Oliver Benavidez Email & Phone Number

Richardson, Texas, United States

San Francisco, California, United States

● The Monkey King - Associate Producer - NETFLIX● Calesita - Producer - REEL FXI have 10+ years experience in Production Management for the visual effects and animation industry, a role that suits my clear communication style, multi-tasking efficiency, and ability to thrive in high-pressure environments perfectly. I am in my element taking on a leadership role, team-building, and ensuring that all assets and shots meet the client's needs with my meticulousness and attention to detail. In this role, my areas of expertise include pipeline management, production planning, budgeting, scheduling, and facilitating the movement of shots between departments.✔ MANAGE multiple departments schedule and provided precise production and cost reports to producers, executives, and clients.✔ SUPERVISE / LEAD the development of production managers and employee mentoring. My goal as a leader is to conceive and articulate goals that lift the team out of their preoccupations and unite them in pursuit of objectives worthy of their best efforts.For a detailed list of accomplishments, please request my résumé.

Dallas

● Rumble (brought in as an additional PM) - PARAMOUNT ANIMATION● SCOOB! - WARNER BROS. ANIMATION● Ugly Dolls - STX FILMS

Dallas, Tx | Santa Monica, Ca

● Sherlock Gnomes – Assets, Editorial - PARAMOUNT ANIMATION● Best Fiends – Art Department, Story, Editorial, Audio - SERIOUSLY DIGITAL ENT.● W.I.S.H. Police – Art Department / Visual Development, Story, Editorial, Previs, Audio -REEL FX● Rock Dog – Art Department, Reel Book, Light Lock, Editorial, Audio - MANDOO PICTURES● Watchdogs – Art Department, Story, Editorial - REEL FX

Dallas/Fort Worth Area

● Free Birds – Art Department, Story, Matte Painting, Editorial - RELATIVITY MEDIA● Despicable Me: Minion Mayhem – VFX, Editorial, Deliveries - UNIVERSAL STUDIOS● Looney Tunes: Coyote and Runner, I Tawt I Taw a Puddy Tat, Daffy’s Rhaposody – Layout and Stereo - WARNER BROS. ANIMATION● Open Season 3 – Texture - SONY ANIMATION● The Spy Next Door – VFX, Lighting, Modeling, Rigging, Layout, Animation - RELATIVITY MEDIA● Tales of the Black Freighter – VFX - WARNER BROS.● Open Season 2 - VFX - SONY ANIMATION● The Simpsons Ride – VFX - UNIVERSAL STUDIOS● Escape from Planet Earth – Rigging▫ Tracked information using Reel FX's standard Production Tracking System in a manner exemplifying facility-wide best practices.▫ Ensured accurate notes taken during Dailies and Director Reviews. Made certain that all action points were distributed and acted upon.▫ Scheduled, tracked, and managed assigned departmental work. Ensured work was on schedule for each department and was meeting internal and external deadlines.▫ Served as key communication liaison between all parties relevant. Provided updates, priorities, reschedules, and status of all shots and assets.▫ Generated & distributed weekly updates on production logistics as requested and anticipated and communicated issues to leadership team(s) to reach solutions in a timely manner.▫ Acted as primary point person for organizing dailies/shot reviews throughout the day on behalf of the key creatives between Paris, Florida, California, and Texas. ▫ Meticulously coordinated all client deliveries, both physical and digital to ensure proper delivery.▫ Coordinated VFX elements between multiple departments including Animation, Massive, FX, and Lighting.