Art 360 Archive award to develop, restore, digitise, catalogue, index and share my artist's archive. This includes drawings, interviews, letters, catalogues, photographic, digital and film documentation of 39 years of unbroken practice as a visual artist.

'Women In Revolt; art and activism in the UK 1970 - 1990 Touring exhibition curated by Linsey Young at Tate Britain, London, 7 November 2023 - 7 April 2024. The show continues to National Museums Scotland- Modern, Edinburgh 25 May 2024 - 26 January 2025 , and The Whitworth Gallery, in Manchester, 7 March 2025 - 1 June 2025. Five artworks are featured in this major survey show. The batik ceramic and text large installation 'Snakes and Ladders' is showing for the first time since 1998. A… Show more 'Women In Revolt; art and activism in the UK 1970 - 1990 Touring exhibition curated by Linsey Young at Tate Britain, London, 7 November 2023 - 7 April 2024. The show continues to National Museums Scotland- Modern, Edinburgh 25 May 2024 - 26 January 2025 , and The Whitworth Gallery, in Manchester, 7 March 2025 - 1 June 2025. Five artworks are featured in this major survey show. The batik ceramic and text large installation 'Snakes and Ladders' is showing for the first time since 1998. A detail of the paper batik element of the work features on the cover of Maud Sulter's seminal 1990 publication 'Passion; Discourses on Blackwomen's Creativity . The work is also discussed in the Claudia Clare 2016 Bloomsbury Publication, 'Subversive Ceramics'. It is sadly out of print but can be bought as a PDF at the moment.Also showing are four gold mounted A3 collages, last shown at Greenwich Citizen's Gallery in 1986 in the exhibition Jagrati, curated by Symruth Patti. The collage works are titled 'Chips On Her Shoulders Her Arms Fell Off' 'Paki Rides Home On A Piece Of Spit' 'Searching For Flowers In The Tandoori Garden' and 'Trying Not To Offend My Parents'. A detailed account of the work and its development with others involved in the 1980's Black British Art movement features in episodes 4 and 5 of the Tate Britain podcasts located on their website in support of the exhibition. The collage work will remain in London when the Tate iteration of Women In Revolt closes, travelling on to Raup and Form Gallery at EC1V 9BQ as part of a show titled Vice and Virtue opening June 21st 2024. The large installation 'Snakes and Ladders will continue to the tour venues in Edinburgh and Manchester. Show less

Starting in 2009 Mattas International Foodstore have commissioned me to draw between two and four drawings a year on the window of their shop in Bold Street. Starting from a 2009 AND festival commission during which I drew over 20 shop windows in Bold Street whilst I was Cultural Leadership Programme Associate Artist at FACT and continuing right up until the 2024 Chinese New Year Dragon 2024. This extraordinary collaboration between a small family business and an artist has stood the test of… Show more Starting in 2009 Mattas International Foodstore have commissioned me to draw between two and four drawings a year on the window of their shop in Bold Street. Starting from a 2009 AND festival commission during which I drew over 20 shop windows in Bold Street whilst I was Cultural Leadership Programme Associate Artist at FACT and continuing right up until the 2024 Chinese New Year Dragon 2024. This extraordinary collaboration between a small family business and an artist has stood the test of time. Their support over the years via their repeated commission has been fantastic, and has placed drawing in an accessible public space for fifteen years. Show less

Nina Edge originally trained as a ceramicist and is renowned for her collaborative projects involving local communities. She has written for publications including Third Text, International Journal of Art & Design Education and Feminist Art News. Exhibitions include Virtual Duality (Bluecoat, 1994), Mirage (ICA, 1995) Transforming the Crown (Studio Museum in Harlem, 1997), The Fifth Floor: Ideas Taking Space (Tate Liverpool, 2008), Turning FACT Inside Out (2013) as well as many site specific… Show more Nina Edge originally trained as a ceramicist and is renowned for her collaborative projects involving local communities. She has written for publications including Third Text, International Journal of Art & Design Education and Feminist Art News. Exhibitions include Virtual Duality (Bluecoat, 1994), Mirage (ICA, 1995) Transforming the Crown (Studio Museum in Harlem, 1997), The Fifth Floor: Ideas Taking Space (Tate Liverpool, 2008), Turning FACT Inside Out (2013) as well as many site specific and live works. Recent investigations in housing and land rights are available online via consulting architects Constructive Thinking Welsh Streets project as Design Diplomacy a new tool for consultation in urban design which combines design practice with conflict resolution. Show less

