Digital Cinema DCP mastering of advertising content. Planning on "Advertising Accord" - Unique X addressable platform for UCI Cinemas and The Space Cinema. Remote support for playlist and intermission block synchronization on auditorium TMS.

File-based quality control and encoding of advertising content for broadcasting and digital: deliver via ad content management platforms (Peach/Group IMD, Extreme Reach, Adstream).DCP digital cinema mastering with subtitling and KDM production. Visual quality check on DCI 4K Projector and final validation. Distribution on HDD CRU and digital delivery to cinemas for DCA (The Space and UCI Cinemas) advertising network. Conversions and transcoding of feature films for cinema and OTT market (MOV/MXF/IMF/DCDM).Media asset management on Linux and LTO Tape utility. Advanced Linux shell expertise for project permissions and system processes management.

I followed as operation manager the transition from post production of film advertising copies to digital files for Opus Proclama company cinema network: audio/video encoding, quality check and transfer from videotape to HD files.File-To-Film transfer of commercials and high definition feature films on negative support with jobs management on film recorder CELCO Extreme Nitro (Unix OS). Assistant for mastering and transfer on sound film of Cinema 5.1 mix. Projection of the first copy for visual and Dolby audio quality check.Film scanning on ARRISCAN 2K of advertising films shot on negative support and archival films from print copies. Digital restoration on DaVinci REVIVAL, for “Fondazione Cineteca Italiana”, of various animation movies screened at the Venice International Film Festival in 2005-2006: ("I fratelli Dinamite" - Pagot Film, "Grandi corti animati" - Gibba, Guido Manuli, Walter Cavazzuti, "Putiferio va alla guerra" - Gamma Film).

Intern as film colour analyzer operator and assistant on Cintel URSA Gold Telecine for dailies.

Editor RVM of various documentary films (1–inch, U-Matic, Betacam SP).