I have enjoyed the audio engineering field since 2012, exploring various industries. I have experience in sales, consulting, hospitality, live event production, and music production.Most notably, I have engineered many large, high profile live events in Washington DC.The multifaceted, often fast-paced, and dynamic nature of such live events rewarded me with professional experience in diverse scenarios that have expanded my skillset in converging fields.There is very little room for error in live events, if any. In the years leading up to the pandemic, humongous political tension in DC combined with The Conglomerate's relentless devotion for profit and the bull market run blurred the lines between the workdays, weeks, and months. It felt very much like a chapter of this book was one long run-on sentence, page after page. Some multi-room venues were booking multiple events per day back to back. When it was fast, the real show and thrill was the comically chaotic yet perfectly executed choreography transforming the event space in minutes.Im passionate about the quality of my work. Delivering flawless shows is the only option in my mind, so I had to learn to morph into a rocket-propelled wizard octopus, all while wearing a suit and tie, with grace. Suddenly everything stopped.The global pandemic decimated the events industry, I shifted my career focus towards the creative arts, particularly digital content creation and licensing for entertainment and advertising. I'm still interested in live events, but I want to dive deep into other areas to continue growing with new experiences.I am feverishly interested in partnering with innovative brands that promote our collective well-being creatively. In conclusion, I have done things, I have learned stuff, and now I'm evidently a sentient bowl of buzzword spaghetti.