews and launches on an.
• Created a robust content reporting process that allows internal stakeholders to get accurate information on current content availability as well as allowing for fixing or preventing erroneous content removals.

Los Angeles, California

• Worked on the launch of the Quibi service, helping to plan the content release strategy and the programming of the app’s promotional areas.
• Oversaw development of Quibi’s content pipeline, working with the post production and product teams to develop content delivery and ingest workflows.
• Created the Content Operations Review & Experience Team (CORE), hiring and managing a team of specialists responsible for all of Quibi’s content ingest, metadata analysis, ratings review, QC, and publishing.
• Managed the day to day operations of Quibi’s product content management system (CMS), ensuring all programming was released on time and that topical daily programming was delivered & published without issue.
• Built Quibi’s publishing database that was used to track all programming, related assets, and metadata through the delivery and ingest pipeline.
• Developed a robust content tagging system to provide a deep level of metadata for each piece of content on the platform to help inform Quibi’s personalization algorithm.

Greater Los Angeles Area

• Manager of Funny Or Die’s social media platforms including Facebook, Twitter, Instagram, Tumblr, and Pinterest. Responsible for coordinating content creation, optimizing/editing video for social, copywriting.
• Manager of Funny Or Die’s website, responsible for creation of new ‘original content’ media pages, making site thumbnails and artwork, copywriting, and programming/curating content. Was also responsible for managing.
• Manager of the company’s YouTube channel, responsible for managing all assets on platform and engaging with the YouTube community.
• Responsible for the company’s copyright protection and enforcement across all platforms with duties including reviewing potential matches and issuing blocks and/or takedowns when necessary.
• Launched Funny Or Die’s presence on Amazon Prime and was responsible for curating library content on the platform.
• Managed the syndication of Funny Or Die’s vast comedy library to third party platforms such as Roku, Pluto TV, Watchback, Xumo, and Go90.

Sydney, Australia

• Creative/Technical requirements:
• Copywriting for Web, Social Media, and Email campaigns
• Graphic Design
• Animated gif and viral materials creation
• App and quiz building
• Video Editing - Behind the Scenes packages, Scene Lifts, and Episode Sneak Peeks.

Sydney, Australia

Dealing with customer requests and fulfilling dubbing and digitising orders.Served as backup 2IC and oversaw light management duties.Technical roles included; Tape to tape transfers, DVD creation, and recording of satellite and fibre feeds.

Sydney, Australia

Freelance editor of corporate and commercial videos.

Sydney, Australia

Customer service manager of Drummoyne store.Responsible for managing Customer Service Operators and dealing with customer complaints and queries.

Bachelor Of Arts (Ba), Psychology/ Anthropology

Certificate Iv In Screen, Film & Television