Welcome to Jane Doe Creation - a creative production agency that believes in creative realism. We ground strategic ideas in production reality. We don't believe in one-size-fits-all solutions. Instead, we build partnerships that fit your unique needs. Here to define you, not us.

You can go back to go forward.

As part of the M&C Saatchi group, I’m a founding member of Yes Agency. A bespoke creative and production agency tailored for the Optus brand. Within a 9-month period we have successfully recruited industry leaders through our professional network, which as a result, doubled our agency team to over 45 people. Multi-talented individuals, who are hybrid with their approach, agile in their thinking and incredibly reliable with their creative output. Leaders in their field who share our vision for success.This is my second collaboration with Elissa Maine, as Head of Broadcast & Motion, following on from our successful time working side-by-side at Sibling. Where we created new ways of working to produce national cross-media, integrated campaigns for the Westfield brand. Our creative and production collaboration is unique. We believe it’s the new fusion of creative innovator and production facilitator of the future.Agile in our approach, creative in our execution and accountable with our costs. Seamless path from ideation to final delivery and ALWAYS on brand.We work hard to establish personal and direct relationships with our Clients, which ultimately leads to better collaboration and open dialogue. Not all in-house agencies work with this ideal of openness and it takes a special breed of person to thrive in these environments. As bespoke, Client based agencies become the epicenter of all marketing, we look forward to being at the forefront of change.

Sibling is a purpose built WPP AUNZ agency solely dedicated to Westfield. I used my expertise to help Westfield define their core brand narrative of Human, Vibrant, Easy and Curated. As Creative Director across Advertising, Media and PR, I communicated and validated it in all stages of the brand experience through Fashion/Beauty/Lifestyle. Across Aus & NZ I achieved superior results and delivered to budget, in a landscape where “Attention Economy” is scare I got cut through with my beautifully executed narratives.

Aunty's House is our own initiated project.(Sylvianne Heim, Simone Ellis and myself)An App that brings together people with a need and people who want to do social good.Created for survivors by survivors, Aunty’s House offers mental breathing space for women caught up in domestic violence.

During this time I worked on projects and pitches, from a month to 3 months, at the following agencies 303Lowe, Clems BBDO, DDB Remedy, Joy, Moon, Ogilvy Sydney and Soap Creative. It's always a pleasure to be able to bring my insight and experience to a project or pitch. To bring some fresh blood to existing teams.

I worked on the global launch for Brand Unilever, creating a social film for them. So far it's received over 20 million views on YouTube. I also produced a TVC for Huggies Pull-Ups, which saw a 367% increase in site traffic during the first week of airtime. And I worked on various global projects for Dove, including several hot-houses in Chicago and London.

Freelanced at 2 of the top digital agencies in London, Lowe Profero and Huge. I worked on digital ideas for Knorr and helped to overhaul their website, including tone of voice, content ideas and design. I worked on digital ideas for numerous brands, including a back to school campaign for M&S.

I loved working with Jess Lilley, under the crazy Oliver Green. The work we produced was smart, pushing client boundaries, always delivering firsts in advertising. Our clients included Pedigree and Cadburys

Ford was a great client to work for. They loved technology. This filtered through into digital where our budgets were large and testing new technology was welcomed. Their bravery was rewarded with great sale figures.

I worked across numerous accounts and looked after all the creative for Vauxhall.

I produced integrated campaigns for Ford, Nokia, Range Rover, Always and more.

I produced integrated campaigns for Virgin Media, Lloyds TSB and more.

I took my first Creative Director role at Dialogue DLKW. As a member of the board I helped to run the creative department and shape the company.The agency wasn’t doing very well back then. It hadn’t made a profit for four years, had outdated systems, no identity and lacked direction. As you can imagine, we had a pretty tough job on our hands but we soon managed to turn things around. We retained the Burger King business, won several million pound accounts including Tena, The AA, eBay and Opel Vectra, and grew the Halifax account. These wins made the business profitable and saw the agency grow from 8 to fifty in the space of a year. We also grew digital business from existing clients even though they already had digital agencies. And we took Dialogue DLKW from an unknown digital agency to a top 20 agency one in NMA (New Media Age).

I found my true calling here, not only did I perform the role of Creative Group Head but also found time to create memorable and award-winning campaigns. I also helped win several large business pitches that saw Iris triple in size.

Next I headed to London and Abbott Mead Vickers BBDO Ltd, where I worked on Sainsbury’s, St Ivel, Whiskas and The Economist. My frustration at all briefs being answered with a 30” TV ad led to me to seek a more integrated agency with a digital offering.

In 2000 I left Auckland to pursue work overseas. My first port of call was Amsterdam’s Kessels Kramer, a creatively recognised agency, where I worked on such brands as Heineken and Diesel.

Looking for something more creatively challenging I moved to Colenso BBDO, Auckland. My work won international creative awards at D&AD, The One Show and Cannes and helped make Colenso BBDO Auckland, Australasia most creative agency in 1998 and 1999.