Audio recording and development and Wwise integration on cozy MMO Loftia.

Unannounced UE5 project.-Recorded, built, and implemented scaling modular weapon audio system with 70+ combinations of weapon level, element, and archetype. Built and implemented through UE blueprints and Wwise RTPC/Switch/State systems.-Created and integrated all audio from a mute greybox stage, including environment, player actions, enemies, dialogue, and sound for a vast array of fantastic and magical visual effects. -Using Wwise Spatial Audio, created systems of reverb, early reflections, rooms and portals, and attenuation to create a consistent and realistic audio environment spanning huge open areas and claustrophobic cave systems in a procedurally generated map.-Collaborated across disciplines, establishing gameplay logic for an adaptive soundtrack that utilized sound design seamlessly incorporated with music, reactive and adaptive to ensure emotion, support all art teams, and drive narrative without compromising mechanical interaction.-Oversaw and co-directed dialogue recording sessions. Edited, processed, and implemented voiceover for dynamic dialogue system.

‘The Anacrusis’-Developed audio for all assets, from a wide array of firearms to creature vocalization to environmental sound design.-Created and implemented situationally shifting sound, creating UE blueprints to support systems in Wwise to give life to a groovy sci-fi universe while consistently informing player of pertinent danger and opportunity through versatile, layered sound.-Collaborated closely with non-audio team-members to support gameplay across various fields.-Maintained a rapid development schedule, with audio cues and behavior delivered by-or-before deadline throughout production, generating ample time to playtest, debug, and develop solutions for improvent and enhancement.

-Arranged musical compositions that incorporated authentic ethnic instrumentation and futuristic arrangement to accent and enhance juxtaposed cyberpunk/traditional settings.-Built audio systems and events to support aesthetic and narrative structure over two shipped titles, working closely with director and production to properly plan, schedule, and allocate resources for fantastic audio ahead of projected schedule.-Directed and recorded dialogue local and remote recording sessions. Edited and implemented VO.

-Performed foley and crafted all audio elements of Kraken Entertainment's 'Beyond the Black Door'-Built in UE4 with adaptive audio implemented through FMOD middleware.-Directed, recorded, edited, and integrated VO.

-Created and implemented ‘Action Point’ audio system for achievement-based adaptive soundtrack.-Wrote and recorded mixed ensemble adaptive soundtrack through Fmod.

Partnered with development team to create and implement highly stylized sound design.Composed multiple traditionally implemented pieces of music designed to create an atmosphere of innocentlevity.

Created Fmod-controlled player-reactive soundtrack, creating a timbral atmosphere that changes in response to choices made in a given playthrough.

Field Marketing and research for RJ Reynolds