Two paintings were commissioned by Clatterbridge Cancer Centre where there is a developing art collection. The works hang near the transport hub on the entrance level of the building. To visit the work ask staff to direct you to the acorn wall piece, one work hangs on the same wall as the acorn, the other in the adjacent corridor leading to the board room. Both of my paintings use dyes on watercolour A0 plus sized watercolour paper. The works are titled 'Pool after Sun' and 'Sun After Rain'.

This two day conference was hosted at Liverpool Hope University their Everton, and Ormskirk campus'.I showed film footage and stills from three street projects ; 'Sold Down The River' a mass performance work I made in 1995, 'Zong' a street work I performed in with Visual Stress, and 'Hebeas Corpus' a work I created and performed in Liverpool and London.

Write and lead course on behalf of The City of Liverpool College and Tate Liverpool. Recruit contributors, deliver sessions, and arrange visits to museums and art projects across Liverpool. Teach practical and theoretical sessions inclusing sessions in the Tate Galleries. Supply lesson plans and publicity text for all involved. Host Ofsted visit and participate in evidence gathering for accreditation. Produce Artists Log and evaluation documents.

https://onlinelibrary.wiley.com/doi/abs/10.1111/jade.12068Volume 33 issue 3 'Off Limits' article based on my keynote speach at the 2014 NSEAD conference at Chester University.

Digital Art commission for FACT Using Siri voice recognition software and in collaboration with creative technologist Mark Jones. The work uses a tent as the starting point for discussion about architecture and human need for shelter in a world of change for the tenth anniversary of the FACT building. This narrative project collects and collates the public response to the question 'the future is coming- what do you want it to be like"To participate visit www.10intentions.co.uk or… Show more Digital Art commission for FACT Using Siri voice recognition software and in collaboration with creative technologist Mark Jones. The work uses a tent as the starting point for discussion about architecture and human need for shelter in a world of change for the tenth anniversary of the FACT building. This narrative project collects and collates the public response to the question 'the future is coming- what do you want it to be like"To participate visit www.10intentions.co.uk or e-mail 10 intentions@gmail.com Show less

A work produced for the FACT Healthy Spaces programme; a project that commissions digital artwork for Doctors waiting rooms. This work uses an analogue theatre projector, various glass and plastic filters and moving light. These combine create patterns on the ceiling of the waiting area that shift and when people leave the waiting room to visit their doctor. Produced in collaboration with technologist Venya Krutikov and using bespoke components produced in glass plastic, print steel and… Show more A work produced for the FACT Healthy Spaces programme; a project that commissions digital artwork for Doctors waiting rooms. This work uses an analogue theatre projector, various glass and plastic filters and moving light. These combine create patterns on the ceiling of the waiting area that shift and when people leave the waiting room to visit their doctor. Produced in collaboration with technologist Venya Krutikov and using bespoke components produced in glass plastic, print steel and laminate. Show less

Produce several new artworks including temporary drawings, street games, dance sessions and more permanent interactive digital artworks. Develop a self defined brief to extend the working relationship of FACT with it's neighbours in the Ropewalks district. Liaise with City Centre management teams to promote visitor experience in Liverpool's independent quarter.

Cultural Leadership Programme Artist outputs include city centre visitor experience artworks - window drawings, which continue at Mattas International Food store until 2024, and The Golden Mile consultations with Liverpool City Council and the Business Improvement District.