Patrick Mills Email & Phone Number

London, GB

I'm currently heading up Mercury Live, a multi-faceted content studio that works with artists, labels, brands and platforms to produce high quality audio and visual content including podcasts, concert capture, branded, live and short form – for distribution on channels, DSPs, platforms and more.Projects: Stormzy "Live In London", Take That "Live From.

London, England, United Kingdom

At Mercury Live, we’re creating live music experiences for the digital world, where artists can engage, promote and earn from their most dedicated fans, globally.Projects: Aurora "A Touch of The Divine", Overheated by Billie Eilish and Finneas, Sam Smith Live at The Royal Albert Hall, Lauv - The LauvstreamKey activations with with Dermot Kennedy, Cian.

Relationship management, problem solving and audience building within live music. Ensuring artists of all sizes were able to build and grow with DICE.Some of my favourite projects: Bicep - from Village Underground to 3 Brixton's, Rosalia's first London headline, using the Waiting List to help Summer Walker sell 3x shows.

Supporting the Head of Music at DICE on our presentation creation, project management and delivery. Exploiting data to guide decisions. All while learning from some of the best brains in the business formerly of Wasserman & Spotify.Some of my favourite projects: Launching Jimothy Lacoste and tailoring a special show to his youngest fans, powering Mark.

Leading and managing a small team of full-time and freelance staff to tell the story of DICE through every comms touch point. Newsletters, in-app bios, blogs, PR stories. Learnt from an incredible team featuring ex marketers from Google, Red Bull & Citymapper. Some of my favourite projects: Launching our DICE: Hangover Days PR story (google it!), reaching.

Endless bouts of copy writing for in-app descriptions, notifications, newsletters. It kept my writing tight and built resilience to working under deadlines. Fortunate to work with people ex BBC Radio 1 and VICE.Favourite memories: Slamming through 12 events worth of event copy every time a new residency was announced at XOYO in about 1h.

London, United Kingdom

The ultimate first internship. Primarily focused on event copy but also helping to build and proof event pages, and just generally working across a ton of different jobs that you'd expect from a scrappy start up.We were housed within Ustwo and got to spend time with their inspiring founders Mills & Sinx. They taught me a ton around problem solving, and.

London, United Kingdom

Still one of my go-to websites. It was a privilege to work there for a short time with a passionate bunch of design and architecture brains. I managed to squeeze in a recurring music video feature and spent my time researching and transcribing. Favourite memories: Sunshine in Stoke Newington.

Kingston University, London

Arguably the hardest "job" I ever had. I managed a team or reporters, liaised with PR depts from culture bodies to the Met, and worked to deliver regular issues on tight deadlines. Tons of writing, editing and editing again.Favourite memories: Nothing will beat the feeling of feeling a newspaper you helped to make in the flesh

I cut my teeth throughout college and university, writing news copy, interviewing my favourite artists, and crafting features for a variety of publications. It taught me the basics of business of development, and created a pathway to the beginning of my career.Favourite memories: Skipping Maths to interview SBTRKT the night after Drake had came out at his.

Alongside my studies, I worked at Sabotage Times, creating content around music, sport and the cultures associated with it. Incredibly grateful to work with James Brown (former editor of GQ & Loaded).Favourite memories: Feeling like a proper adult with a job walking through Soho in the morning sunshine.

Bachelor Of Arts (B.A.), Journalism

Gce (A Level), History, Media, English Language, Economics

Gcse'S (9 + 1 As)