As the Chief Technology Officer, I recruited and led a team of IT, Pipeline, and Technology professionals in a 2D-hybrid animation studio. Through my leadership, we were able to optimize operations and improve production support, resulting in greater efficiencies and higher quality output.One of my proudest accomplishments was facilitating community collaboration and innovation by open-sourcing our SPA-Blender and Grease Pencil add-ons development. This not only contributed to the wider creative community but also helped our own team feel realize the advancements we had made as a group. Overall, my experience in this role has equipped me with the skills and expertise needed to excel in any position that requires a strong leader capable of driving innovation and optimizing operations.My Key Contributions for this role: * Spearheaded growth of studio's Technology department and established long-term strategy for ambitious follow-up projects to successful Klaus.* Successfully adapted remote capabilities to accommodate rapid growth from 15 to 110 employees, with plans to scale up to 300 (Unfortunately project was canceled in late December 2022, despite having just begun production).

As the Executive - Head of Technical Production, I directed all R&D development activities to meet the department's needs with maximum efficiency in time and cost. This resulted in improved productivity and reduced expenses. Collaborating closely with the IT Manager and CFO, I planned and executed software and infrastructure initiatives that supported the company's growth and success. One of my proudest accomplishments was spearheading the implementation of best practices in R&D and pipeline departments.My experience in this role has equipped me with the skills and expertise needed to excel in any position that requires a strong leader capable of directing technical production activities, implementing best practices, and introducing agile development.My Key Contributions for this role: * Contributed to growth and success of mid-sized VFX company by serving as member of senior management team, driving strategic thinking and decision-making that led to increase in staff from 140 to 275 * Anticipated and ensured adequate customer support and technical staffing for various shows, from Chappie (2014) to Logan (2017) to The Mandalorian season 1 and 2 (2020), resulting in high-quality production outcomes and customer satisfaction * Managed technological transition of company from privately owned local business to part of international conglomerate operating globally (Cinesite), resulting in expanded global presence and increased competitiveness * Facilitated continuous development and global integration of open-source development efforts with Gaffer (gafferhq.org), fostering collaboration and innovation within industry

Helping on the podcast section of Vincent's The Art of VFX platform, by regularly interviewing renowned VFX Supervisors. I share a conversation with them about their challenging work on major Hollywood movies. Eg : Gemini Man, Gravity, Elysium, Enders Game, Iron Man 3, Oblivion, Pacific Rim, GI.Joe 2, ....Quite an experience to play journalist or podcast/radio host! Something different. I enjoyed it a lot. https://www.artofvfx.com/page/2/?s=Pascal+Chappuis

Carried to pre-launch phase. An attempt at bridging the gap between the underused visual artists talents and the illustrative and motivational needs of the teaching community. Watch my 2013 TEDxMartigny talk (Switzerland) to describe the idea.It was intended to be a platform catering the best in infographics, data-visualizations or motion graphics content for pedagogical assistance. http://www.re-present.org

After 13 years in Hollywood, I went back to Switzerland for a few years. I worked at or freelanced in various capacities all the way up and down the VFX spectrum for several Swiss studios or clients. It was like learning the trade again from the trenches. A very rewarding path. A few of the studios or clients involved: kompost.tv, elefantstudios.ch, stories.ch, ramonandpedro.com, redwhitemedia.ch, saywhat.ch.... Here is a sample of my work while over there :

As a CG Sequence Supervisor and Lighting/Rendering/Comp Artist, I have managed and finalized CG lighting, rendering, and compositing for blockbuster Hollywood films. With 13 years of experience as a 3D visual effects artist and technical director, I have worked on over 20 productions, including Happy Feet, The Chronicles of Narnia, and The Incredible Hulk 2. (see full list below in various sections)My experience has enabled me to bring creativity and technical expertise to each project I work on. I'm passionate about delivering high-quality results that exceed expectations and contribute to the success of each production.My Key Contributions for this role:* Achieved professional growth as a visual artist, lead, and supervisor atrenowned Hollywood VFX company, Rhythm & Hues, contributing to itsexpansion from 180 to 1,500 global employees.* Completed one-year assignment at Mumbai sister-company, fosteringinternational collaboration and skill development (2008).Films worked on during that period :Happy Feet / Charlotte's Web / The Golden Compass (VFX Academy Award) / The Incredible Hulk 2 / Aliens in the Attic / Land of the Lost / Alvin in the Chimpmunks : The Squeakel / The Wolfman / The A-team

One full year on the ground in India. Supervising and mentoring our wonderful Lighting and Compositing talents in Mumbai and Hyderabad towards establishing full autonomy for entire sequences.Films worked on during that period :The Incredible Hulk 2 / Aliens in the Attic / Land of the Lost

Films worked on during that period : (from oldest to newest)Babe 2 : Pig in the City / Mystery Men / Stuart Little / BattleField Earth / Along came a spider / Cats and Dogs / Scooby-Doo / Daredevil / XMen-2 / The Cat in the Hat / The Chronicles of Riddick / Flight of the Phoenix / The Chronicles or Narnia : The Lion, the Witch and the Wardrobe / Superman Returns

First position after Computer Science Bachelor.