Entertainment Networks, Ent Cable Creative & Marketing VI-IV Assisting with the creation of promotional static and motion graphics for E! & Bravo network campaigns.

"The Area/Lab creates original content, innovative strategies, and captivating campaigns for organizations to connect and cultivate relationships with audiences through new media channels. Our holistic approach to marketing and communications differs from most agencies because we weave storytelling into each message opportunity to create entertaining, authentic, and memorable experiences. This approach may be applied to business to consumer, business to business and business to employee campaigns. Further, our research and development efforts guarantee our clients receive solutions that are both innovative and practical applications of storytelling across media."I have worked with Arealab to create various motion graphics driven marketing pieces for high-profile clients such as The Disney Company, NBC/Universal, and Hasbro. Some of my other duties there have included creating custom motion graphics for live events, motion graphics team lead, live action shot correction(VFX), and consulting.

This is specifically for the E! International department. I was contracted to assist in creating motion graphics for bespoke promos and promo localization for broadcast and social deployment. The E! shows I've designed motion graphics in promos for are: Keeping Up With The Kardashians, Total Bellas, Botched, The Bradshaw Bunch. In addition to show promos I also worked on motion graphics for a couple internal pieces designed to showcase the work of a couple departments within the E! International Department, and a few channel IDs as well. Another job I was given during this time was to design the motion graphics for and edit a monthly ad spot due to their partnership with SHEIN. This was a video for the French market and I designed intros, outros, lower thirds, and titles.

I worked on marketing trailer localization where it was my job to quickly and efficiently lay in new text and animations for 20+ different languages using Adobe After Effects and a mix of plugins and scripts. My duties included but were not limited to: Managing my personal workload to complete as many tasks as possible while maintaining quality and deadlines. Using a datasheet and plugin to automatically generate new After Effects text layers in the appropriate regional language. Quickly identifying, fixing, or working around technical issues with any After Effects project that was handed off to me.

"Smashcut Creative is a successful creative services company with network television clients. Projects include: digital content, on-air promos, sizzle and pitch reels, network Upfront presentations, L.A. Screenings, MIPCOM trailers, behind-the-scenes featurettes, app content, app “explainer” videos, Emmy consideration featurettes and more.Clients include: NBC Entertainment Marketing, NBC Digital, NBC Custom Content Marketing, Warner Brothers Worldwide Television Marketing, ABC Entertainment Marketing, ABC Family, Entertainment One, Sony Pictures Television, The CW Network, Fox Broadcasting and more."My work at Smashcut was to create branded motion graphics for the various edits going on in house, and to also identify areas in the edits to fill in with additional graphics. Some of the notable properties I've worked on while at Smashcut are Saturday Night Live, Heroes Reborn, and The Voice.

"Parallax Studioworks Inc. is a small team of artists, traditional animators, live-action directors and digital animation/design experts with over 40 years of shared experience. Individually our previous clients include Microsoft, Verizon, Fusion TV, CBS, McDonalds & Visa - for film, marketing and national commercials."

"For more than twenty-five years, Martin Brinkerhoff Associates have collaborated with our partners to create theatrical, media-rich videos and events." Was hired freelance to key and/or clean up vfx shots, and roto a variety of different subjects out of live action footage for live events.

"Al Roker Entertainment started in 1994, with programs produced for The Food Network, and has since grown to include a number of popular television channels including NBC, The History Channel, TRU TV, Animal Planet, GAC, The Weather Channel, Discovery, Spike, A&E, and many others." I have worked on Coast Guard Alaska, Coast Guard Florida, Coast Guard Cape D., and most recently Backcountry Justice (Pilot). My work there has included: -Title design.-Logo animation. -Lower third design.-Animated maps. -Animated bumpers.

"Vin Di Bona Productions is an independent production company founded in 1987 and helmed by Peabody and Emmy-award winning producer Vin Di Bona. The company is known worldwide for producing AMERICA’S FUNNIEST HOME VIDEOS, the longest-running entertainment show on the ABC network. AMERICA’S FUNNIEST HOME VIDEOS is currently in its 24th year on the air and can be seen in over 100 territories." I was hired with another designer to assist the full-time post staff in creating and delivering a series of looping animated backgrounds for playback in the live studio set.

Bagg Street Productions, "We are a creative content agency that specializes in producing documentary and entertainment marketing material across multiple platforms. This includes: Branded Content, Broadcast Specials, Documentaries, TV Spots, Promos, Digital Marketing and Home Entertainment Content, Original Web Series, Press Junkets, Interactive Content, Social Media and Apps." Some of their clients are Oprah Winfrey Network, 20th Century Fox, and Fuzzy Door to name a few. My work there has included: -Fully animated pieces. -Title design. -Lower third design. -Designing main title intro animations.-Creating graphic transitions for editors.-Mimicking an already established graphic style in use by a current marketing campaign. -Designing various other general purpose graphics to demonstrate something or fill out a piece. -Animated backgrounds for keys. -Light duty VFX.

"Tandem Digital Entertainment is a comprehensive design and production company, providing graphics, high-end CG, previsualization and branding services to clients ranging from rock bands to fortune 500 companies. Tandem's work has been featured on major television networks, in movie theaters worldwide, and in concert venues from Madison Square Garden to the Hollywood Bowl." My work there has included:-Working with creative on designing and animating various fully animated title sequences for television. -Creating titles and motion graphics for commercials. -Creating high-end motion graphics pieces for live events like arena sized concerts, large corporate events, or dance clubs.-Designing and animating segments of various motion graphics driven industrials and in-company videos.-Designing for print, advertisements, and in-store video displays.-Some website design, setting up graphic elements for the web to be programmed.

Hurwitz Creative is a production company that makes EPKs, internal videos, and other marketing related pieces forhigh profile clients such as Disney, 20th Century Fox, and Lionsgate. My work there has included: -Title design. -Designing main title intro animations. -Creating graphic transitions for editors to get from one shot to another. -Mimicking an already established graphic style in use by a current marketing campaign and using it to create new matching graphics. -Designing various other non-specific graphics to demonstrate something or fill out a piece.

BSW is a commercial production company with an in-house post-production facility. My responsibilities included: -Designing, and animating full spots for broadcast, while working in conjunction with clients and creative. -Designing and animating graphics and supers for many regional and national commercials. -Creating spec spots for the company's motion graphics reel. This included: Creating and executing the concept, design, writing, animating, editing and sound design for each spec spot. -Correcting shots for many regional and national commercials. This work includes but is not limited to: 2D product/label replacement, fixing blemishes, and adding and/or removing elements in the scene.