• Lead creative teams on projects from Concept through Production, including show writing, art direction, and media direction. Recent clients include The Las Vegas Raiders, The Grand Ole Opry (Nashville, TN), Ryman Auditorium, (Nashville, TN) Federal Hall (NY,NY), the Milwaukee Brewers (Milwaukee, WI), the New York Wheel (NY, NY), Ravinia Festival (Chicago, IL), Roshen (Kiev, Ukraine), Hero Museum (Birmingham, AL), World Food Center (The Netherlands), Majid al Futtaim (Dubai, UAE), Solidere… Show more • Lead creative teams on projects from Concept through Production, including show writing, art direction, and media direction. Recent clients include The Las Vegas Raiders, The Grand Ole Opry (Nashville, TN), Ryman Auditorium, (Nashville, TN) Federal Hall (NY,NY), the Milwaukee Brewers (Milwaukee, WI), the New York Wheel (NY, NY), Ravinia Festival (Chicago, IL), Roshen (Kiev, Ukraine), Hero Museum (Birmingham, AL), World Food Center (The Netherlands), Majid al Futtaim (Dubai, UAE), Solidere (Beirut, Lebanon), Legends Entertainment (Beijing, China), Hainan Space Park (Hainan, China).• Member of Steering Committee, overseeing day-to-day operations and long-term planning for the company.• Charrette leader • Client-facing project development lead, including pitches to CEO’s, CMO’s, and government leaders around the world. Show less

• Charrette leader • Client-facing project development lead, including pitches to CEO’s, CMO’s, and government leaders around the world.• Concept writer

• Writing Projects include The Architect (Samantha Sprecher), Truth or Dare (Painted Ponies Productions/Thomas Carter), Trouble With Girls/In Between Days (NBC Universal/Working Title Television), Between Two Waves/When The Nile Turns Blacks (Matt Rhodes Entertainment/Painted Ponies Productions), House of Cards (FDL Pictures), Salvation on Sand Mountain (North Carolina Arts Council New Works Grant), A Torrent of Kindness (Adapted from the essay by Allan Gurganus/Performed for the NorthCarolina… Show more • Writing Projects include The Architect (Samantha Sprecher), Truth or Dare (Painted Ponies Productions/Thomas Carter), Trouble With Girls/In Between Days (NBC Universal/Working Title Television), Between Two Waves/When The Nile Turns Blacks (Matt Rhodes Entertainment/Painted Ponies Productions), House of Cards (FDL Pictures), Salvation on Sand Mountain (North Carolina Arts Council New Works Grant), A Torrent of Kindness (Adapted from the essay by Allan Gurganus/Performed for the NorthCarolina General Assembly)• Represented by Michael Cendejas/Lynn Pleshette Agency• Producing credits include Antidote/Terror Films (2016), Let Us Now Praise Famous Men/StreetSigns Center for Literature and Performance (2001), Death and the Maiden/StreetSigns Center for Literature and Performance (2001), Locally Grown: WordSong An Evening with Clyde Edgerton, Lee Smith, and Bland Simpson/StreetSigns Center for Literature and Performance (2001), A Midsummer Night’s Dream/StreetSigns Center for Literature and Performance (2000), Wave When You Pass: The Chatham County Project/StreetSigns Center for Literature and Performance (2000), The Seagull /StreetSigns Center for Literature and Performance (2000), Tongue of a Bird/StreetSigns Center for Literature and Performance (2000), Locally Grown: An Allan Gurganus Evening/StreetSigns Center for Literature and Performance (2000), House of Seven/ Oak Alley/HERE Performing Arts Center (1998), Dear Liar w/ Alvin Epstein and Julie Harris/greasy joan & company/Royal George Theatre (1998), Iphigenia and Other Daughters/greasy joan & company/Griffin Theatre (1998), Pericles/greasy joan & company/Facets Multimedia and Theatre by the Lake (1997-1998), Jack, or the Submission/greasy joan & company/Organic Theatre (1997), The Changeling/greasy joan & company/ The Famous Door Theatre (1997), Endgame/greasy joan and company/Memphis International Becket Festival and Organic Theatre (1997). Show less

• Developed slate with producer of 16 film projects ranging in stages from development of idea to packaged project looking for financing.• Worked with screenwriters/directors on development of scripts including detailed story notes.• Oversaw options and development of two novels and one screenplay.• Company representative at international film markets (AFM, Cannes, MIFED).

