Color Manager | Prepress Operator
CurrentI assist in the management of color control and consistency mainly across our digital presses both UV and latex ink based. I now have experience working with Onyx, Colorgate, and EFI Firey RIP programs working in this position. I also advise our lithographic and screen printing team’s color needs with the help of our color lead when needed. We maintain and calibrate our Epson proofers both onsite as well as nationwide for our affiliate companies. Working with well known clients both locally and internationally know is what motivates me to be my best in this role and absorb any and all knowledge from my lead who built this system. With this title also come waves of questions from CSRs and others within the company asking about their client’s art and how it can be produced and on what press for most efficient, best results. I’ve enjoyed fielding these questions and giving direction where I can. The best days are when we match a color to a provided sample that didn’t seem possible. I also help our pre-press team in more of a quality control / proofing role at this stage, ensuring color is used correctly and art is “built for print”. I am taking on more imposing work too, setting up print ready files for our digital presses. Being able to work a piece from inception to physically monitoring it as it prints on press has become a rewarding experience. I utilize Esko’s print production software (Pilot, Color Pilot, Esko Deskpak) on a daily basis as well as Adobe’s Illustrator & Photoshop for file editing and color sample creation.