Receiving content that requires additional sounds that humans make (and some animals) - organizing that the file structure, creating and cueing the session (in Pro Tools), editing the recorded content and packing it up nice and neat in a bow for each and every client for delivery.

With a focus in Sound Design for Post, Pill Box works closely with clients to create an immersive sound experience for all facets of entertainment and education. Delving further into needs within VR/AR/AI, Live Production, Post Production, and more - the goal is to stay on track for growth and innovation while creating a solid product in sound quality.

Production Sound Recordist/MixerPost-Pro: Sound designer/editor/mixerTrailer Editor for picture and sound - then mixA/V Tech with a specialty in Audio Work in Pro Tools and Premier Pro in Post (can work with other DAWS and softwares when needed)

-Take a lead role in the management of all aspects of live AV Events, with strong experience in audio-visual control room operations, from signal flows to hands-on operation and event delivery-Deliver premier events both in a virtual and hybrid environment for a multitude of partners-Have a solid understanding and operational experience of vision mixers, audio mixers, remote cameras (including camera racking and framing), lighting, floor management and video wall processors-Move quickly and accurately under pressure in a fast-paced live events environment-Collaborate with both internal and external events teams and suppliers to ensure outstanding event delivery-Ensure the highest AV standards and guidelines are met-Collaborate on and deliver maintenance and upgrade projects across all technical fields-Methodically troubleshoot and diagnose technical problems across all areas of live event technology, working with vendors and suppliers to quickly resolve and mitigate any issues-Be a team player, with an “all hands-on deck” attitude-A strong desire to work as part of a team in a highly collaborative environment-Ability to multitask and learn new systems quickly-Demonstrated live event technical operations experience with experience in a technical management role-Excellent customer focused approach-Ability to respond to changes in a short time frame-Experience within Event Management-Experience of LED video walls and projection-Ability to demonstrate outstanding technical/troubleshooting skills-Experience in installation/commissioning of AV systems-An appreciation of networking topology and experience with Dante, NDI and other associated protocols-Solid grasp of video conference tools and troubleshooting (Zoom, Webex, MS Teams, etc.)-Ability to set up, test, calibrate and commission equipment and devices as required for a fully functional AV systemStrong digital literacy (Microsoft Word, Excel, Power Point)

Working mostly with Bloomberg LP - I'm using cutting edge gear with a great team of people. Always growing with the tech.

I'm head of sound here at Jump Cut, the trailer house that honors amazing indy projects and among others. My job here is to edit and mix the trailers we create - which means, I also cut some of these trailers. Pro Tools and Premier Pro are my weapons of choice, along with Photoshop and After Effects. Have any questions - feel free to ask!

Audio 1, Audio 2, Gen Tech, Senior Technician Shipwide: Tech shows throughout the entire ship: working with digital audio and lighting consoles, rigging for show set ups and stunts (specialty rigger)/mix FOH broadway-style theater shows in the Walt Disney Theater, backstage audio tech (responsible for care and maintenance of all mics, create new and innovative ways to make a mic last FOREVER), shiplife.

Record ADR, VO, Foley, and on-location audio. Set up/breakdown sessionsSet up PT sessions. Upload/Download assetsSound design, edit, mix various projects

RecordEditMixGeneral studio upkeep Minor equipment repair and troubleshootingGeneral client satisfaction