Rex Carter Email & Phone Number

Portland, Oregon

Over 25 years experience in commercials, films, and music videos as a Compositor/Finisher and On-Set VFX Supervisor.Commercial Clients include: Nike, M&M's Mars, KFC, Old Spice, CNN, Turbo Tax, Taco Bell, Sonic, Uber, Google.Agencies: Wieden+Kennedy, BBDO.Feature Film: I Pastafari (animated sequence), Wendell & Wild.

Chicago, Illinois, United States

Commercial Clients include: Allstate, Facebook, Dicks Sporting Goods, HubSpot, Jeep, Takis, Tropicana, and Walgreens.Agencies: Highdive, FCB/CHICAGO.

Portland, Oregon

At this animation studio, my creative skills were utilized on a wide variety of projects that incorporated numerous visual styles and techniques.- VFX Supervision.- Lead Compositor for CGI characters integrated into live-action background plates.- Live-action plate fixes/manipulation.- Stop-Mo clean-up & rig removal.- Color-grading.- Motion Graphics..

Portland, Oregon

I worked in the commercial division of LAIKA as its lead Flame artist, finishing nearly every project that came through the door, including several high-profile jobs that premiered during the Super Bowl.- VFX Supervision.- Lead Compositor for CGI characters integrated into live-action background plates.- Live-action plate fixes/manipulation.- Stop-Mo.

Portland, Oregon

Although primarily known for its Claymation technique, Will Vinton Studios also had a solid CG department and 2D cell animation department while I was employed there. As the lead Flame artist, I finished numerous commercial spots that included all of these styles of animation.Clients included: Coca-Cola Int'l, M&M's Mars, Arby's, Mountain Dew, Nintendo.

Portland, Oregon

During this time, Downstream was a traditional post-house, offering editing, telecine, 3D, and compositing. I worked as a staff Flame-artist providing special effects and motion graphics for commercials and music videos.Clients included: Nike, Adidas, Hewlett Packard, AOL, Budweiser.

Minneapolis, Minnesota

It was at Lamb & Co. that I first learned the craft of Digital Compositing under the tutelage of the great Jake Parker. I was very fortunate to stumble onto one of the earliest Flame systems in the U.S. and get in on the ground floor with a piece of software that I've used ever since.Clients included: K-Mart, Ford, Volkswagen, Best Buy, Pillsbury, Sprint.