Olga Hamlet Email & Phone Number

Los Angeles, California, United States

Los Angeles, California, United States

• Supervising all aspects of editorial, Post-Production and VFX from Prep through Delivery• Supporting Studio Execs, Executive Producers and Filmmakers from Prep through Post• Working closely with Legal and Business Affairs on reviewing Networks Delivery requirements, and ensuring that parameters align with projects' budgets• Creating budgets and schedules, and working with Production Execs to ensure efficiency through completion; carrying out regular Cost Report reviews with Production and Post accounting• Negotiating for, and hiring all Post-Production talent and vendors for projects of various budgets and complexity• Managing a team of direct reports (Manager, Coordinator and PA), as well as freelance Post Producers/Post Sups on various shows & movies during Production and Post• Overseeing Delivery to various Networks and Streamers; working closely with Distributor Execs to ensure a timely and smooth Delivery• Working closely with vendors & other Studios to ensure the latest Post trends are carried out (4K/HDR/Dolby workflows, remote editorial, etc.)• Reporting into EVP of Physical Production

Greater Los Angeles Area

• Setting up a Post Production Department tailored to Television & Streaming movies• Creating Protocols, Workflows, Delivery Schedules and infrastructure for Studio Post• Working closely with vendors & other Studios to ensure that the latest Post trends are implemented (4K/HDR/Dolby workflows, remote editorial, etc.)• Overseeing Post/Delivery of over 15 scripted/unscripted projects, incl. an anthology of 24 feature length episodes• Supporting Studio Execs, Executive Producers and Filmmakers from Prep through Post• Creating budgets and schedules; working with Production Execs to ensure efficiency through completion• Negotiating for, and hiring all Post-Production talent and vendors for projects of various budgets and complexity• Overseeing Delivery to various Networks and Streamers; working closely with Network Execs to ensure a timely and smooth Delivery• Reporting into EVP of Physical Production

• Organizing and maintaining the smooth operation of the editorial and post production departments• Setting up editorial work stations and providing technical support with guidance to assignment of staff• Managing post agreements, staff paperwork and post production accounting• Drafting post calendars, post contact lists, dailies and cuts distribution lists• Scheduling and running dailies workflow calls, drafting dailies workflow memos• Setting up and managing distribution of dailies and cuts via DAX/PIX or other digital platforms• Analyzing vendor bids and communicating with the preferred vendors• Coordinating and managing VFX, Sound, Music and DI spotting and review sessions with directors/producers• Organizing Previews with recruited audience• Working in close with Legal & BA on creation of Main Titles/End Crawl and circulating drafts to all stakeholders and Guilds for approval• Scheduling ADR, Final Mix/Playback• Conducting research of stock material upon editorial requests• Scheduling bi-weekly cost report reviews with Post Accounting• Coordinating delivery of final picture, sound, archives and post production paperwork to Studio Post Executives• Coordinating the final wrap and proper storage of final video and audio masters and offline editorial assets • Compiling reports pertaining to progress of work.• Reporting into Head of Post Production

While working as a staff Post Production Executive, I post supervised a few Blumhouse titles: "Benji", "Stephanie" (finishing & delivery), "Lowriders" (finishing & delivery).• Acting as a liaison between Production, Studio Post and Director• Establishing post production workflow between Production/DIT, Editorial and Finishing facility• Managing distro of dailies and cuts to Network and Studio• Scheduling and managing ADR sessions, incl. sessions for minors and animals• Together with the director reviewing VFX, online, sound, titling• Building credits and finalizing with Studio & Network• Facilitating multi-level QC and Delivery to the Network

• Setting up editorial work stations and providing technical support with guidance to assignment of staff• Managing post agreements, staff paperwork and post production accounting• Drafting post calendars, post contact lists, dailies and cuts distribution lists• Scheduling and running dailies workflow calls, drafting dailies workflow memos• Establishing post production workflow between Production/DIT, Editorial and Finishing facility• Managing distro of dailies and cuts to Network and Studio• Scheduling and tracking ADR sessions for high-level talent• Coordinating and tracking spotting sessions and VFX, online, sound, titling reviews• Building credits and finalizing with Studio & Network• Facilitating multi-level QC and Delivery to the Network• Reporting into Post Supervisor

I came on board as a Post Coordinator for a few months to help my Post Supervisor finalize Delivery. • Scheduling and tracking ADR sessions• Coordinating and tracking spotting sessions and VFX, online, sound, titling reviews• Building credits and finalizing with Studio & Network• Facilitating multi-level QC and Delivery to the Network• Reporting into Post Supervisor

As a Casting Coordinator at Metal Flowers Media, I worked on a variety of unscripted competition shows, including STRIPPED AND STRANDED (Season 1) for Discovery, KICKING AND SCREAMING (Season 1) for FOX and STRANDED WITH A MILLION BUCKS (Season 1) for MTV.

Greater Los Angeles Area

As a Casting Coordinator and Development Associate at Cast Iron Productions, I worked on a variety of unscripted TV shows, Pilots and Projects in Development for major Networks, including NBC, CBS, SPIKE, TRU TV, FOX, BET, OWN, TLC, Showtime and others. I have also been working on Development of a few TV Projects based on 3D/ VR Technology.

I worked as a seasonal Guest Services Coordinator on CBS show "LET’S MAKE A DEAL" (Seasons 4-7), produced by Fremantle Media.

Burbank

As a Casting Coordinator at Irwin Entertianment I worked on Spike TV show "COACHING BAD" (Season 1), on a Pilot for TLC and on a few Projects in Development.

As a Casting Coordinator at Shine America I worked on TruTV show "FakeOff" (Season 1, 2).

As a Casting Coordinator at NBC Universal Television I worked on a variety show "I CAN DO THAT" (Season 1) and on a Pilot for NBC.

As a Casting Coordinator at Discovery I worked on a Pilot "GOT GAME" for BET Network.

Greater Los Angeles Area

Los Angeles, Ca

Moscow, Russian Federation

Film/Cinema/Video Studies

Master'S Degree, Communication, Journalism, And Related Programs