Nick Tantillo Email & Phone Number

Scottsdale, Az, Us

2501 North 7Th Street, Phoenix, Az 85006

Tantillo Productions is a full-service audio production entity based out of Phoenix, Arizona. We facilitate the recording, editing, and mixing of podcasts, audiobooks, voice-overs, and live events. I started Tantillo Productions with the intent of bringing professional audio to the creatives and innovative thinkers that reside here in Phoenix. In that time, I’ve worked with dedicated and award winning clients to create and publish successful podcasts, top-rated audiobooks, multiple full-length albums, radio ads, and live music sessions. Heavily focused on the area of podcasting, I take pride in helping entrepreneurs, businesses, and hobbyists effectively launch successful shows. From pre-production and planning to designing custom intros/outros, segment rolls, ads, and music beds- we make sure to cover all the essential elements to creating a prosperous podcast. In addition, we get our clients set on some of the most visible platforms such as iTunes, Stitcher, Google Podcasts, android, iHeart Radio, TuneIn and Spotify.It’s easier than ever before to digest knowledge on the go these days and it has been made possible in part due to the emergence of audiobooks. An audiobook is a direct representation of one’s brand. Whether it be the author themselves or someone from my team of talented voice actors narrating, it’s important to have the author’s words and ideas heard at the highest quality possible. I make it a personal goal to accurately and professionally represent the talented authors I work with so that they can uphold their values and brand. This world was built on creativity and collaboration. Tantillo Productions aims to uphold these concepts and be a catalyst for a bright future!

Phoenix, Arizona Area

As a voice actor at Picmonic, I voice a variety of medical transcripts. The transcripts require high levels of attention to detail as it relates to pronunciations, inflections, and pace.I record various audio for Picmonic on a backup basis.

Tempe, Arizona

As the lead audio engineer at Picmonic I carry out and oversee any and all tasks that involve audio. This includes recording, editing, mixing and syncing audio to an interactive picture on a screen. This also includes providing voiceovers and audio for promotions, instructional videos, radio/online ads for the marketing department and supporting our tech team in their endeavors. I have created sound effects for Picmonic's "Quiz" feature as well as assist in the design of the audio module for Picmonic's "Create a Picmonic" feature. I am part of a creative team that collectively pushes out hundreds of what we call "Picmonics" every month. Being dependable, precise, dedicated, passionate and swift in the way I do things are some of the qualities that have helped me become successful with this company. We move quickly, react to changes in plan effectively and pride ourselves on our culture. Fluent in Pro Tools and Adobe Audition.Picmonic provides students in higher education with a learning system of unforgettable visual mnemonic images and creative stories. Student feedback and adoption has been incredible, leading Picmonic to be recognized as one of Arizona’s hottest startups, winning the 2014 Spring Arizona Innovation Challenge and Arizona's top 10 companies to work at in 2016. At Picmonic, we move fast, take risks, and pride ourselves on staying flexible, fun, and ferociously committed to executing each day.

Phoenix, Arizona Area

Signa Audio is a branch of the digital marketing agency Signa Marketing. We facilitate high-level production of podcasting from start to finish on-site, at our professional podcast studio located in Downtown Phoenix, AZ. I personally facilitate and carry out all production-related tasks, which include but are not limited to pre-production, recording, editing & mixing, mastering, and publishing. Our goal at Signa Audio is to take the stress and pressure out of podcaster's hands and allow them to focus on their content and building their businesses. There are many moving parts to a successful podcast and it can be overwhelming to identify and tackle them yourself- we make it easy for podcasters to produce a professional show. All they have to do is show up!

Mesa, Arizona

I lead an "audio/visual sessions" project sponsored by The Mantooth Group (http://www.mantoothgroup.com/). I have also done A2 work for the Nile Theatre and A1 work for the Nile Underground. Touring bands from all around the nation and even world make stops in Arizona and it is my goal to make the live aspect of music available to people who may not have the money or means to make it out to a show. I setup all audio and video gear, record the performance, mix, film, and edit all videos for the series. We have done full band live sessions with up to 12 microphones and 4 cameras.Among the years I have filled in doing live sound for the Nile in addition to the live sessions I head up. As a live sound engineer at the Nile I have:-Setup/breakdown of mics/cables/equipment for full band mix-Routed monitors and in ears-Mixed live shows-Carried out staging requests-Kept shows moving along and on track-Been A2 on side of stage, alert for direction from A1-Worked directly with promoters-Recorded full band live sessionsThe Mantooth Sessions are special to me because I conceived this idea and had the resources to make it happen. This project has been my baby and I look forward to always improving and advancing on to do more in the future.

Gilbert, Arizona

As an audio engineer at the Hale Theatre it was my responsibility to operate the FOH console and carry out theatrical performances 5-6 nights a week in a 350 seat "In the round" theatre. This includes:-Microphone setup and proper maintenance nightly.-Pairing wireless mic packs to receivers and working through interference.-Designing console scenes for 2 1/2 hour shows with up to 165 different scenes.-Managing up to 25 live wireless mics at once (ensuring no one back stage comes through house P.A.)-Fully live mix the performance as the show progresses.-Setup and route sub mixes (cue mixes).-Troubleshoot any and all issues quickly and effectively, while still making the show go on.-Cater to any and all actors/actresses needs and EQ/Compression tweaks throughout the run of the show.In my time at the Hale Theatre, I learned an immense amount about stage productions, live mixing, working with producers, doing tasks on the fly, lighting and stage blocking among other important production techniques.

Associate’S Degree, Audio Production Technologies

Activities and Societies: Music Industry ClubI attended SCC to get my AAS in Audio Production Technologies.

High School

Activities and Societies: BasketballI began my audio career at an early age in high school, first learning how to do things on my own.