https://g1.globo.com/autores/rafael-leal/• Research, produce, shoot and edit video for various formats, taking ownership over the process from start-to-finish.• Produce video content to social media such as TikTok, Instagram, YouTube and Kwai.• Set up studio-based and remote filming, live streams, as well as record VO and edit packages.• Build video content using HDSRL and Camcorder cameras, audio recorders, and full production lights.• Collaborate with editors and reporters to identify key news stories and plan video coverage.• Conceptualize unique video pieces best suited to align with a wide variety of G1’s editorial content (hardnews, politics, education, Pop&Art, science, etc.).• Ability to present and discuss video pitches with a willingness to receive feedback and work collaboratively.• Photography for the purpose of complementing and illustrating news articles featured on the news portal.• Multi-camera visual mixer with a Tricaster Video Switcher in recordings or live programs in the studio.• Operational knowledge of AVID editing systems, AVID Interplay and networked storage, AVID INews and Media Central | Cloud UXFeatured projects:• G1 em 1 Minuto• Brazilian Carnival 2022 / 2023• Brazilian Elections 2022 / 2024 (Presidential and São Paulo)• Rock in Rio 2022• Brazilian Independence Day (200 years)• ‘g1 Ouviu’ Podcast/Videocast • ‘Daqui pra frente’ Podcast/Videocast• ENEM 2022 / 23• 'De onde vem o que eu como' series• Lollapalooza Brazil 2023 / 24• The Town 2023• BGS 2023• CCXP 2023• Primavera Sound 2023

• I develop a video content plan, and produce, direct and lead new video content such as customer stories, case studies, social videos, product marketing videos, and various other video projects. • I work as a videomaker choosing the best photos / angles, images, subjects and appropriate camera environments. • Organize, plan and coordinate filming inside and outside the company.

• Research, produce, shoot and edit video for various formats, taking ownership over the process from start-to-finish.• Set up studio-based and remote filming, live streams, as well as record VO and edit packages.• Build video content using HDSRL and Camcorder cameras, audio recorders, and full production lights.• Conceptualize unique video pieces best suited to align with a wide variety of G1’s editorial content (hardnews, politics, education, Pop&Art, science, etc.).• Ability to present and discuss video pitches with a willingness to receive feedback and work collaboratively.Featured Projects:• Electoral Debates - Elections 2016, 2018• São Paulo Carnival - 2017, 2018• US Elections - 2016• Dilma's Impeachment - 2016• Live Transmission of Political Manifestations• Music Festival - Rock in Rio 2017 and Lollapalooza 2017, 2018I was responsible for all the production (recording and editing) of the special 360 videos. Highlights include:• Brazilian Carnival 2017• Lollapalooza Festival 2017• Rock in Rio 2017• Special “Rios”

I previously checked the recording equipment, including microphones, cables, light and cameras. At the recording location, I assisted the cameraman at all times, always using the correct equipment he needed for great recording quality.

Working with Creative Video Lead; support, develop and execute a style/approach to Inifinity Filmes video content.Work with the broader video team to deliver the pipeline of projects from start to finish, to become more self-sufficient as a production team.Bring starter ideas down to earth, helping turn ideas into creative concepts in collaboration with different teams in the marketing and communications department.Help in the direction of the "Open Kitchen" cooking program and was responsible for the video editing.Responsibility of managing the teams during the events, deciding what the priorities were and helping where necessary. Highlights:• ATypI 2015 - São Paulo• Jafra Sales Conference 2015 - Angra dos Reis

I was responsible for editing and post-production videos of most of the productions made by the company. For example, corporate videos, advertising, pre or post-event (Making of) videos, promotional videos, short and medium length films. I used the following software: Adobe Premiere, After Effects, Encore, Media Encoder, Photoshop and Illustrator and Final Cut Pro. Highlights include:• Performing comedy arts ´Eu era tudo pra ela e ela me deixou´• 14th ´Claudia´ Award - 2010• 10th ´Comunique-se´ Award - 2012• 7th ´Saude´ Award - 2012• 22nd São Paulo International Book Fair - 2012• 23rd São Paulo International Book Fair - 2014• Jafra Sales Conference 2015• Youtube Channel 'Open Kitchen'In some events and concerts, I used a Video Switcher to direct 3 or 4 different videographers.

As a Vision Mixer, I used to work closely with the Director to deliver the visual experience as broadcast. I choose which feeds are used from multiple cameras during live broadcasts and cut from shot-to-shot, choosing the precise sequence of images transmitted or recorded. Within this, I must also choose which transition methods or effects, for example wipes or mixes, to use.Besides choosing which camera feeds to use and cut between, Vision Mixers also select, sequence and incorporate all other material that makes up the ultimate broadcast content, including replay, graphics, digital effects and captioning.The 'Tudo Posso' program run for one and a half hour every morning from Monday to Friday. It was an entertainment tv show divided into 4 parts: interviews, manual crafts, music and cooking.I used the Panasonic AV-HS450N HD/SD-SDI Switcher.Skills:• Storytelling: know how to use sequences to make the story clear and engaging • Multi-tasking: look at different screens, listen to the director, and operate the mixing desk at the same time• Staying calm under pressure: make smart decisions with split-second timing• Visual awareness: have an instinctive or learnt understanding of what makes a good picture• Knowledge of the subject matter: whether it’s a particular sport, type of music or event, know the subject so you understand where to focus the attention

I had the responsibility to pre-check the recording equipment, including microphones, cables, lighting and cameras.At the recording location, I assisted the cameraman at all times, always using the correct equipment he needed for optimal recording quality.

My job was to record the stories using HDSL cameras, then edit the video according to the script that the reporter did. I was responsible for all the video equipment (cameras, microphones, lights and computers). I was also responsible for animating the entire visual identity (vignettes, GCs, credits and animated screens) using After Effects.The SES-SP has several channels on YouTube with the aim of publicizing government projects, the infrastructure of state hospitals, alerting the population about diseases and giving health tips. Highlights:• Canal da Saúde • SP Saudável• Hospital das Clínicas da FMUSP• SP Inclusão +

I used to travel with SC Corinthians' Professional Soccer Team to follow the players routine during concentration, the game and post-match interviews. Besides soccer, I used to recorder all the modalities of the club, with emphasis on futsal, swimming, fights, tennis and handball.In addition to the recordings at the club, I was one of the cameramen during the recordings of programs inside the studio, such as "Toquinho, Violão e Futebol" which was presented by the famous Brazilian singer Toquinho and "Timão News" which was the main newspaper of the TV.

Three times a week I went to the training centers to follow the training sessions of the three big football teams (Corinthians, Palmeiras and São Paulo) in the city of São Paulo. I was responsible for production, interview recordings and video editing. I also recorded sporting events, highlights:• FIVB Volleyball World League• IndyCar Series• Nescau Mega Ramp Brazil

Responsible for small and medium editions of audiovisual projects such as TV advertising, product launches and videos for events.Editing with Final Cut and Motion Design in Adobe After Effects.

Responsible for organizing projects in Final Cut Pro such as small decoupages, organizing folders and timelines.Backup to LTO tapes.Tape copies BetaCAM, MiniDV, DVCAM and HDV scans.

As an intern with no previous experience, I watched video edits with Final Cut Pro while jotting down editing tips. It was my first contact with the Macintosh operating system. It made copies with BetaCAM, MiniDV, DVCAM and HDV tapes.