I lead and support group of software engineers working across various teams and initiatives, ranging from platform to engine & gameplay.Hiring, coaching, and career development.

Led and managed the graphics/display/color pipeline team in RealityKit. Architected significant changes in the rendering and display pipeline for the Vision Pro AR headset.Drove alignment, prototyping, and development across multiple teams and organizations, including camera modules, human vision research, display technologies, and system software.

Dual role creating and leading a team of artists, technical directors, and department supervisors.Successfully transitioned team from on-site to remote work.Developed new motion capture and review workflow.

Focused on long term, studio-wide pipeline strategy and vision. Enabled transformative change by formulating core philosophies, goals and principles for workflow across departments. Provided guidance and through line for teams, projects and R&D.

Responsible for all technical aspects of production, including R&D, workflow, image/asset quality, optimization, pipeline development, and resource planning.Leading and mentoring other technical directors. Film: Olaf's Frozen Adventure.

Led a team of technical directors and partnered with department supervisors in developing tools andworkflows for environments, layout, effects, lighting, and stereo. Revamped studio color pipeline and spearheaded the transition to delivering films in HDR.

Contributed multiple features to the new in-house renderer Hyperion, including a multi-camerastereoscopic rendering mode, material modifiers, color management, and related tools. Lighting tools product owner.

Responsible for look & lighting standards.Developed Renderman shaders, OpenVDB plugins, material libraries and calibrated light rigs.Created a new procedural look and preview framework using C++, Python and SeExpr. Credits: Thor: The Dark World.

Shot look development and lighting. Developed artist tools and custom shaders. Credits: Man of Steel, Total Recall, John Carter.

Pipeline development, shaders, shot lighting and compositing for Tangled and Mars Needs Moms.

Real-time GPU programming, look development and lighting for Thundercats CG test.Designed and implemented new asset pipeline for complex city destruction shots for the film 2012. Shader writing.Look development and key lighting for Tron: Legacy.

Pipeline tools and 3d engine programming for Midnight Club: L.A. Remix (PlayStation Portable).

Core frameworks for data, geometry manipulation, scene description and rendering across all shows. OpenGL and Rendeman programming. Particle FX tools.

Designed and implemented a scalable facial animation system for gameplay and cinematics on Heavenly Sword (PlayStation 3). Shaders and water surface simulation tool.