Founder and Partner at Super Good Creative, a production agency focused on sports and lifestyle brands. Leading multi-functional teams to create compelling campaigns that align brand vision with consumer engagement.- Produced high-impact campaigns for clients including FanDuel, Nike, Häagen-Dazs, and Gatorade.- Directed on-set production involving athletes and models, emphasizing authentic storytelling and brand alignment.- Established key industry relationships to foster business growth and drive innovative opportunities.- Managed all business operations, including budgeting, resourcing, and project management to ensure efficient, high-quality outcomes.

Partner at GLP.LA, a minority-owned design and post-production agency. Focuses on project management, relationship building, and integrating emerging technologies to enhance project delivery and operational efficiency.- Developed marketing initiatives that expanded client relationships and drove business growth.- Integrated AI-driven tools to optimize production workflows and elevate creative output.-Supervised cross-functional teams to ensure project goals and client expectations were met on high-profile campaigns.

Supported INDUSTRY Creative’s growth through studio integration and campaign production for top brands. Enhanced cross-functional collaboration and streamlined processes to improve project delivery.- Oversaw the integration of GL Pepper Studio into INDUSTRY Creative, merging talent and resources to boost operational efficiency.- Produced campaigns for clients like Nike, Timberland, HP, Converse, Women’s Sport Foundation, coordinating across teams for flawless execution.- Enhanced team coordination, improving production workflows and boosting overall project efficiency.

Directed and expanded GL Pepper’s Portland studio, establishing it as a key creative partner for the Nike SNKRS franchise and contributing to the brand’s storytelling efforts.- Led creative direction for Nike SNKRS, aligning franchise stories with brand guidelines to resonate authentically with sneaker culture and athletes.- Developed and produced campaigns that connected Nike's heritage with cutting-edge sneaker culture, delivering stories that highlighted Nike’s innovation while respecting its legacy.- Collaborated with designers, athletes, and marketing teams to build campaigns that drew on insights from Nike DNA, engaging both consumers and brand loyalists.- Strengthened client relationships, managing end-to-end production processes to deliver impactful, culturally relevant campaigns for Nike SNKRS.

Directed production and client management at WANP’s Portland studio, strengthening client relationships and delivering high-quality creative solutions for Nike.- Acted as the main point of contact for Nike, overseeing campaign development and execution to ensure brand alignment.- Strengthened long-term client relationships, enhancing trust and collaboration across projects.- Served as a studio photographer and stylist, ensuring visual consistency and brand alignment across all media.

• Managed the @Nike Instagram for Fuelband & Flyknit launches.• Produced and curated OOH live feed projection at Nike events. • Failsafe Moderator for Nike video and talent contests. • Managed the Nike+ Tumblr page for the 2012 Olympics. • Analyzed social engagement metrics to provide actionable insights.

Web Analytics Manager for Nike websites and social channels.

Freelance Production Assistant & Product Stylist for Advertising Agencies.

• Managed and created content for a Nike marketing tool called The Hookup, a twitter platform that linked users with local retailers and offered exclusive Nike products and opportunities.• Web Analytics manager for Nike's Latin American websites and social channels, analyzing engagement metrics to provide actionable insights.

• Founded an interior/exterior painting company.• Managed the marketing and business operations for BG Painting.• Managed painting crews.

• Founded a hauling/moving company in high school.• Transitioned the hauling/moving company into a painting company in 2002.