Nicholas Fung Email & Phone Number

New York, Ny, Us

New York, Ny, Us

Creating videos for various Nickelodeon YT Channels.

As of late 2023, I have been recruited to edit a variety of official Pokémon videos.First project was nailing the look and feel of an informative episodic series around Pokémon Professors, educating anyone interested in becoming one.As those continue to roll out, I've been busy with officially licensed Pokémon product videos. Will continue to work a project-to-project basis.

Continuing my work at Netflix on a project-to-project basis.

Produced a myriad of marketing assets for the dozens titles that debuted throughout my time at Netflix. Directly collaborating with brand partners like Hasbro, Mattel, Dreamworks, Sega and more. Unique and strategic, I developed a large amount of content to help promote legacy titles like Sonic, Cuphead and The Dragon Age, as well as brand new debut titles like Cyberpunk: Edgerunners, Battle Kitty, and My Dad the Bounty Hunter.I've gained a lot of experience in my time spent at Netflix as a core member of Netflix’s Animation Series Marketing. With a focus on the newly rebranded YouTube channel, After School, my team was focused on an 'Always On' strategy, a brilliant marketing approach to spend an extra effort on promoting any of our key titles in timeless videos, breaking free from the usual pre & post-launch marketing windows. Work includes brand new pilots, v-tuber hosts, weekly livestreams, official trailers, music videos and more.

New York, New York, United States

At the end of July 2020, Get in the Robot had to suddenly come to an end. Myself and the creative team behind the channel felt that our work was unfinished, and thus Beyond the Bot was born.A rebirth of the original online anime club was put into motion with the same creative force, but this time, independently.As one of the co-founding members of BTB, roles include Senior Video Editor and Programmer for the channel.Proudly putting our amazing and updated and new branding graphics into motion, helps maintain that “comfy” feeling GITR fans have grown to know while refreshingly instituting a new channel brand that feels nostalgic and updated, preserving your friendly neighborhood anime club.As of March 2022, BTB is on hiatus.

Toy Pizza started out as a Frederator Studios production, covering all things collectible on YouTube. In the first year, Toy Pizza netted 21,000+ subscribers and 1.9 Million Views. Successful collaborations were launched with Funko, Mega Bloks, Mezco Toyz, Bandai Tamashii Nations, FYE, eBay, and more.Toy Pizza has had the opportunity of traveling to Japan for coverage of two famous Japanese stores, Amiami and Mandarake, as well as coverage of the annual Wonderfest. We've been published in the popular Figure Oh Magazine #238 (Nov. 2017) and we've been featured on Japan TV for PRTimes (https://prtimes.jp/main/html/rd/p/000000034.000015238.html)A Toy Pizza Kickstarter Campaign launched in Feb 2015, reaching its funding goal in 8 days. https://www.kickstarter.com/projects/928363891/pizza-quest-knights-of-the-sliceKnights of the Slice is a successful toyline with over 50 different colorways designed and continues to expand its fanbase and action figures. We've shipped over 1800 packages worldwide.Work for Toy Pizza includes editing all of the 250+ videos published on our YouTube channel, social media on Facebook and Instagram, and marketing strategist for Knights of the Slice and the Toy Pizza store.

San Francisco, California, United States

Hired as support for Crunchyroll's social team, mainly for their owned and operated YouTube channels.Responsible for cutting clips from simulcast anime titles and publishing with optimized metadata, titles and thumbnails. Batch uploading via .csv across multiple channels and individual content policies per anime titles. Weekly clips have been posted racking up millions of views individually.

Assembly and edit provided for the first season of Swan Boy by Branson Reese.Tasked with music and SFX sourcing, and retiming of shots and scenes, elevating any comedy beats and/or ensuring the show is consistent with creator's vision. Also includes exporting in a variety of formats for audio post-production, as well as final delivery.Worked closely with the production and animation teams in cross-collaborative, live-edit trim sessions.Truly has been one of the main highlights of my entire career.Responsibilities for this project included:-Animatic + final assembly of shots and scenes and export for online and network distribution.-Audio post production prep before going to final mix, which includes sound design for sfx and music.-Motion graphics and color adjustments for key scenes.

When it comes to understanding and analyzing the YouTube machine, no one does it better than Matt Gielen and his company, Little Monster Media Co. Edited several videos for LMM's YouTube channel, establishing a myriad of identifying features within their videos, including format, title cards, music cues, original motion graphics and a handful of original animation.

New York

In addition to editing hundreds of videos across several owned and operated channels, I have also hosted, written, developed and produced a large amount of the live-action content, as well as animated for some of the projects. As of July 2018, we launched a new Anime channel, Get in the Robot. Tasked with developing the pilot, including its format, mood, feel, key visual elements, and more, our first video has already amassed 230,000+ views, 1,200,000+ minutes watched and 15,000+ subscribers within its first two weeks.As a producer, I primarily managed a freelance pool of video editors, assigning and polishing their edits, and providing other means of post-production supervision. Giving clear and concise notes and revisionary feedback, audio mixing/cutting, digital media management, and the transferring of project files between multiple computers.As we continued to ramp up our video content in both quantity and quality, I was heavily involved in the piloting process and development for new videos and show-types. We have attended several live events, including conventions for on-site production, as well as hosted our own events at the YouTube Space in NY.YouTube Channels include, Channel Frederator, Cartoon Hangover, The Leaderboard, Cinematica and Get in the Robot.

New York, United States

Over several years, I’ve made many friends with the people at Crunchyroll.Freelancing for them allowed me to touch different projects like writing, hosting, producing social videos, editing video essays, and turning 40 hours worth of Japan footage into a full-fledged documentary.

Jr. Editor / Freelance Editor | Crunchyroll | Dec 2018 - Dec 2021Freelancing for them allowed me to touch a variety of different projects. From writing, hosting, producing social videos, to editing video essays and turning 40 hours worth of Japan footage into a full-fledged documentary.Afer freelancing, I was hired as support for Crunchyroll's social team as a Jr. Editor, mainly for their owned and operated YouTube channels. • Responsible for cutting clips from simulcast anime titles and publishing with optimized metadata, titles and thumbnails. Batch uploading via .csv across multiple channels and individual content policies per anime titles. Weekly clips have been posted racking up millions of views individually.Video Editor / Content Producer | Vsauce | Dec 2015 - Jun 2016Vsauce launched D!NG in October 2015, a YouTube channel home for Vsauce's ancillary content. Highlighting Wacky Gifts, Amazing Apps, and The Best of the Internet, mainly made up of content featuring interactive websites you can browse or Do Online Now Guys (DONG).As a friend of the Vsauce team, they tasked me to research, write, host and edit a handful of episodes to help get their YouTube channel off the ground.As of today, they have netted over 1.8m+ subscribers and 187mil+ views.

New York, Ny

Edited several video projects for online site and shot photography for multiple live events.

Dix Hills

Filmed and edited several projects as an independent production force.