Season Two is a creative agency that focusses on branding, creativity, strategy and concept development. We strive to be in a constant way of evolution and our main goal is to never stop challenging the status quo.

I worked as a lead creative - at Kadaver where the primary tasks were to develop campaigns and concepts for a large variety of clients such as Netflix, Forenet Kredit, 3F, Lenovo, Sundhedsstyrelsen and Santa Maria.I was working with design, illustrations, concept and campaign development, but first and foremost I managed and produced the motion and movie parts of projects.Other than the main tasks, I was in charge of the development and optimization of the creative process in creative productions, and I had the main responsibility in keeping Kadavers identity and communication up to date on social media, and in the external communication.

Boldgaden was a social society for danish football fans, watching the danish 3F Superliga. At Boldgaden we produced articles, debates and designs that fans could relate to. We wanted to engage our users and customers, in relation to the danish football society. My responsibilities at Boldgaden were to write engaging articles, the daily tasks, design content, anitmations and posters.Apart from our own website, SoMe channels and sales I was working as a consultant and creative for different clients, such as Fodbold Mod Cancer (Football against Cancer) and smaller football clubs in Copenhagen.

As an Art Director at Hjaltelin Stahl, I worked with some of the biggest brands in Denmark. I was involved in branding, art direction, campaign development, advertising and design across media platforms such as TVC’s, social media, outdoors, and much more.

Etableret was my own business, based in Copenhagen, focusing on graphic design and content marketing. The company started as a hobby project, but became a bigger, part-time job for me. As an owner and the only employee I’ve been in charge all-around, but my primary tasks at Etableret were to design the products, the marketing and economy of the company and selling the products and ideas to clients and customers.

As the designer and content creator at the Advertising and Brand agency, Kadaver, I worked with Graphic Design, Motion and Movie Editing and Campaign/Concept Development for clients such as Netflix, Aids-Fondet and Sundhedsstyrelsen. My primary tasks was in content development, campaign design and brand material.

As an Art Director & Graphic Designer at Help PR, I solved and managed tasks and cases for both small and big clients such as Netflix, Rema 1000, IKEA & Philips. I were in charge of a wide range of tasks such as graphic design, client contact, pitching, layout, social media content, campaign design, movie and motion editing and media and communication training.

As a Junior Art Director at O&O Advertising I gained experience and knowledge of how an advertising agency works and what parametres is important to focus on. I’ve been in charge of client contact and have worked closely with clients such as Mærsk Oil, Superligaen, HusCompagniet & Dyrup where my primary tasks was in graphic design, SoMe content, marketing, movie and motion editing and campaign design.

At Linkfire I developed my skills in motion and film editing. I gained experience on how a tech start-up works and the workflow in a fast growing company. My primary job was to develop and edit motion graphic explainers, on how their tools worked and what kind of company Linkfire was.

Arslev Jewelry was a jewelry start-up based in California. I had different roles at Arslev Jewelry such as Creative Lead, Campaign Designer and Salesman.