Peter Daniel Lago, Mpse Email & Phone Number

Los Angeles, Ca, Us

Greater Los Angeles Area

Partial Credits include:AMERICAN BORN CHINESE (Disney+)TITANS (HBO Max)GOTHAM KNIGHTS (CW)KUNG FU (CW)THE 100 (CW)SWAMP THING (DC Universe/CW)ARROW (CW)STAR TREK: DISCOVERY (CBS All Access) - Emmy Nomination 2018, Season OneFEAR THE WALKING DEAD (AMC)

Los Angeles, Ca

Projects I have participated in as a freelance editor include:The Frozen Ground (2013)Empire State (2013)Dragon Lore: Curse of the Shadow (2013)Saints and Soldiers: Airborne Creed (2012)

Greater Los Angeles Area

As a liaison for Monkeyland, it was my mission to ensure that the director's vision comes across clearly and successfully. I worked fiercely to develop a dynamic team of sound effects editors whose goal is not only to create a high-quality, well-detailed, organized and expressive sound experience, but to efficiently stay within the clients' budget and schedule.Sound Effects Supervising credits include:SEAL Team Six: The Raid on Osama Bin Laden (2012)Hours (2013)Sushi Girl (2012)The Devil Inside (2012)

In addition to my role as sound effects supervisor, I was also involved in all aspects of sound effects editing and design for Monkeyland. Other responsibilities included: client relations, policy creation and enforcement, efficiency maintenance and technical troubleshooting.Sound Design and Sound Effects credits include:Passage to Mars (2016)Bad Brains: A Band in D.C. (2013)Lost Boys: The Thirst (2010)The Celestine Prophecy (2006)

Los Angeles County, California, United States

The Post Lab was an online resource for independent filmmakers and post production professionals alike. Since Monkeyland Audio served as one of the site's sponsors, I was given the tremendous opportunity to contribute articles detailing my (and the company's) philosophies, insights and experiences in post production sound.

* Responsible for the preparation of correspondence, corporate scheduling, travel and personal agenda for Rick Ramirez (then Vice President).* Create one-sheets, pitch packets and press releases for each show in development. Rewrite and punch up treatments, and assist with the development and nurturing of animation and live-action projects. Design strategies for network/studio pitches.* Establish a large roster of writers with samples of their work. Propose talent based on writing samples and/or demo reels, and match them up with current projects in development.* Create and maintain an extensive Latino talent log, including but not limited to writers, directors, actors and producers.* Create and maintain a comprehensive submission log. Covered scripts and treatments and provided in-depth evaluation.* Track projects in development from concept to final draft. Provide creative notes to writers and work with them on rewrites and polishes.

* Responsible for preparation of correspondence, corporate scheduling, travel and personal agenda for Paul Marquez, President.* Responsible for processing accounts payables, expense reports, petty cash, weekly / biweekly payroll for staff, and handling money allotted to projects. Responsible for smooth running of the office.* Actively participate in story conferences and idea sessions, as well as with the development of in-house projects (which include an animated kids show, straight-to-video features and small theatrical releases). Handle high-volume script reading with extensive and detailed coverage, and provide creative notes to writers and directors on in-house projects.* Create and maintain logging and filing systems for video, script and book submissions. Responsible for the safety, logging and return of any and all properties that came into custody of Paloma Productions.

Ba, International Business

Certificate Program, Audio Engineering