• Oversight of undergraduate theatre with four mainstage productions per year and teaching 3 classes (9 credit hours) per term, including Advanced Acting, Dramatic Writing and Adaptation, Senior Seminar, 20th Century Drama, and a newly developed service learning class on Creating Performance through Oral History.• Directed Electra at the invitation of the International Festival of Teatro Cort in Arezzo, Italy.• Granted leave-of-absence to work as guest artist at the Falaki Theatre… Show more • Oversight of undergraduate theatre with four mainstage productions per year and teaching 3 classes (9 credit hours) per term, including Advanced Acting, Dramatic Writing and Adaptation, Senior Seminar, 20th Century Drama, and a newly developed service learning class on Creating Performance through Oral History.• Directed Electra at the invitation of the International Festival of Teatro Cort in Arezzo, Italy.• Granted leave-of-absence to work as guest artist at the Falaki Theatre, American University/Cairo. Show less

• Administered all areas of this new, national performance center affiliated with the University of North Carolina that focused on the research, development, presentation, and touring of new literary adaptations, company created theatrical works, oral history/performance projects, innovative new plays, and bold re-imaginings of classics.• Responsible for artistic management oversight of the performance center.• Responsible for management of long-term development, fundraising, budgeting,… Show more • Administered all areas of this new, national performance center affiliated with the University of North Carolina that focused on the research, development, presentation, and touring of new literary adaptations, company created theatrical works, oral history/performance projects, innovative new plays, and bold re-imaginings of classics.• Responsible for artistic management oversight of the performance center.• Responsible for management of long-term development, fundraising, budgeting, and booking (in conjunction with a New York-based booking agent). • Co-creator of integrated educational programming.• Company liaison with local, regional, and national foundations and arts councils. Show less

• Scapino/The Company Rep/Los Angeles (October 2004), Helen/ Interact Theatre/Los Angeles (June 2003), And Then Went Down to the Ships/Lincoln Center Directors Lab (July 2002), Electra/International Festival of Teatro Cort/Piccolo Teatro - Arezzo, Italy (May 2002), Art/Falaki Theatre/Cairo (January 2002), Death and the Maiden/StreetSigns Center for Literature and Performance/Open Door Theatre (March 2001), A Midsummer Night’s Dream/StreetSigns Center for Literature and Performance (July 2000)… Show more • Scapino/The Company Rep/Los Angeles (October 2004), Helen/ Interact Theatre/Los Angeles (June 2003), And Then Went Down to the Ships/Lincoln Center Directors Lab (July 2002), Electra/International Festival of Teatro Cort/Piccolo Teatro - Arezzo, Italy (May 2002), Art/Falaki Theatre/Cairo (January 2002), Death and the Maiden/StreetSigns Center for Literature and Performance/Open Door Theatre (March 2001), A Midsummer Night’s Dream/StreetSigns Center for Literature and Performance (July 2000), Tongue of a Bird/ StreetSigns Center for Literature and Performance (February 2000), House of Seven/Oak Alley/NYC (October 1998).Iphigenia and Other Daughters /greasy joan & company/Chicago, IL (December1996 - February 1997). Port Gibson Project/Mississippi Cultural Crossroads (NEAExpansion Arts Grant)/Port Gibson, MS (May-July 1996), The Changeling/ greasyjoan & company/Chicago, IL (February-April 1996), Gala Concert starring JenniferLarmore, Maureen O’Flynn, John Fowler, William Powers and the OCNCOrchestra/The Opera Company of North Carolina (March 2001), Judging Amy/CBS Television/Directing Observership (2002-2003). Show less

• Booking national and international touring for this 30-year old, internationally renowned neoclassical ballet company, including contract negotiation • Primary contact with national and international arts presenters.• Principal grantwriter (annual budget of $8.5 million, 70% of which was unearned income).

• Responsible for administering all areas of this award-winning, classically-based theatre ensemble, including fundraising, annual budgets, board development, long-range planning, union negotiations, artistic vision, and personnel.