Duties include helping with payroll and union reports, production order tracking, production seat organizing, small event planning, box office reporting, taking notes at meetings, bill paying, workers comp filing, and covering shows. Special projects include constant communication with press/marketing re events and talkbacks, special care for our VIP Co-Producers, and a gentle touch with a company full of people who are new to Broadway.Working under Company Manager Jenny Peek

Duties included payroll and union reports, production order tracking, event planning, scheduling meetings, box office reporting, taking notes at meetings, AmEx reconciliation, bill paying, settlement tracking, budget reconciliation, and covering all 8 shows a week. Special projects included being in charge of the show merch (designing, ordering, inventory, staffing merch booth, etc), special attention to the star while injured, and consistent communication with the star to schedule multiple talkbacks a week.

Duties included reimbursement tracking, production order tracking, house seats in every city, event planning, box office reporting, AmEx reconciliation, constant communication with our 55 member company regarding travel to and housing in every city on the tour, and being at every performance. Special projects included special attention and care to our multiple stars, and personal care for all company members when injured/sick. Worked under Company Manager Michael Sanfilippo.

Duties included payroll and union reports, production order tracking, house seats, event planning, box office reporting, AmEx reconciliation, contract tracking, paying royalties, contacting vendors, and covering at least 4 shows a week. Special projects included special attention and care to our multiple stars coming in and out of the production and their cars to and from the theatre every night. Worked under Company Manager Lizz Cone.

Duties included payroll and union reports, production order tracking, event planning, scheduling meetings, box office reporting, taking notes at meetings, AmEx reconciliation, contract tracking, and covering at least 4 shows a week. Special projects included ordering and setting up lunch for the entire company between shows on 2 show days, as well as treats on every company birthday, and both star housing and star wrangling. Worked under Company Manager Christopher Taggart.

Assisted the GM and CM teams for ONCE UPON A ONE MORE TIME in DC, FOR COLORED GIRLS… on Broadway, and PRETTY WOMAN on tour, among other shows. Work on these shows included travel/housing, contracts, scheduling, and many other daily duties. Worked as the main contact in the office for investors and co-producers and was in charge of creating, delivering, and collecting their respective documents and funds on multiple productions. Solo company managed (creating a budget, scheduling, finding a studio, hiring a CSM, paying bills and payroll, and actualizing the budget after the fact, etc) a reading of a new THERESA REBECK play with a lead star (confidential) and multiple readings of a new musical produced by Barbara Broccoli. Pre-pandemic also included preshow preparations for a small play with a lead star (confidential) that was cancelled by Covid.

Acted as the Assistant Company Manager for the Broadway production of BETRAYAL, under Company Manager Bruce Klinger. Included weekly per diems, settlement and box office tracking, merchandise reports, etc. Also included being at the theatre pre-show and connecting with the cast, crew, SM team, and box office. Additional duties included taking notes for meetings, planning events, and general errands for the BETRAYAL company.

Daily duties include research projects and copy-editing, help with contract tracking, and filing. Also includes shadowing company managers at shows and help with opening night and other special events. Special projects have included helping with the pre-production preparations for the Broadway run of Betrayal, including star housing, calendar creation, and contacting vendors.

Full responsibility for all of the company’s social media presence. Includes Twitter, Facebook, and Instagram. Boosted the traffic on their site by 50% in the first 8 months.

Responsibilities include booking travel, hotels, and car services for the lead producer, Marc Routh, and maintaining his schedule. Also in charge of office maintenance and digitizing older files and receipts into our server. Assists with the creation of marketing materials, EPKs and promotional videos and presentations.

Created an intra-departmental calendar system, in charge of BroadwayCon presence, created the social media campaign/calendar for the inaugural show at the Hayes Theater (Lobby Hero), point-person with other theaters for cross-advertising shows, kept track of the marketing budget and marketing invoices. Completed additional daily tasks as they came up. Trained on Tessitura.

Assisted in daily administrative duties of the marketing department including ticketing reporting and grosses analysis. Conducted research on industry trends in marketing and social media, facilitated with marketing and press events, and reported on the execution and performance of various marketing initiatives.

Responsible for receiving marketing material drafts (posters, advertisements, playbills, etc), collecting notes on the drafts, and assuring those notes are implemented for the final product. Created a photo series on MTC social media similar to Humans of New York focused on the summer interns. In charge of ticket donations, redeemed tickets, and the 30 Under 30 program.

Focused on keeping MCC’s social media platforms, mainly Twitter and Instagram, running smoothly and garnering interest. Created a Snapchat account and was responsible for creating content for it. Created a timeline of the theater’s history in honor of their 30th anniversary. Trained on OvationTix and DonorPro.