Osceola’s interest is in documenting humanity’s impact on the world – both the intersection of nature and industry, and the narratives of the people living at those crossroads. His images exist within traditional means – landscape, portraiture, editorial – and are variously produced using film, digital, infrared, and pinhole exposures, according to what best expresses the character of his subjects.Thus, despite his documentarian impulses and the fact that his images deliberately depict quite ordinary, even mundane aspects of his subjects, he trains on these subjects a hyperrealistic and nuanced vision, often yielding surreal and even dreamlike images. His whole process generally happens “in camera” at the moment of capture, in a kind of alchemical reaction that transforms the external world, through engagement with imagination, into something both unchanged and extraordinary.His photography is featured in the British Journal of Photography, The Guardian, Los Angeles Times, New York Times, and on KCET's Artbound, earning Los Angeles Press Club awards for Best Feature Photo (2019, 2023), Best Photo Essay (2018, 2019, 2020, 2023) and Photojournalist of the Year (2019, 2023). His photography is widely exhibited including at the San Diego Art Institute, the Palm Springs Art Museum, Galerie Huit (Arles, France), and Von Lintel Gallery (Los Angeles).